THE
DREAM FILM STORE
A sad and seductive female
voice is saying things to me. I cannot focus or see her face, it
refuses to appear in my mind.
“Oh, I’m so glad you’ve
finally come, I’ve been waiting for you for lifetimes.
- Welcome at last to the
Dream-Film Store, I can’t believe you’ve awoken here after so
long -
Did you have a long day? What
can I find for you tonight – that’s right – anything you can
imagine – a Thousand amazing thoughts preserved – or perhaps just
a bottle of red wine and a dream about the swaying sea will rest you
well tonight?”
Of course in dreams you never
know you are dreaming. That is why they have control. Certainly this
dream harnessed control enough to disturb me & leave itself
lingering behind the back of my mind when I finally awoke.
In my sleep I was wrestling w/
heat & the covers, & frightened by the lady’s continuing
voice. All I could see was blue.
“I know you can understand
what I’m saying. Don’t be afraid” -
I felt her stretch out her arm
towards me and I jumped in panic.
All around me I could see
blurs of deep colour merging & swirling, a moving chaos of images
and shapes. Still I could see no face.
“I know you can hear me,
please, I’m your friend, look! I couldn’t bear to see you waste
this now. You know me already please just trust me.”
********
II
I awoke shaken and wretched,
grappling with the duvets, rubbing my stinging eyes. Already the
terrible fear of my dream had subsided considerably; simply because
waking instantly cancels out what was previously merely dreaming. Now
I just had a headache & a longing to return to that strange scene
and assuage the curiosity that always accompanies fear. I suppose the
fear when you dream is because you don’t know you’re only
dreaming. It seems real. I lay there thinking.
What troubled me most as I lay
there in bed was that I never saw the woman’s face, though I could
sense it was desperate to appear. Oh well, just a dream, as they say.
Refusing to let a dream trouble
my thoughts all day, as had happened before I decided to get up and
wash my face.
The flat was crazed by disorder &
rubbish. Clothes, papers, books & boxes which should’ve been
locked in some attic were at war w/ the floor. I trod w/ care to the
bathroom & stood looking in the greasy mirror at a face full of
grease; the eyes that once rewarded me w/ strange smiles were laden
w/ sleep, heavy with the impurities that sleep had filtered. The
Drain in my Brain.
“I’ve been swimming
in a sea of sleep,”
I began singing to myself in a
hoarse groan. Wanting to give myself a shock, I dunked my head in a
cold basin decorated w/ floating limescale, pubic hair (for some
unknown reason) and toothpaste. How I could call that much of a wash
I don’t know. Nevertheless, I felt fresher; so, as always, I
started to prepare my morning spliff, which helped me decide what to
do today, or if to do anything at all.
I used to take great pleasure in
rolling huge reefers, just for the hilarity of seeing something
unusual & absurd, I suppose. Recently though, since moving in to
the flat, I’ve been rolling the swiftest & easiest joints
possible, & filling them w/ more weed than the big old ones.
Being stoned now fits into the same category of Time & Tedium
that it once was the escape-route from.
As I lit the spliff, & fell
softly back into the sensuous web that stonedness weaves, I felt a
longing for the fantastical times I used to have w/ friends &
girls & laughter & ideas – whereas now I just felt numb, in
a blunt trance. Not wanting to linger on the past, I took a deep long
drag, like the spliff was a sacrament, & pulled some stolid
clouds of darkness into my lungs. Holding it down, I imagined
counting some numbers but couldn’t get it together, so just waited
- & then exhaled, releasing the smoke in a grave grey sigh,
watching it fumble, disperse & vanish into cushions &
curtains & air. My head was heavy. I knew what I needed now more
than ever. To get out.
********
III
After dressing in some jeans &
T-shirts, I took my weed, some skins, a pen & paper & various
other articles of minor importance, & hid them in places in my
big jacket. I’ve never been too bothered about what I wear on top -
trousers, I just wear jeans, so I’m not fussy there either. Shoes,
however, I’m very particular about, seeing as I have to walk in
them etc. Shoes are rare allies in life. Also, I have a tendency to
turn a jacket into a home.
So, finding a particular pair of
boots, I left the flat w/ a feeling of the promise of the Day.
But where could I go?
I’d abandoned my friends a few
months before, fallen out with them all except one, Gabriel, who I
don’t speak to anymore, anyway. It was a strange series of
incidents involving my previous band & some magic mushrooms. The
details escape me & give me pain trying to remember them. We were
called ‘Open Poem Opium,’ & we split up; that is all.
(“Beat through the veins of the
city in madness
Revolving doors in your mind &
sadness
Cities crawling in your brain
streets of mystery and of pain,
I’m leaving town on the
underground train.”)
I put my hands in my pocket to
instinctively protect myself from the knuckle-gnawing cold that hung
around outside. Feeling what I thought was a £10 note in my jeans, I
pulled it out to find only a little scribbling of lyrics written some
days ago in a dull hash-induced trance.
I often scribbled things. I
enjoyed the freedom of scribbling & doodling. The pen can move
exactly where you want it free of direction, w/out the obligation of
having to form restricting letters & words. I have pages &
pages of doodles, strange shapes, & occasionally some lyrics
appear in the mess. That’s what I did for the band – wrote songs
& sang, though I don’t play any instrument.
Noticing a growing rumble in my
stomach, I felt that food & coffee were the best options, &
would give me more time to consider how my day of activity could be
filled.
Rounding a corner, I saw the
parade of shops ahead, dead faces facing me, w/ cheap dimestore
smiles. In the middle was the cafe, called “The Rat & Vessel”
to my amused bewilderment. I opened the door. Inside it smelled of
sad people, old times clinging in smoke to the walls, sad paint and
sad light. The door was still ringing from those crazy bells that
crash together on opening , & make me cringe every time. Those
bells should be banned from sad cafes. They exacerbate the dead
silence that awaits you inside when the door slams shut & the
bells stop clanging.
“A large strong white coffee
please, & a Danish.”
£1. 90. I couldn’t believe it.
I realised then that left me w/ only 10p for the day – a rare day
of Activity. Oh well.
The coffee was bitter & the
Danish was over sweet. I was fairly stoned & therefore felt a
heightened sensitivity to things like taste. After a few mouthfuls, I
realised it wasn’t quite late enough for breakfast yet.
Well, what could I do? Where
could I go? 10p is less than having nothing, because it just
irritates you with niggling little time-consuming questions.
I decided I’d be freer if I
threw it away my last change. Why I didn’t bring any money w/ me I
haven’t a clue – pen, paper & weed must have seemed like a
more useful currency to remember this morning.
So On discovering that I finally
had something to do (albeit only disposing of 10p), I thought I’d
turn it into a ritual & perhaps waste an hour of the day. I was
finding it increasingly difficult since realising this money shortage
to tell myself that I was even capable of activity this morning.
Spending an hour of one’s morning throwing away short change, &
taking an hour to decide how to do it in particular to add a pretend
sense of ‘fun…’ I realised a dead-end frustration possessing
me. The town was in abeyance, time was trapping, what could I do to
rid me of the cruel bindings of post-youth, expulsion from
university, confusion, unemployment, & worst of all, sheer
boredom? Where could I go, & with what purpose?
The 10p dilemma had started to
annoy me. I thought in vain for ways I could make a ritualistic point
of getting rid of it, but soon realised this sort of time-consuming
thought was exactly what I wanted to get rid of the 10p for – like
I said, to be free of it. This realisation of my own frustrating,
mind-cycling stupidity annoyed me greatly. I decided I’d give it to
the next tramp I saw.
It was now 11. 00. Which meant
nothing to me, because w/out anything to do or anywhere to be, it
didn’t matter what time it was. The street stretched ahead of me
crawling w/ insect-cars & insect-people, all busily rushing
around swarming sick and feversome. I often wondered exactly what the
term “crowd-neuroses” means, & laughed that I felt detached
from the clinging time-table lifestyle. Walls of grey rose either
side of the road to complete the dull-grey prison of the street.
People flocked & assembled, briefcases merged into madness, mute
timetable agony, flaccid lovers limp by, smiles fail, children
congregate in backstreets to escape, everyone around thinking they
have something to do & somewhere to go! I felt dizzy so found a
bench to sit down upon. Watching the parading fools & this
procession of sadness brought out a sadness w/in me too. I was
sitting motionless on the bench, feeling the flux & thrum of the
city, the dead beat of London; & I heard the beat of my heart
clash w/ the rhythm of the streets. I felt suddenly cold and alone.
If London had a voice, it would be a blunted and dead-pan voice like
Lou Reed’s.
I must have sat on that bench for
about 2 hours. The time was spent coming to terms w/ the fact that I
felt estranged from my environment – the first time I’d realised
the alienation of being poor in a city. Perhaps if I lived in
Cornwall, say, I’d have a job, a community in which I was known,
maybe even some friends. The city is a great culmination of sadness &
alienation. No-one in town is conscious of their extreme
self-consciousness. Everyone in town is homeless.
Pleased w/ the thoughts I had
accomplished this morning (& thinking was my poor equivalent of a
morning’s work), I decided to roll up another spliff & go for
another wander. My hands were cold & it was too windy sitting
outside, so I went to look for the nearest phone-box. Phone-boxes
were excellent for skinning up in, because a) you were off the street
& out of people’s way b) there was a nice little platform bit
to rest the Rizlas upon c) no-one disturbs you in a phone-box,
because they assume you are looking for change, or about to make a
call etc. One felt a slight degree of safety & protection inside.
The nearest phone was just across
the road. I loved crossing roads, felt it like a game, a dare, a
thrill. One of the things I felt most confident about in life was
dodging traffic & crossing roads w/ what I liked to portray to
the driver as being a fearless & disdainful nonchalance. I’m
constantly occupying myself w/ little challenges & wars, that I
suppose I create for my own amusement. Walking along a pavement, I
often ask myself a question of importance then tell myself that if I
reach that lamp-post over there before the next car passes me, the
answer is so & so, & if not… I’m sure everyone plays the
same game, just ask different questions. It’s amazing how something
as utterly pointless & unfounded in anything apart from my own
mind has the power to excite & possess me.
I can honestly feel a terrible
suspense sometimes as a car grumbles & groans & approaches
blind behind my back – I walk quicker, desperate for the answer I
want. Sometimes, if I fail to reach the object in time for the right
answer, I change the question or say I meant the previous lamp-post
anyway. It is by no means a game I enjoy playing. I become frustrated
w/ myself after a while, but at least it distracts me from
frustration of having nothing better to do.
So crossing the road, I reached
the phone-box, & entered its heavy door. Inside I felt how truly
separate I was from everything else around me. There is a certain
mysticism about phoneboxes & telecommunications. I remember
having a fascination w/ Dr. Who, & the way he travelled
throughout space & time in the blink of an eye. How I longed for
such possibilities now, standing stoned & alone in a phone-box
surrounded by strangers & the dizzying thrum of life. I wanted
adventure, change, discovery – but I was stuck. Where was there to
go?
I emptied my pockets on top of
the phone & extracted the various bits of paraphernalia needed
for skinning up. The spliff I rolled was terrible, due to what I
noticed was a growing distraction in my mind.
Standing there pulling on the
spliff, I tried to locate the exact area of my mind where the
negativity was emanating from.
‘Right,’ I thought.
‘I know I don’t want to be
here, but where do I want to be?’
Something was certainly on my
mind, but I let it go as the smoke melted into my blood & sent
diamonds rushing up my neck.
I started to gather my
belongings, & noticed among them the 10p which I’d forgotten
about.
“I’ll leave it here for some
lucky person to make a phone call w/” I mused.
‘Or, I could make a phone-call
myself..”
I didn’t own a phone & the
thought of making a phone call was quite big news to me. Who could I
phone? I had no friends.
Except for maybe Gabriel. It had
to be Gabriel. 0171 385 6603. I only had 10p, so I had to plan
carefully what I would say. Even better, I thought, I could invite
myself round to his.
I don’t know why I suddenly had
a desire to be w/ someone. I don’t know whether I even liked the
guy. I alienate myself. Perhaps the guilt that loneliness brings, had
stirred me finally into communication.
“Hello?” came the cautious,
questioning voice.
“Gabriel, man, it’s, uh,
Franco, could I come round?”
I spoke nervously &
stuttered a little, out of practise w/ conversation.
“What! Hey Franco, how’s it
going? What are you doing? Come round!”
“Yeah, I will, I’ve got 2
credits left, so I’ll - “
The line went dead & the
dead sound came up in my ear & hung around in a tone of despair.
“Shit,” I thought. “Where
the fuck does Gabriel live.”
Typical, that for once I’d
actually wanted to do something that involved someone other than me -
& it wasn’t going to be possible.
I left the phone-box still
sucking hard on the joint. “I suppose I could go home, get some
more money & - “
The phone was ringing. I lifted
it. It was Gabriel.
“Man you should’ve just said
& I’d have called you back.”
“Oh, yeah, I didn’t know –
shit, sorry. You know how I am w/ phones, clueless.”
“Ha ha ha ha ha ha – well,
shall I meet you somewhere then?”
“I have no money & I’m
down to my last few smoke’s worth.”
When I said earlier that phones
fascinate me, I also meant to say that they terrify me. I’d
probably prefer telepathy.
“I’’ll tell you what
Franco, where are you – I’ll come and pick you up.”
“Um, well, I’m in a
phone-box in Baron’s Court. I’ll meet you outside the Oddbins.”
“In 10 minutes, I’m close.”
“Alright man, that’s
perfect, cheers.”
“See you then Franco.”
“Bye-bye.”
Wow. I’d never known anyone so
efficient at phones. If I’m ever forced into using one to make
arrangements, I faff around for hours being indecisive & calling
back & hanging up.
Gabriel was a person of admirable
sagacity for his age – 2 years older than me, 22, but w/ a
sensibleness that empowered him to be utterly assured and
self-confident. Decisive & wise, the kind of friend everyone
wants & fears abusing.
I could already see Oddbins. I
approached feeling slightly ridiculous still for my telephonic
incompetence.
‘I could have done any number
of things,’ I thought
- ‘reversed the charges,
borrowed 10p off someone… oh well, I’m just useless, no matter.’
My thoughts were interrupted by
Gabriel’s voice.
“Franco, jump in!”
Elliot Smith was playing on the
stereo. I didn’t like Elliot Smith very much. He finds it too easy
to write fairly good songs. I couldn’t respect that.
Gabriel had a spliff going. “Have
a smoke on that man,” he urged. “How are you? Tell me about your
life.”
“Well, I’m O. K I suppose. To
be honest I’ve been quite dazed for ages. I don’t really know
what’s going on man.”
“How’s the band?”
“We split.”
“Oh, why”
“Dunno, just crap really.”
“Just crap sounds about right.
So what are you doing w/ yourself?”
“Oh, nothing much, nothing at
all really. I’ve got virtually no money, & none on me.”
“Any girls?”
“Ha ha ha you must be joking.”
The thought of me having the time, money, energy & effort for a
girl was hilarious. I was not ‘boyfriend material’ – I never
have been.
“Man, I’ve met this amazing
girl, she’s at the flat at the moment – you’ll meet her.”
“What’s her name?”
“Mary.”
“What’s she like?”
“Oh, amazing man, you’ll see,
you’ll see.”
“I’m not sure if I want to
believe you or not. I mean you know how sceptical I am about girls.
If she’s not perfect, not the Absolute One, then she’s not worth
any waste of time bothering w/.” This was my arrogance. Suffice
say, I had never found the One Perfect Girl.
“Franco, I’m telling you man
– if you’d just stop being so fucking particular & arty
farty, & just accept things, you’d be happier. You’ve
probably already met your Perfect Girl but were too busy moaning
about existence & lack of money & fucking weed to even notice
her.”
“you think?”
“Yeah, I do think. You can’t
get perfection, so then take what’s best.”
Elliot Smith was starting to
annoy me, so I turned it down. The car pulled up & stopped.
“Here we are then, this is the
new flat.”
“Cool, which door.”
“Here.”
We entered.
I stood waiting inside the door
wondering what I was doing. A blond girl w/ a subtle face &
medium sized breasts came to the bottom of the stairs w/ an open
smile on her face. She was attractive. Very. She wore only a long
robe-like dressing gown that revealed tempting patches of skin when
she moved. She looked at me for a strange second, then Gabriel &
her were full of kisses & smiles. I felt a little bit small, an
outsider. Gabriel introduced me, & we went through to the lounge
for a smoke & some coffee.
I always admired the way Gabriel
could mix women w/ friends. We shared a flat at University, so I knew
him well & had witnessed many of his previous ‘mistakes’ &
‘successes.’ I felt rather uneasy being in the room w/ my old
friend & his beautiful new girlfriend. I felt alone.
We sat for a while & Gabriel
& Mary inevitably drifted into the usual fresh-lovers type of
conversation. There was certainly a silent communication between
them, a sign of their genuineness perhaps.
I looked around the lounge.
Shelves groaned w/ the slow old weight of books, heaving piles of
books, pages of words compressed & preserved together in slumber,
long centuries of books. Gabriel had no doubt read them all. He
thinks books hold the answers. I think they only hold the questions.
I became distracted from the
books by the sudden movement of Mary putting on some trousers. She
stood up & had to jump & pull them up quickly while she was
in the air. I caught a glimpse of her pussy through her knickers. &
then I was hooked. I couldn’t help but cast glances at that soft
pleasure-triangle that women posses, knowing there was a cunt lying
in her lap, just lying there unattended. I felt an angling, wincing
agony.
Uncertainty and mystery was what
sustained me, kept my curiosity strong.
I wanted now to solve the
cunt-mysteries hiding in Mary’s knickers.
“Franco! Wake up man. Where’ve
you been? Cloud cuckoo Land?”
“Shit man, sorry, I’m a
little bit stoned, well quite stoned actually.”
Everyone laughed.
I suspected that Gabriel was
feeling excellent about himself now – it was obvious that I had
been staring at Mary.
“Yeah & I’m a little
tired as well. I had a really strange dream last night.”
Gabriel & I often discussed
our dreams when we were stoned.
“Yeah? Tell me about it.”
“Well, it was terrible,
frightening. There was a woman.”
“Ha ha ha ha ha! Yes! That
sounds just like Franco – terrified of women, even when it comes to
wet dreams!”
Mary gave me a look of intrigue.
Gabriel laughed at me more.
“You couldn’t understand
unless you were there in the dream. It was terrifying.”
“What did she look like?”
“I’ve got no idea. I couldn’t
concentrate enough on her face. It was everywhere, all around me –
lots of deep blue green colours swirling & all the time there was
the Voice…”
“...and what did it say?”
“something about the Dream-Film
Store or something.”
“Wow. ‘The Dream-Film Store’.
Sounds exciting. & what happened that was so scary?”
“I don’t…. I don’t really
know…. It was just…. Um….”
I trailed off into oblivion. The
T. V. had been put on & it flickered its bright ugly faces around
the room. I felt dizzy & needed suddenly to lie down. Chaos was
swarming in my head, I took a deep breath….
& a strange blue colour
pervaded the scene.
“I’ve been calling you all
day, why haven’t you been answering -
Look, there’s something we
should get straight now & here: you WANT to be here, w/ me, so
please make it easier on us both.”
“Who are you?”
“Oh you already know all
this, it’s the same questions every time – in time you’ll
remember everything, but I need to -”
“Where am I?”
“Why, you’re at the
Dream-Film Store of course..”
I felt the softness of her
presence, the lure of her maiden’s voice, a strange sense of having
been here before in another time – still I could not see her face,
just an oceanic blur.
“Is there something wrong?
What is the matter?
What is the matter?”
she kept repeating
& repeating
her voice dispersing
& drowning as I
floated away
slowly upward towards
the surface again
through the big blue
until…
---------------------------------------------
IV
I awoke panting for breath on
Gabriel’s sofa, w/ 2 impending heads above me – stoned
expressionless faces.
“Man, what the fuck happened,”
I joked.
Their smiles told me they were
relieved.
“You suddenly started
hyper-ventilating, & moving your limbs manically, & then you
feinted & just lay there looking still & peaceful, &, uh,
almost… dead!”
“Shit, that’s never happened
before, I never feint, that’s weird.”
“Probably just the weed.”
“& the crap company,”
added Mary w/ a smile. “Let me get you some water,” she
continued.
“Please,” I agreed.
I watched the ripe shape of her
body as she moved away, watched her casual motions sway. Disorder
Lust & Loneliness. ‘There is no room for love in my life,’ I
thought ‘or perhaps all I have is room for love.’
“Gabriel,” I slowly
asseverated, suddenly snapping back into the room, “when I feinted,
just then, I had the dream of the scaring woman at the bed of the
sea.”
“At the bed of the sea?”
“Yes, yes, it was at the bed of
the sea first time as well. I remember. I wasn’t aware of it at the
time. I haven’t seen the woman yet but I spoke to her.”
“What did you say?”
“’Who are you?’ &
‘where am I?’”
“Ha ha ha ha ha. & this
was supposedly a nightmare?”
- “Um, well, no, not as such,
no definitely not a nightmare, just a strange, scaring dream.”
“’Who are you?’ and ‘Where
am I?’ That’s what people in 3-rd rate Hollywood PG’s say when
they miraculously arrive at some fantastical place. Sounds like pure
cheese to me man! I can’t believe you’re letting yourself get
bothered by a dream as cheesy as this!”
“No, it wasn’t cheesy, it was
crystal clear & pure blue & cool on my naked skin….”
Then there was an uncomfortable
silence that hung around waiting to strangle me.
“Gabriel shall we have another
bifter, I could really quite do w/ a J to sort my head out.”
“Yeah, man, that’s a sound
idea. I’ll skin.”
I turned my head to look out of
the window.
Grey streams pervaded the sky.
The street outside was full of sadness, lined w/ windows, desperate &
nothing. The street goes nowhere. The pedestrians are going to places
that I refuse to call anywhere.
Mary had returned now w/ a glass
of water & a cup of herbal tea.
“Oh, cheers, that’s perfect,
thanks.”
I was never myself w/ new people.
Strangers gave me a nervous edge. You could say that they excite me –
or perhaps that was just Mary.
She sat down next to me on the
sofa. I always sit forward w/ my hands clasped. (My mother used to
say I sat like I was praying & I used to tell her that I was.)
Mary sat back relaxed & full of presence. This made me feel
uncomfortable. I couldn’t see her face behind me, & now felt
sure she was sitting back so as to look at me w/out me noticing.
My stoned mind focussed out &
dispersed & my thoughts began to spread into detailed crevices of
indecision.
If I lent back it would be
blatant that I’d either noticed her, if it’s true that she is
looking at me, or, if not, it would be either a nervous action or a
rather full-on, arrogant one; so I shouldn’t just sit here &
feel comfortable w/ her looking at me from behind.
I considered my position w/ Mary
agonisingly behind me, & Gabriel, my friend who was beginning to
bore me a little, reading in front of me, quite engrossed. He had the
spliff & wasn’t even smoking it. I didn’t want to ask him for
it, because it was his, but the rude bastard hadn’t even passed it
once.
Suddenly, in a moment of decision
I sat back next to Mary, our bodies pressing. At this stage, w/ the
threat of Gabriel there & the tendencies of my edgier thoughts
getting carried away, I began to feel excited – I began to get an
erection & my jeans were tight. “I could really do w/ leaning
forward again,” I thought. “Though what would Mary think of me
rocking back and forward like a monkey?” Paradox. The only solution
I felt was to ask Gabriel for the biff & lean forward to take it.
“Gabs man, the bifter has
extinguished itself in the absence of you smoking it. Have a light.”
We often spoke to each other in
burlesque tones using highly pretentious diction to mock the people
who assume we are being serious or genuinely ostentatious. A silent
cruelty, & a disdainful one. We enjoyed deliberately confusing
people. I know that of course it’s a manifestation of personal
insecurities, or something like that. Enigmatic people, though, have
to cultivate their enigmas, play on people’s curiosities. If people
knew this, however, the enigma, the mystery, would cease.
I suppose you could say I
suffered from a dreadful arrogance that played games w/ my autonomy.
W/ all this thought taking place
& consuming my stoned mind, my erection subsided. & Gabriel
passed me the joint.
“Cheers man. What you reading?”
“Turn of the Screw.”
“Henry James. I’ve read it.”
“What do you think?”
“Frightening. Frightening to
think that the entire novel is related through the eyes of someone so
subtly mad… psychotic… that she doesn’t know it and neither do
we…”
“Yes, yes, the scary thing is
that when you’re insane of course you wouldn’t know about it.”
“Where are you at?”
“The Governess has just been
visited by her second horror.”
“Oooooooooh… it’s just
getting good. The insanity accelerates from then on.”
I often spoke of insanity. The
idea of it attracts me. It’s in the same boat as all the things
which attract me like dreams & angels & myths & magic,
symbols, Mystery.
I often used the word ‘insane’
as an adjective. I’d never told Gabriel (& he was the most
likely person I would tell anything) that I don’t actually believe
in sanity. Or intelligence. I just believe in minds.
I needed the loo.
“Mary, where’s the bathroom
please.”
“Upstairs.”
That’s all I needed to know.
Bathrooms are self-evident & usually exactly where you expect
them to be. Still, you’ve got to ask.
“Right. Do you want the rest of
this?” I offered the joint.
“Oh, yes please. Thanks.”
On leaving the room, I realised
how much I’d wanted to leave it since entering it.
“I’ll take my time,” I
thought.
Halfway up the brown carpeted
stairs I heard Mary & Gabriel exchanging aggressive but hushed
remarks w/ each other. They were squabbling. Shit. Was it something
to do w/ me? No, don’t be arrogant Franco, of course not, they just
waited for privacy.
I reached the top of the stairs
slowly, straining to hear what they were saying downstairs.
“Don’t be so nosy Franco, go
& take your piss,” I said to myself, imitating the sense of
morals & responsibility that I recognised I inherently lacked.
Four possible doors faced me at
the top of the stairs. I chose the one I was sure was a bathroom; but
it was a bedroom. “Shit, oh well, another one of my immaculate
notions ruined. Bathrooms are not self-evident after all.”
The door next to it was the right
one. As I pissed, I looked around at all the fancy bottles of sprays
& scents & creams & whatnot. My bathroom, in comparison,
was utterly empty.
I decided I’d stay in the
bathroom a little longer to give the two downstairs a fraction more
privacy. Their relationship, on first impressions, was strange. They
possessed a silent communication which I’d seen in other couples,
but never experienced.
In front of me, they ignored each
other. & Gabriel had definitely changed. I realised then, staring
blankly in the mirror, that Gabriel was not a friend anymore. I no
longer needed him for the public confidence he inspired in me. I no
longer needed any public confidence. I had no friends. I had to get
out, leave as quickly & politely as possible. W/ as much of
Gabriel’s gorgeous skunk as possible.
Returning downstairs it was clear
that all the fuss had subsided. Entering the living room, Gabriel had
now moved to sit in my seat next to Mary on the sofa. He had his arm
around her. The skunk was on the coffee-table, where Gabriel was
previously sitting. I moved over & sat down. The couple were full
of smiles.
For the next ½ hour, we chatted
idly (except for Mary), & I was given the opportunity of rolling
a spliff. Little did Gabriel know that it was also an opportunity for
me to steal about ¼ of his ounce of skunk. Having convinced myself
that there was no longer the same connection between us, that he
wasn’t a friend, & that it was his fault as well, I reached a
guilt-free state of mind, which excited me. Ah, the potentials of
being guilt-free, amoral. All you needed was to be good at lying to
yourself. So, skinning the J, I subtly spilled the bag under the
coffee-table while the couple were smugly engrossed in some embrace.
Under the coffee-table, I put a substantial handful into my left
boot, then brought the rest up in the bag, laughing and apologising.
“Gabriel. After this biff I’m
gonna cruise.”
“You’re going? Already?”
“Well, I’ve been here ages &…
to be honest, I still don’t feel too good after that feinting
episode.”
“I thought we’d do something
today, go to Camden maybe.”
“Gabriel,” I joked like a
friend would. “You know we never do anything if we’ve got enough
weed.”
He was reluctant to agree. I knew
it was because of Mary. Being w/ her changed him.
We smoked the spliff, &
talked some more. I couldn’t be myself w/ him. He had become a
stranger. The way he was so – insensitive about my dream as well….
That was what first alerted me to his new persona. Oh well. I managed
friendly chatter, & by now had realised he probably wanted me to
go anyway, & was probably experiencing the same friendship crisis
between us that I was. At least he had Mary there when I left. What
would she be like then? What were they really like together?
“So,” I said, standing up,
“I’m off, man.”
“Cheers for phoning &
coming round, it’s good that we’ve retained our friendship and
are still in touch…” etc, etc,
Bullshit.
After the crap & the strange
half-falsity had finally gotten too crappy to bear on both sides, I
smiled at Mary.
“Pleasure to meet you,” I
said looking at her intensely in her sea-green eyes, as if to
communicate something more than my words actually said.
“you too,” she smiled,
“see you again.”
& then that was it. I doubted
if she ever would see me again. Or Gabriel for that matter. It didn’t
matter.
The door had closed behind me. I
faced the street. I was free.
********
V
W/ my confidence fuelled by the
safe knowledge of having something to smoke in my possession, I
strolled briskly away. “Even if the worst comes to the worst,” I
thought, “I can just get utterly cained & escape, pass out in a
miserable gutter.” But I could not accept this as being the outcome
of the day. “Decisions must be made,” I said decisively out-loud,
to no-one. “I must choose.”
I turned the corner, not knowing
where I was, or where I was going to. A woman w/ a pram passed me &
deliberately averted her eyes from mine. I don’t know why but this
fuelled my sense of drive further. My stride began to extend.
A moment later, a fragment of sun
scattered through the clouds that had lay in the sky all day. A ray
caught me in the eye. I began to feel quite exultant, happy to be
alive, & to be me. I continued walking in a strong rhythm. My
feet penetrated the street.
I started to hum; then I fitted
words to the tune. I was walking directly into the beam of sunlight,
which seemed to be exclusively shining on me. ‘Wow,’ I thought,
light-headed & dreamy, ‘I am indeed a very special person,
blessed.’ As soon as I’d felt this elated sensation float through
me, the grey clouds covered the sun again, as if to punish me for my
arrogance, or simply just to ruin my mood.
Angered by this, I felt like
getting myself involved in a conflict against the sky & sun. I
decided, in the mess of my mind, that I would will the sun back out
from those clouds.
Soon my concentration faltered,
though, & my thoughts maundered into silly crevices. I had turned
onto a little side street, & at the end of it, I saw there was a
fenced grassy opening w/ a gate. A cemetery. W/ my thought now on a
level of confusion, it would be a good idea to sit down & think
for a while. Maybe I could write a song.
The cemetery was virtually empty.
Furthermore, it appeared to be more like a park than a cemetery.
Nicely mowed lawns. Cosy gravel paths. Each tombstone lined up
immaculately & forgotten about. I couldn’t believe for a minute
that any of the people lying under this ground had specifically
chosen this cemetery as their place of rest. Of all the places of
rest on Earth.
I wandered down to the bottom of
the path & sat by an unusually small gravestone under the trees
in the corner. Leaves were scattered around me, fragile and
crumbling.
“In loving memory of
Mary Calliope,
died 2nd April 1882,
aged 26 years.”
That was what this curious
gravestone said. It was faded & looked out of place, tucked away
at the side under this tree. It seemed almost lonely. I leant against
it, sitting on the damp ground, forgetting to respect the dead.
I noticed a robin hopping around
the base of the nearest sycamore tree. He, or she for that matter,
looked rather impoverished, skinny & tired. I immediately took
pity on this little robin & felt helpless that I couldn’t give
it something to eat. Instead, I smiled at it, & said “hello”
in the tone of voice you’d use w/ a baby. “You can be my friend”
I said wistfully, trying to put some genuine enthusiasm into my
voice. I sounded false. Almost inevitably, the robin bobbed away. ‘Oh
well.’
I sat there engrossed in an
evolving day-dream, unable to find a single thread of productive
thought, wallowing in whatever arose.
I was beginning to feel nauseous.
My guts felt like sludging snakes writhing inside me. “Shit,” I
thought “I haven’t eaten yet today.” What time was it? I hadn’t
a clue. How long had I been sitting there? I began to panic a little,
& feel light-headed. ‘Shit, I’ve got some weed, shit I
forgot, wow, I’ll have another smoke and calm down.’
W/ my face down to my lap, &
my fingers absorbed in the process of rolling a spliff, I did not
notice the elderly woman approaching me w/ a little joke of a dog
scampering beside her. Just as I lit up, & lifted my face up, she
was there.
“Morning,” I said, slightly
shocked.
Her face was heavy w/ old skin
but could have been attractive before about 50 years of weathering
set in.
“Why are you sitting on that
grave?” she said abruptly.
“Well, um, actually, I am here
to mourn my father’s grand mother.”
Her nosy rudeness annoyed me, &
I was in the mood for retaliating on the offensive.
“She died while giving birth to
my grandfather,” I continued, enjoying the freedom &
spontaneity of lying, enjoying the fact that I had gained the upper
hand.
“Oh,” she said solemnly. “Oh
I am sorry,” she continued humbled and apologetic. I was suddenly
hit by a great wave of guilt, at seeing how easily I had defeated his
poor old woman, who was in the right anyway. I wanted to tell her
that I was lying, & had actually stopped to roll up some illegal
substances, & that yes I was a typical youth, & that you were
right to question me… But she had already tottered off, w/ her
little tottering dog. Oh well, no point in pitying the weak, I
thought.
W/ this incident over, &
seeming to have taken place hours ago, I continued with the spliff.
Slowly, I began to enter a state
of mind that I’d never encountered before. My stomach seemed to
expand & expand into space. I closed my eyes & felt the walls
of my stomach moving outwards. I felt as if a universe was being
created inside me. I felt a huge space within the entire of my body,
which I felt no longer existed. I imagined seeing stars explode &
planets being born &
********
VI
& I plummeted to the
Dream-Film Store again…
“Here is where dreams are
stored on disk,” said the friendly female voice as if on autocue.
“Anything that can be dreamt, any dream sequence, it’s stacked on
the shelves here in The Dream-Film Store, this shop beneath the
waves.”
I felt less afraid than
before.
“What’s the meaning of
this?” I asked.
“Well,” she said, “I can
explain.”
Her face, her physical form
now appeared, a nubile and pulchritudinous sylph.
“Hi,” she said, resolving
from the colour.
“Hi,” I said back,
breaking that rule that women don’t like you copying them.
“Your loneliness, disorder
and despair leads to LUST. Your agonies are self-inflicted.
ALIENATION is one of them. You have escaped into The Dream Film
Store. You have accidentally slipped into a crevice of your own mind
and landed awake in the subconscious.”
“Really?”
“Either that or you have
created a world here at the bottom of the sea symbolising mystery,
women, penetration, drowning, hallucinating, dreaming, the
subconscious.”
“Well which is it?”
“Your LONELINESS is a
fantasy world that is the subconscious reaction to and sanctuary from
the alienation, waste & disorder of your waking life. You are at
war with yourself. Your subconscious is offering you peace terms.”
“I don’t understand.”
“Come
with me while we plummet,” she said; “plummet with me while we
sleep.”
WIRED
TEETH
I
watch her walk along on the other side of the street.
She
parades the black panther’s nonchalant strut.
She
wears blue jeans and black leather boots.
She
takes some chewing gum out of her bag.
She
slides the stick of it out of the pack.
She
puts the stick of it into her mouth.
She
loves to chew and suck the taste.
She
loves to chew and suck the taste.
She
puts the packet back in her bag.
She
swings the bag about a little bit.
She
walks past a little pub long shut.
She
might go check out a flower shop.
She
loves to chew and to suck the taste.
She
enjoys it, chewing and sucking the taste.
(Kilburn)
THE
GREATEST SIN
(for
Nathalia)
I
COCOON
OF LOVE
A
glance
A
blink
A
fault in the stars
Her
mascara slips into pools of black
A
chance
A
second
of
Infinity
She
flutters her eyelids
like
spring’s first butterfly
II
LOVESICK
LULLABY
Love
hides inside the empty floorboards
Love
glistens from the shining dew drop
Love
rises from the end of a candle
Love
hurts & wounds the sleeping innocent
Love
screams & kills but we forgive it
Love
wanders through an empty corridor
Love
arrives like a midnight butterfly
Love
jumps up from the serpent’s shadows
Love
fills the air with empty spaces
Love
seeks those who least seek it
Love
kisses those who don’t deserve it
Love
falls & takes you to the sea-bed
Love’s
name is hidden in her whisper
Love
sings like a silent choir
Love
dwells in lack of truth or reason
Love
dies when she blinks her eyelids…
III
TO
SIGH
In
a half lit world
I
sink to see a moment of you
&
I’m scared to believe
That
death not ends these fearful dreams
But
at least I dreamt
Amid
a lost desire
Alone
on a sinking ship
Sinking
into aborted love forever
&
it gives me hope
To
sigh
But
darkness dwells so deep
It
makes me want to smile
Because
I don’t have to pretend
Yes
I
know I’ll drown
But
at least I dreamt of you…
IV
TO
FEEL
To
feel the despair
in
a lover’s breath
To
feel the heat
in
a wayward smile
To
feel the mystery
of
the heart
I
can’t keep hiding in the shade
To
dare to see her
blink
her eye
When
she is gone
her
scent remains
I
dare to feel
I
dare to touch
I
dare to believe in Heaven…
V
FOOL
I
can’t see you
so
I guess you must be
invisible
I
can’t feel you
so
I guess you must be
perfect
Into
this wilderness I’m born
Into
this longing heart I’m thrown
Into
this sea to drown
To
die asleep & dreaming of you
Because
I am just a fool
I
hope I die with you…
VI
BY
DARKNESS
She
dances in the darkness
like
a flame
She
disconnects with a sigh
I
fall into the trance
&
awake
only
to sleep again…
VII
THE
URGENCY OF NOW
The
warm urgency of now
Pushes
me deeper into the tide
I
surrender to desire
&
let you conquer me
Floating
asleep on a laughing sea
I
can see you
on
the shoreline
Waving
slowly, calling softly
I
must see you again
Tomorrow
will bring treasures deep
Rich
& warm comforts of the soul
I
need you here
Before
I cry & close my eyes forever
I
can see you
On
the horizon
Beneath
a melting sunset sky
The
stars awake to notice love
She
waits with open arms…
VIII
OH,
I GUESS IT’S LOVE
There
is no place that tastes so sweet
a
soft asylum by the garden’s quiet corners
Voices
and bells
The
resting birds
Enhance
the warm night’s silence
With
careless smoky laughter
Solemn
prayers
In
the church’s hollow sadness
Solemn
forgives the slow deliverance
All
is well
&
all is strange
The
strangest thoughts to have
Soothed
my mind
A
small oasis
In
the dusky realm
Gives
me the power
To
think & dream
Lying
under the moon’s crazy figure
A
blurred statue
In
the timeless sky
A
hazy blanket covers all
Obligations
to return inside
To
sleep
&
retire to the oceans
Nothing
could caress
My
heart so bruised
More
delicately
Than
the crazy air
What?
Oh,
I guess it’s love
It
has no place in this crazy world
My
drowsy head releases hold
Beneath
the sky-turn-ocean-grey
A
dusk to lose
&
forget
The
purpose
For
there is no meaning
Behind
our eyes
So
slow
So
old
What?
Oh,
I guess it’s love
That
forges sleep
On
our fragile minds
The
blurred sunset
In
the crazy silence
Sacrifices
All
its treasure
To
give me power & no direction
To
help me lose my careless way
The
moon is a pearl
With
a lazy voice
&
it hums
To
Death’s gentle song
The
tune that means all is healed
What?
Oh,
love,
It
will wound me & forgive me
The
graveyard is a place of rest
&
the church sighs
A
place of death
A
useless womb for priceless dreams
That
run in its dizzy realm
Naked-Luxury-Deathly-Trance
But
all is well if I only think
&
sigh of the dreams of dusk
Images
before I sleep
Dancing,
escaping memory
They
seem to have no cares at all
They
seem to know the name of love
They
seem to be my sacred friends
Ancient
messengers, waking at night
But
I will forget them
&
never care
About
what I saw in love & alive
What?
Oh,
I guess it’s love
Just
us & love
Forever...
IX
WAITING
Slowly
rise
Slowly
stir
I
lie waiting, thinking
Wishing
I was lying down
with
you
Sleeping
in soft grass
Wandering,
laughing through open fields
Drifting
through meadows without fences
Outside
dawn blooms into spring
Birdsong
chatters in the trees around
She
will find a way
If
I can find her secret heart
Then
everything
will
be
okay…
X
AWAKE, THE CRAZY DREAM
I am asleep
until she smiles,
I am perched
on the edge of a dream,
She dances along the summer
horizon,
& loses me with the blink of
an eye…
XI
PURPLE PERFECT
To trade desire, wrapped in silky
cloths
To build a fire, where the
insects flock
There is a candle, I don’t
believe the light
But I can feel you, we’re on
the edge of night
Into a theatre, onto an endless
bridge
Into the ocean, on the back of a
bomb
Never yesterday, in its faded
tomb
Nor tomorrow, in its empty womb
Fresh desire still feeding hope
Onto a bonfire, down a necklace
rope
While I’m blinded, there is no
horizon
But I can see now, the sun has
risen
With strange colours, mixing the
twilight sky
& love is our sin now, we
could forever die
together
In the depths of a dream
Live together
In a world unseen…
XII
THE WISH OF NIGHT
Madness swirls deep in the heart
A butterfly resides in you
A tragedy of feelings lost
surrenders to the wish of night
& in this world I can't
explain
I know exactly where I am
Inside a crevice of desire
In the dreamy air of a lover's
scent
Wherever you take me, that's
where I'll be
In the weeping skies my mind
gives up
& falls into the arms of
sleep
I'd fade to know I thought of you
& the world has risen to my
hands
& the earth murmurs beneath
my feet
& the light of all that's
good is true
if believing is the dawn of
dreams
I guess that I'm afraid to tread
The purple skies for the risk of
a word
But at least I'm sure of fear
As she gives me the strength to
feel afraid
A whisper fathomed deep in mine
Well I don't even care to cry
& I don't care to face the
edge
& plunge into the oceans dead
& the flame of love has lit
my candle
& the sky has echoed my
desire
& all the air is drawn into
my lungs
& I know the secrets of the
shade
& I know the wars that come
from peace
& I know the mystery of love
& I know the resilience of
the soul
& I'm sure that knowing you
is true…
EDITORIAL
At
Oundle School a friend and I founded a magazine called Poetry Now and
a DIY Publishing company called Ice Land Publications after the
country in Brave New World where the renegades are exiled. The
magazine had many contributors, all of whom were anonymous aside from
a list of contributing names at the back. Each month’s edition of
Poetry Now had a different monthly edition name like “juvenile
dementia” or “under garments.” At the time I was into Rimbaud’s
colours of the vowels, Keats’s Negative Capability, Tricky’s
trip-hop lyrics, the Beats and more. I took a sharp right at the rosy
crucifix on the black board demarcating the values of the Augustan
and Romantic periods – saying “tonight it is your right to judge
by heart alone.” For some reason the line “I look forward to the
future with rapt uncertainty; and can’t stand the suspense” also
chimed like bells reverberating up in the fells and struck a warm,
psychic chord. (I read that line in a Velvet Underground record
sleeve actually!). My mission was not just “to make them sound
genuine and believable,” but also “to remain relevant and
interesting” and “to be utterly modern too.” The following
suite has been preserved of my output.
THE
ANON SUITE
I
A
BROKEN CHAPEL
The
Quire is opened, awakes the blame of memory...
whomsoever
they’re looking for it’s not me.
Light
shafts in its distilled sleep.
The
dead in tired dance circle the silence,
lingering
fragile moments outside the quiet Quietus -
but
wait, who dreamed me awake this time?
It
was me, I'm he who dared disturb.
Not
to renounce the past with rapt amazement
but
to forgive our sins, falling like leaves.
We
have seen this all before, time
tumbling
away into sleep, seen
this
darkness drop and these ruins murmur
and
now we are gathered to appoint the gods
and
now we are gathered to consecrate ourselves
and
now we are gathered to ordain this dust,
we
are gathered to live and to dream.
II
INVINCIBLE
LOVERS
I’ll
tell you how strange and wild
With
wanton promise comes she
On
an unknown hour
Like
an uninvited guest
You’ve
somehow brought to bed.
All
night we’d
Sit
and think of history
As
if it hadn’t passed,
The
great wars and the ancient peoples
And
all the silly fears.
We’d
think of how much we’ve changed
And
how much we’ve remained the same.
We’d
think of moments of mine
We
somehow shared and how I longed to live
In
circling illumination of all those moments,
Fragments
gone.
And
softly I wished
To
expand history back into the past
And
never to move again an inch forwards.
And
to run through the memory of Time,
Ancient,
timeless galleries.
Often
we’d sit and think of speaking
Or
retiring to bed or even sleeping.
Always
we’d realise we never had
Time
enough to waste or spend.
So
we gloried in ourselves
Like
invincible lovers,
Always
boundless in new being.
And
if I seldom spoke in sad regret,
She
would turn and smile
As
if to boldly offer
‘Come
take my hand,
And
we’ll wander across no-man’s land.'
III
THE
RISING KESTREL
(co-authored
with Mr. William Thyne)
Night
arrives like a ghost.
The
green kingdom around me
opens
up to the starlit laughter.
To
hover motionlessly o'er the mellow fields
I'm
rising through this careless freewill
like
a kestrel from its wood.
Lusting
for life as every being should.
Desperate
for sex with a dream full of ladies.
But
nothing too personal.
Because
love is life without drugs.
IV
OPEN
In
the cotton mist she
came
in shining leather.
Time
swings on
sighs
forever.
She
touched my shoulder
like
a burning prayer
and
sighed as all the
sky
was severed.
“Full
fathom five”
could
not be a-
nother
number for
Virgil
says “there are
tears
in things;” and
O
is not a ghost-vowel,
no,
but U is a ghost-
vowel–
when we're
opened
unto the
gloom
under
sliver
moon and
I
slide her over.
Semen
spills
like
silver water.
We're
soon enough
in
the flotsam ether.
V
I
KNEW THAT SHE LOVED ME
I
escaped last night
into
a heightened dream
from
a dull and longing sleep
and
the stars murmured
their
cool ballad
to
the approaching sky.
Secrets
hung like ghosts
in
the corner of my wanton world
all
blurred and drugged too deep
and
I knew that she loved me
from
her invisible motions
and
the dagger in her soft reply.
The
questions concealed in her eye.
Her
smile a luring prison.
Her
blink a beautiful danger.
Her
breath a poisonous magic.
And
I knew that silence
would
soon let slip its whisper,
knew
that fantasy
had
never been so real
and
I knew that she loved me
because
I knew everything.
I
knew.
VI
INFANT
JAZZ POEM
Sometimes
perhaps
down
opening quiet
I
am drawn down
long
and alone
and
my friend and
my
foe recede
into
deep sleep
sudden
and still
like
a dawn behind a
screaming
veil
where
silence
is
born and all that's
loose
and tight and
all
that's light is light
like
first morning
with
no night
and
wend my way
so
slow to Freedom
and
soft Infancy-lunacy
with
harp-sure eyes
so
I can live
the
last poet's
last
poem.
VII
HAIKU
FOR SPRING
There
is joy in things
and
smiles not grins like butter
but
like butterflies.
AN
INWARD PRAYER
“The
initial task was to widen the area of consciousness” - Allen
Ginsberg
Blessed
are all these miles of madness
bumbling
around us
Blessed
is Night w/ its centuries
of
bright, burning eyes
Blessed
is the secret of an inward prayer,
whispered
to your soul,
disguised
w/ shadow
Blessed
is the joy
when
tears break from their blue chains
and
shatter from your eyes
Blessed
is Brahman
and
the holiness of Things
O
Brahman! Regard me
w/
mine own eyes!
(Atman
is Brahman
as
the sun its light
cursed
the wiseman to God
w/
his final breath)
Blessed
is Buddha & Samadhi & Christ
and
blessed am I for blessing them
Blessed
is connecting to the
Big
White Dream
in
moments of vast, empty enlightenment
when
suddenly wakened
you
open reception
to
Dark Dream Radio & the Infinite Broadcast
and
blessed are its electric currents
(the
channels of rhythmic ecstasy)
for
Music, Sex and Idea
are
the elements of miracle
&
grasping your mind
in
instant static pain
the
sudden rush of apocalypse
like
the visitation of God
or
the angel in your eyelid
Blessed
is falling through leering madness
&
waking again a naked boy
Blessed
is the sadness in things
and
blessed also its joy
Blessed
may be the end at last
under
the sea
below
the soul
in
the upside-down
Oceans
above us
(all
that heaven sends is rain)
&
blessed is the rain that heaven sends
it
is the life for the poems around us
Blessed
are the Four Pillars of Time
Milk
Water Whisky Wine
milk
is the silver semen of birth
water
is the heavenly liquor
whisky
is embedded in the soul of the poet
&
wine swims through the heart of the gods -
O
drown me in the heavenly fluids!
Blessed
is the poet
struggling
through headache
strung
out in harmonious rhythm
like
a chain of music from star to star,
beating
to joy in a New Beat heart
Blessed
is sin if it kills Ignorance
Blessed
is the redness of blood,
The
madness of kissing,
The
promise of moments
Blessed
is the wavering emergence of Now
The
friendliness of meeting a stranger
The
strangeness of meeting a friend
Blessed
is the promise of words
That
someday I may dispose of language
Blessed
is peace
as
blessed is 'FUCK!'
Blessed
is the miracle of life
Atheist
and holy in one
Blessed
is choice and every decision
And
choosing never to choose at all
Blessed
is the rapture of the slender moon
And
the danger in her wanton thigh
And
blessed are we for our daring tongues
For
being in love w/ being in love
Blessed
is our small advance
beneath
an ocean of weeping stars
for
time is all that time can prove
Blessed
is Discovery, Invocation and the dark
Blessed
is pain for it shows you can feel
And
blessed is death for it means you’re alive
Blessed
is wandering the cruel edge
and
seeming a fool in quest for height
Blessed
is the rambling bardic child
Who
never strays from his heart
But
on vast miniature journeys through space
He
arrives at Conclusion
W/out
even thinking
Blessed
is thought as absence of thought
So
in the great, dark Over-soul of night
Above
us all and counting time,
That
thought behind
The
back of your mind…
Let’s
just say you looked into my eyes
And
saw the scars of dreams had opened
And
saw the glimmer of the gates unlocking
And
saw the nobleman nod his assent
Tell
the master calling for me
The
servant shall not be disturbed
He
is drowning himself in the laughing sea
And
has seen the snake slowly recoiling
And
has felt the womb of conception calling
And
has found the Sea of Words
No
let’s just say
I
came and saw
And
you almost heard
My
soundless word
Blessed
is word as absence of word
Last
words change all the rest
And
last longest,
Last
word
Death.
SAFE
FROM HARM
Fleeing
the scene of the smoking crime
my
shadow legs were failing falling
decided
to run forever but fell
the
cops were swift on my slow back
&
slow to follow my swift soul
which
grinning escaped through some hole
&
down a road safe from
Ignorance
perfectly un-noticed and perfect
The
cell was hard like white bone
&
naked like something blind and ugly
I
slumped & swayed in openly stonedness
&
opened my black, silken shirt
“the
silent one” sulking & moaning
in
hooded prayer to an inward God
The
cells were sick & blind
some
people advertised their Ignorance
in
graffiti screaming from the walls
“FUCK
THE PIGS” someone had scratched
I
would have told him to fuck himself
for
what worse is a pig than a sheep?
&
so it appeared that Ignorance wins
only
over Ignorance again
&
I was thankful for this thought
&
thankful that I felt wise
&
winked eye to my mind
thankful
that though I know my judgment
really
judges deeper and wider,
unlike
the pigs and sheep I don’t
insist
my judgement is better
____________________
[NO
NAME]
through
arteries of galaxies
of
memories
to
galleries where tapestries
of
slaughter hang from falling walls
through
the purple corridor
a
door is ajar
push
it open
gently
creaking opening afar
then
into the
crumbling
tumbling temple
fumble
through and stumble on
across
the stone across the floors
flat
like graves
patterned
in shadow
onwards
upwards
notice
the window
above
all stained in
glory-orgasm
w/
the cross of Christ
and
the face of you
Holy
you
like
some ragged tearful stranger
bled
to the world
just
to say
“anyway
-
there is no truth
give
up now
&
turn away”
it's
all too late
you
must not wait
follow
the shadows
into
the shade
head
up high
up
on to the altar
where
stands a candle
forged
in Rome
find
the candle
&
follow it upward
&
finally then
find
the flame.
From
‘THE BOOK OF WORDS’
Words,
words, words. What are words? These are words.
Words
in this epistemology I would say are useful tools associated with the
instinct to survive.
Man
is words and ‘man’ is a word and words draw bridges across
metaphysics and words make connections between first and third
persons.
Words
are also a great bandwagon of falsity we must presume is not false in
order to make life easier.
Words
are, well, ONLY words.
“MAYFLY”
I say the word ‘mayfly,’ phonetically, sounding out its every
vowel-sound alphabetically.
The
word ‘Entropy’ spelled backwards, i.e. y.p.o.r.t.n.e could frame
the first, unformulated spark of appetency in Nothingness preceding
Creation, or else have no meaning under the sun in which case I’d
say that is Tucker’s constant.
Neil
Curry says “if two people can agree on the meaning of a new word,
it becomes a real word.”
‘Indwellable’
might mean the opposite of ‘indomitable’ when it comes to the
medicine man’s medieval cinema screen empoldered from the harbour
in Iceland.
Neil
Curry also liked the bit in my essay on Norman Nicholson where I
wrote “You can find freedom from accepting limitation.”
Sometimes
I drive a stolen, Dream Factory car for whom punctuation is merely
brakes, bird with the skin of snaking in the Lakes.
Music,
Magic and Mystery make the three M’s of words.
I
think I might write A Trance of Stalks by Professor Quentin
Ponsonby, when I am bored.
The
distractionary may contain the metallurgical origins of birds, whom
it seems speak, in gagazookzook and bongateebingbong.
I
think poetry is more like Man interpreting God and music more like
God interpreting Man.
I
like my lines of shining conveyance to be free to connect in all
directions.
When
two words thought to be mutually exclusive connect in Holy Orbit it
forms an Image.
“Noetic”
meaning “of the mind” is my new favourite word because its suffix
‘ic’ reminds of Icarus who flew too near the sun.
SCENTS
OF SPRING
I
love the day the first, fresh scents of spring
suffuse
the air and pervade the senses.
An
AEIOU bird
toots
its hollow horn
outside
on the A595.
A
celebratory genesis is everywhere.
Mother
earth
is
giving birth,
menstruating
season
and
ovulating dawn.
Fresh
lovers maunder
hand
in hand and
knee-deep
in redolent flowers
into
shade to take repose
by
cool, running waters.
Sybaritic
sylphs swoop in sentient air.
The
blue sky arches and swoons,
I
bridle the mind and
race
apace to the shore
where
seabirds scream
from
the ragged rocks,
O
is it their love-song or elegy?
Waves
make gentle love to the shore.
In
alchemy a galaxy
of
stars exploding
into
being above is perceived
as
an orgasm, is perceived,
that
is, in an erotic sense.
Liquid
night arrives too soon,
O
moon, O beautiful,
sleepless
omen moon,
who
shines like an
electric
coin and seems
to
be in love with the sea
or
at least her own
shattered
reflection:
she
scatters her jewellery box all around.
Homework
tonight
is
to remember your dreams.
I
prefer telepathy to 10p.
HYPERTEXT
No
worries, lost lover,
Science
has the answer,
all
wrapped up in its
rubber-gloved
hand
and
they’re soon
abolishing
altogether
sadness
gene and
dreaming
gland -
for
Science has told
us
many of the stars
you
gaze at tonight
are
not really there
but
illusions of the
light
that takes so long
to
reach the beams
of
our glistening eyes
that
for centuries
after
the star has died
it
still appears to
be
hanging there,
a
little, glimmering
crystal
tear, in
love
with the dark,
as
bright and beautiful
as
it would be if
it
were really there.
NOTES
ON HYPERVISION IN THE YEAR 2000
I
MILLENNIAL
PROPHECIES
I
look into that dust in that late sunbeam angling in and foresee that
they will one day hunt for something called the God Particle that
will prove God non-extrinsic to matter.
It
would be good to see an alignment of the Plough and the landscape for
a first black President of America.
I
think if Fight Club were real someone would fly two planes into the
Twin Towers on September 11th and I don’t think that a
good idea but someone might do that.
I
would like to write a book, maybe a Trilogy, called The Scientific
Papers, classed as a series of findings into itself, into the concept
of art and science as a single discussion of perception.
It
would be good if there were a party in an office block where all the
internal walls are removed and where every floor represents a decade
in music, fashion and substances.
I
myself would like to record an album on earphones, like Rimbaud might
if he were a musician.
I
would say that smells from tellies would also be possible one day
too.
I
think what we might see is an Age called the Age of Enchantment that
is an echo of the Enlightenment.
I
do wonder if there will be another immaculate conception now that we
have a new Millennium.
II
MILLENNIAL
PEN-KNIFE TOOLS
A
virtual death machine to wake you up. A word-chord synthesiser at the
edge of selection. A drug called “Strictly Free” that does what
it says on the tin, is and makes you strictly free to consume. A
red-bleeding type-writer inside a ping-pong ball. An holographic
horse-cock wheeled in the bedroom. An invisible square of air called
‘Mosaic by Darth Vader’ stroked on telly. A neutraliser drink
that sobers you up in one quick instant. The monolith from 2001: A
Space Odyssey protruding from the oldest fell at ten to eight.
Earphones implanted with tiny mics inside them so that you can record
on them. A love-bomb that explodes in a Chaos Theatre. What’s wrong
with these is that they are not real!
III
AMBITIONS
To
replace the archaic word for ‘gay’ would be amazeballs because
‘gay’ used to be Man’s highest emotion and was never replaced.
To
discover an aesthetic anti-system like the colours of the vowels in
English would also be great, even though Rimbaud deemed it folly.
To
conduct an experiment into the international language alphabet would
also be an artistic ambition.
To
overthrow the conscious self-censor would be good, maybe create a
superhuman narrator called FUCK who can tell the truth like no-one
else.
To
start a new religion is what I am getting at because I think the
Millennium means what is old is expended and we need to renew our
values; and already Jedi is an official religion on the census forms
in London.
To
start a new language entirely would also be a positive thing, if at
all possible, in my opinion.
I
would like to start the tradition of the post-poem.
I
would also see gypsy poetry in the English centre because it would
shake things up and I think it could be interesting to see if they
have anything new to offer.
If
I were a concept artist I’d build a room made of hash that the
audience can blow-torch but as I am not, just a writer, I can’t do
that; and I would only endorse real live death in the cinema if an
old granny volunteered for euthanasia and that’s because I do have
some moral compass.
To
make a new discovery as big as fire is the long and short of it, for
every generation might have that chance again, to usurp the burning
torch of culture from the old.
To
bring back the Summer of Love is the largest and widest goal.
To
bring about simultaneous orgasm of Man.
IV
BLUE
“You
know how dad told us all
he
was an art smuggler nicknamed Blue?
That
he smuggled art over the Berlin Wall?
That
he sold his business when
the
Berlin Wall fell? Well,
I
think it might’ve been code, art
might’ve
been recourse to euphemism.
I
think he was a pollen smuggler.
I
think he had a pollen farm
way
up high in the Moroccan
mountains
and shipped tonnes
and
tonnes of pollen to the States.
This
whole art dealer nicknamed
Blue
thing is just to protect us.
At
least this is what I entertain.
I
also think he named us after
The
Doors, John, James, and Robert
and
then they had a girl of course.
Have
you noticed we are born
in
a season each, going Spring,
Autumn,
Winter, Summer, and
march
right left right left in the hands?
There
are also four compass
points,
four seasons, four wheels
of
a car and four dimensions
to
the mapping of any point in
the
spacetime continuum including
time.
Now revolve that bifter!
After
all I think Jesus himself
would
be a proto-hippy stoner
poet
in this day and age. Ah,
I
love it when the Wizard of Oz
resolves
into colour. There are
casual
drug references all around us.
Mario
mushrooms confer energy.
Tinkerbell’s
dust makes you
fly.
And in the Wizard of Oz
they
lie down in the field of
poppies
and see the Emerald City.
So
hurry up passing that joint.”
V
WHAT
IT FEELS LIKE TO BE DYING OF CANCER
A
Russian has a right to a square of red perceived by someone from
another land and Liberty and Trade go hand in hand.
Smell
is the most primal sense, in love, absent in cinema.
Blissful
Lovingness is where all religions meet.
Better
and worse are but materialistic, Western concepts.
The
Age of Communication momentarily endorses, means the Age of
Alienation.
Each
age is unable to see its own prejudices, its own cage of
retrospective categorisation.
The
Age of Enchantment is an echo of The Enlightenment.
The
Enlightenment is the simultaneous astrological and sociological
de-centering of Man.
The
opposite of something is the pre-requisite.
The
pre-verbal, the thought-pattern, into words, via the mechanics of
meaning, is dilution.
The
condition of knowledge produces no Triumph.
When
you renounce the quest for meaning, you find it, fall back on
meaning-by-proxy.
When
you lose your concentration you die.
Your
ordinary speech is surreal enough.
There
are too many words in the world.
Everything
living shares the same heartbeat in a given lifespan.
The
artist is the missing link reintegrating into a society of worms
below and the artistic spirit androgynous.
You
should not trust systems for they rule with fear not love.
All
guns should be flown in a spaceship into the heart of the sun.
Without
difference no contradistinction.
Everyone
is my brother and I love them.
The
symbol [R] represents the stance that there is room for Creativity in
the synapse gulf, that the creative spark is not all mappable/
predictable in advance.
There
is no more mapless space.
Fear
is an epiphany of Hell in the self.
Philosophy
is a self-contained language corresponding to nothing real in life.
Existentialism
is a child at the pick and mix with a credit card.
Politics
is a choice between two plates of dogshit.
It
is better to have a cup of tea than it is to kill yourself.
Portability
is the new apotheosis of Form.
I.
T. might stand for Instant Travel too.
All
things must be returned to earth, surrendered like a rented thing to
death.
LOST MINIATURE DREAMS
This
text is painstakingly transcribed from defaced bank notes. Some of
the bank notes are damaged, illegible, others ‘missing.’ Efforts
have been made to order the bank notes but were not always
successful. No efforts were made to authorial-fingerprint the voice
or psychoanalyse the handwriting. The text is not necessarily a
critical indictment of embedded liberal capitalism of whom we are
liberal, human subjects and where money, formerly neutral means of
exchange, is becoming a flying, white, electrical spark passing
through borders of osmotic porosity in the dark. Nor is the text
necessarily about an imaginary designer drug called Strictly Free
that does exactly what it says on the tin, is and makes you “strictly
free” to consume. It is but an open-air poem, comprised of torn and
bleeding snapshot-fragments that are given artificial insemination.
Inherent in it is a notion that money is an Ode to Death, that a
fiver is cheese and onion flavour, that work sets you free.
Sullen,
silken sulks,
we
drink the same rain,
spit
is clean
and
so is dirt.
Necklace noose,
reckless truce,
drooling before
wet, electric eyes
My name is David Bonky,
I’m a knock-kneed hummingbird,
there’s a tear up my jacket.
(1998)
I’m
the only one left,
left
to shoot my own gun,
this
is the dead land,
crack
a smile and curse the sun.
There is joy in things
and smiles not grins like butter
but
like butterflies.
Waves
[squiggle]
crossed
the FTSE
[squiggle]
and
the Helter-Skelter
[squiggle]
crashed
in the electric-sea…
Blessed may be the end at last,
under the sea,
below the soul,
in the upside-down
Oceans above us
(all that heaven sends is rain.)
Down
down
down
down
down
deep
blue
below
“eh,
up
mate,”
says
my
mate
and
is
it
safe
to
say
hello?
To
plug my senses in the mains
might
engage !00% of my brains,
but
it’s gone wrong at the plug,
just
a dream on a drug.
I
felt a leaf,
I
fell out of life,
probably
no-one else knew.
A trance of stalks walks on
stilts
like a stance on talks only to
the toilet
then back to bed to rest its head
under
the soft, Pink
Panther blanket.
She
blows a poisonous magic
searched
the corridor for a
crash
had no survivors in Soviet
be
weed
Il faut que je m’en aille.
Sometimes you’ve just
got to hit the road and
Leaves that
played on the surface of the water,
these are
the leaves they have in Heaven,
these
are the leaves of love.
Signed by
everwell,
she
couldn’t hit it sideways
or maybe a
soothsaying Spiderman
with the
hairgel of Dracula,
Atlantis,
Aquarius, the 60’s.
“Is there
anything I can do to help?
Looks like
I’m on washing up duty.
It’s fine
I don’t mind washing up.
It won’t
take long then I’ll be free.”
£34. 84 at
the Take-away joint
can get you
quite bloated,
not just
quench’d and sated;
and by now
I sit here wondering
just how
much it cost.
My
fingers have crashed,
my
fingers have crashed
and
my mad, crashed
fingers
have connected.
A
thesis as thin as the Rizla it’s in
can
lead all the way to the loony bin,
can
make you forget how to spell
Winnie
the Pooh at the gates of Hell.
The
day is a dream’s balcony around mellow me.
I
remember when banks let pens go free.
Art
gets to its feet like a cartoon Bambi.
Love
has
gone
veggie for reasons of Disney!
The
future is no longer what it used to be!
I
still crave a greedy DogMuckels when
the
plush seat gets a hard-on at the end.
When
Paul was talking of “McTruth”
I
noticed a swarm of flies in the house.
Nobody
else could even see them but
me.
My
mother calls the
pills I
pop “poetry
buttons”
in motley conglomerations
like
pool balls or songcells and
their
names
should not appear
in poems.
Caroline
is the last yellow crayon.
This
could be the door to telepathy.
My
granny and grand-dad were in the R. A. F.
Under
a blanket in the back of a car -
I
think of it now I’ve got this far.
Alone
in the solipsistic kitchen
whom
it would seem is un-war-ful.
Walking
down to the Irish Sea quite
slowly
to
see if my place in life is lowly
a
dying animal goes much faster.
He
found himself on a plane.
He
found himself on a.
He
found himself on.
He
found himself.
He
found.
P.
If
dog = pi times MC squared
it
is because you wish to think him round
while
O is the key of water shared
when
rolling round on the ground.
O for a Muse of fire that
descends
from the brightest Heaven of
invention;
Rintrah roars and shakes his icy
fires
into
the burdened air, breathing.
One
night, Jim
Morrison pointed up
at
the night sky on LSD and said “look!
It’s
the infinite cocks fucking the infinite cunts!”
Barnes’s
goal against Brazil,
it
was was not born under a hill,
it
is the best goal I’ve seen still,
Barnes’s
goal against Brazil.
If
the windows were washed – every one -
we’d
still
see
nothing through them but
the
white mirrors reaffirming the quiet
interior
of this solipsistic kitchen of fiction.
Bart
Simpson’s yellow zigzag hair apostrophe d
@
Van Goghian black border sun
heard
James Joyce would just use |||| 4
ROYGBIV
in Fibonacci sequence barcode smile
“I’ve
been writing about bifters.
Hello
my name is Pirripa.
[sound
of sucking in of smoke.)
That’s
my boyfriend.”
Now
we are gathered to appoint the Gods,
now
we are gathered to consecrate ourselves,
now
we are gathered to ordain this dust,
we
are gathered to live and to dream.
If
you believe it, it is there,
naked
under nearer stars,
softly
swashing, backwashing music,
music
in a room with no door.
A
A Yellow
A Yellow
Pages
May dawn
behead me
A Yellow
Pages will suffice
A Yellow
Pages will
Farewell my
life
A Yellow
A
I. T. might stand for Instant
Travel too,
NHS for Lucy in the Soul w/
Demons,
H20 for hypothalamus tattoo,
ESA for
extra sensory allowance
but I for
one still don’t really know
if Lucy
even happens to be an actual substance.
I
remember happy, sunny days,
days
when we scored some weed and went
out
in the meadows, when Paul
would
turn to me and say
“wear
an emotional condom
before
you fuck my mind, man.”
Wouldn’t
it be pollen
if
Barnes has scored a chicken
and
spring is a red horse?
Enough is
the hope the heart
literally
needs in order for it to survive
without
which it can stop, meaning
Duff,
which is H suspended in deafness
I cannot
tell if sipping sugarless tea
or
stretching honesty is the more easy
an
encryption for the future that
ain’t
what it used to be but I still
await the
future with rapt uncertainty
and
cannot stand the suspense.
We
are the velvet e’s,
we’re
shitting in Cuntington’s letterbox,
the
Roman Rd below,
beneath
us as we fly.
[enter
bass organ of ‘The End’]
Butter
is good when you’re a nutter,
but
I can think of something that’s better,
so
had better write her a letter.
Opened
unto the gloom under
sliver
moon I slide her over.
Semen
spills like silver water.
We’re
soon enough in the flotsam ether.
Forlorn
as fallen autumn leaves,
is
the wave that misbehaves,
goes
out taking E at raves,
and
soon enough no more believes.
One
thing I learned I shouldn’t say too soon,
underneath
this new moon,
but
might instead just impart,
it
is because I have a heart.
What
actually happened was, I ended up robbing a bank, with a banana
smuggled under a tea cloth and a balaclava on my head and face…there
was a get-away car outside, and we went far and to a separate country
too. We started to loan the money out and thus made money off it
which meant we had plenty with which to use for a blank canvas. We
had to be concise, when writing our contract on
the money.
The
police were onto us, so what we did was wait until we had
disseminated our message, and earned more money off the loaning of it
than we stole in the first place, and quietly stormed into the bank
with a banana openly
protruding
from a balaclava in my hand, and h-a-n-d-e-d the money – and the
extra too – back to the bank. The police then let us off the crime
and we went home, knowing our nodes were encrypted.
Of
all the work I had achieved, be it before or after my mental illness,
I still think of the binaural earphone album and the defaced bank
note text as being among
the
best. I think if you remain on the left it’s alright but only when
it’s phoney, for defacing actual bank notes is against the law. I
think if you have to read Homer in order to be a philosopher everyone
should get that opportunity should
they choose and
probably for free too. I
think that
is my philosophy and even more so, yours.
GO MY SONGS!
Go my songs into the
ballad-murmuring breeze!
Go and be well-equipped with a
toothbrush in your inside pocket!
Go and be not afear’d of the
sounds
of the crowded supermarket aisle
-
sprinkled as they are with
pheramone sprays!
Go disturb the comfortable
and comfort the disturbed.
Go dislodge the algebra from
the brains of mathematicians
and replace it with timeless
ideas transmitted across Time.
Go melt death and attain perfect
listening
and not remove the key from life;
go calibrate the key of
telepathic grammar;
go walk down the ocular nerve.
Go escape the shape of the paper
-
go from me like newborn
spirits of the dead released.
AURORA FLOREALIS
Gilly flowers curtsey, not off
the sound-map.
To make a flower-press would be
womanly.
When our days still ended on
cannabis
we would bemoan that flowers were
legal.
To the tune of the wind I sink,
then swim.
I no longer puff the evil weed
these days.
It would be a reward, a kind of
dialysis,
that separates the murk from the
excellence.
I would need it to balance out my
mind,
one homeostatic device for
another one.
Now I worry that I am hurried and
florid.
I hear an A. E. I. O. U. bird
toot its long,
hollow horn out on the A595 and
relax.
I hear its wheels go round, that
it’s heavy.
*ketamineguitar*
PURPLE
Voices
also told me to write of the
colour
purple. In Steiner homes for autists,
rational
but socially inept, the corners
of
the rooms are round and purple
because
it's less threatening than the geometry
of
rightangled corners. My room
turned
out a little like that when,
as
my dying father lay in the attic,
my
screen bloomed a numinous purple
light
daubing the walls until the
bedroom,
an anagram of boredom,
seemed
like a featherlite love poem shop:
a
little girl's lava lamp of a room!
Sometimes
the seeping foxglove aura
vacillated
back and forth between
purple
and its normal screen light,
refusing
to settle for any long period of time.
My
bro said I'd caught some virus;
the
computer programmer down the pub
just
said dying, and he was right,
for
by the time Blue passed away,
Blue
being the art-smuggling codename
dad
used in his shady occupation,
the
computer broke down. R.I.P. data-tree,
and
farewell luminous dark of half Denmark!
Now
all I can think to say on purple
is
this: I would put it in my mouth.
And
I would chew on it like a cow
grazes
on grass, mulchy and blind.
And
I would ingurgitate it fully
not
spit it out like a child his dummy.
I
would taste it like her name. It's
the
colour of mystery and sex and
saudade
and longing and shame. And
it's
the colour we associate with depth.
When
I first looked at the colours of the vowels
I
noticed the presence of its absence,
as
if you'd expect it there because
it's
the colour of deep things.
POINTLESS ACTIVITY
Now that University is long out
I wonder what it is I am to do.
Now that I know, say, The
Great
Gatsby is an
infradiegetic heterotopia
pertaining to panchronic and
panoramic overview, like
a chronotope turned euchronia,
or else a word-world gone
polysemic with the multifarious
possibilities of hermeneutic
autonomy
through whom the esemplastic has
fled
away with the quadlibetical -
now that I know the lesson
of post-structuralism is twofold,
meaning a) the condition of being
a text can extend to any object,
any quotidian ephemera and b)
the condition of being a language
unto itself can extend to any
text – I wonder what it is I am
to do. My father, after his PPE
degree,
under Karl Popper at the LSE,
learning
of things like falsifiability and
of P1 to TT to EE to P2, well,
he
turned back to Winnie the Pooh.
4CMC
“I've
got a new plot,” thought the dullard.
“Literature
has started to release serotonin.”
He
was on the new designer drug, a cathinone and
NPS
called 4CMC when he dreamed up the plot.
There
was an holographic bike out the back
all
through the night. The dark was glittering
with
tinsel. Mangled love was the overall effect.
He
saw the world through the frame of angel
hair,
there were weird Escherian shapes in
the
air, there was light deep inside the dark.
“Yes,”
he thought, “Literature. Serotonin.”
For
once you remove the inner monologue
you
can become an open energy conduit.
Question
the comfort and see for yourself.
LONDON
FLASHBACK
London
is a craven haven for corrupting taste.
Police
motorbikes were being chased by the waste.
I
spent a year down there after my degree -
even
slept rough – but didn’t feel that free.
The
riots were lootings: Christmas on earth
didn’t
follow on in the town of my birth.
I
busked for next to nothing, saw old friends
but
abandoned ship – my each adventure tends
to
me crawling home, puking, apologising profusely
to
inward grace – senses broken loosely -
and
now I sit sipping tea at the foot of the fell,
in
a large country house not ready to sell.
There’s
a beck in the back and we’re agreed
I
am even allowed to write of it if I need -
no
Poetry Police who have never read any
poetry
will stop me, although not for a penny
I
have worked for them… and I cast my mind back
to
the daughters of London. The Plough and Black
Combe
had aligned by the time I went down.
I
lived in the East, it was like an undertown.
I
drifted and loafed and smoked too much.
A
Londoner by birth, I still am one as such -
but
no longer hang with the cutting edge crowd -
I
guess they wander lonely inside the cloud!
And
no I didn’t pull when I was on holiday,
except
a gay experience, though I walked away...
and
soon had a dream bigger than a dream,
for
which the gnomic nomenclature is “drum,”
characterised
by cosmic freedom, bounding
in
circles in space. Already daggers of lightning
in
the storm were part of a God Simulation;
and
I woke feeling cleansed, with re-aligned perception.
Still,
back to the sticks, I came by rattling train
unsure
if I will ever make it down there again.
CUMULO-NIMBUS
HAIR
The powers
that be could be clouds,
passing by
on their sky-blue roads…
today they
are sparse and moving East,
not too
slowly, and not too fast.
It’s warm
outside for Autumn time.
As a child
I thought Autumn Optimus Prime -
that
Transformer from the kids’ cartoon.
I still
think there’s something in
the
personification – a triumphant sense -
for Prime
is the sum of all difference
connected –
that Sigma where everything meets;
and Autumn
is likewise a God in Keats.
But
speaking of weather only shows I am
amicable as
a person. The strawberry jam,
meanwhile,
has all run out on scones;
and so as
if to blunt, yellow crayons
I return to
art at the foot of the fell,
where it
might all be “signed by everwell”
but isn’t,
for that may be too untrue,
and just
for something, anything to do!
If clouds
were really in charge above
they’d
look down on the world of love
and
legalise soft, Moroccan pollen
and make
all kinds of English education
the same
high standard and free
and as they
passed towards the sea,
cancel cuts
to benefits and to the tax
on the
rich…. they’d encourage sex
instead of
war, and keep the room
temperature
in the months of gloom
above a
certain level for people over
a certain
age for free with all their power -
and all
their power would still pass,
as we lay
out on the back lawn’s grass
and watched
them go, wearing ripped genes
adorned
with peace and anarchy signs,
and DM
boots on the red brick road,
away to
dump their wet, rainy load...
with this
idea of State I quite agree;
but it
would be an Impracticable Democracy!
SYSTEMS
If
you should not trust systems for they rule with fear
not
love, fear would appear an epiphany of Hell
in
the self, love Man’s highest emotion here,
where
the dream of love meets the oldest fell...
to
engender an aesthetic anti-system like the
old
colours of the vowels in English you can
find
pasta, tea, air, hair, clothes, loo-roll, water, that your ordinary
speech
is surreal enough to qualify as an open-
air
poem – quick get it down, get it down! -
your
notes on hyper-vision echo in the air.
What
wisdom you speak! Like Blake for the modern
ear…
you remember when you had brains to spare?
For
chatting in philosophy chat rooms all Night!
For
writing in a secret, alchemical alphabet or not!
FLUVIENT
COINAGE
Sonnest
abraddio grample and bricken
gontocker
blonky and wellity white
postico
flostico flipstick and fleving
fluvient
coinage has gone againe
driptheria
drearier than a tree-drum
do-lang
and blang-gast gustopong coo
sloo
flicking flostico flostico flagrant
masticko
mecklebot plastic and plee
flestico
follerdong farmerly fillegist
fillegist
farmerly follerdong flunk
collerdon
gollerdon gumian grey
ollerpoller
sollerdoller follycog nonk.
TEA
F. M. AND THE DANCING MOTH
My latest thinking is that my dad
was sponsored by some
philosophers to provide
the real human witness from Tea
F. M.
And The Dancing Moth by
Syd Barrett.
By seven I helped invent the net:
when the idea of the net needed
storing in writing in the attic
here,
to give it a chance to grow all
round the world,
I was the one to write it. By
eight
I had made not one but two very
strange Naturalistic
Observations.
By eleven I was marked on the
hand
by my own experiment into the
maths
of the new colour though it
didn’t turn
out to be the new colour in the
end.
By fifteen I attained the face of
stars.
It might’ve been scripted in
the Bible.
By eighteen, in 2000, sooooooo
many things, including the fact
that I spoke against September
11th,
also wrote the highest-marked
English Literature A-level exam
essay in the nation at 100%.
After
school, I recorded an album on
binaural earphones in a band, had
an effervescent mobile,
reverberating
the rhythm of ‘William Tell’
through
every technological inlet in the
room
before it rang, hosted the
alignment
of the Plough and oldest fell for
a rhythm change
in the White House, got a First
despite the onset of mental
illness,
worked at the numinous,
purple-bleeding
screen, built the Tower as an
instrument
of philosophy, had an experiment
into a tape with a pause where
cut and resealed in the flimsy
reel
and discovered the sheet where
pictures grew. Then I falsified
the Nirvana barcode, and attained
visual radio broadcasting dreams
that swirl in purple, digital
swathes
about
the head of the deranged seer
whom
it would seem was forty three
before
he realised they used his name
in
the equation that helped invent
the
internet when he was seven.
NOT
TO BE MINE
You
were not to be mine
but
I would’ve liked it if you were.
You
were an evergreen light,
a
transcendent signifier,
a
blind, metaphysical objective,
e’
en the mating queen
from
the green pages
of
Jim Morrison in the flesh.
I’ve
said it before but will again:
a
thesis as thin as the Rizla it is in,
light
it and write it, burn and unlearn,
can
lead all the way to to loony bin,
make
you forget how to spell
Winnie
the Pooh at the gates
of Hell.
I’d
love to smoke a joint
but
it is against the law -
I
know, no-one has ever
tried
that one before.
In
the past I smoked so much weed
even
to read one you’d need to be Bede.
Now
I stick to my Vape pen
and
unsweetened tea.
I
guess you could say
it
is enough for me.
I
like to live compress sans sugar.
LINEKDIN
Academia
proceeds by guesswork
but
at
a guess I couldn’t tell you
what
Linekdin is. I guess
it’s
why I have to stop -
to
bring all this to a close.
And
when you want to start,
where
do you need to go
and
who do you need to know?
No,
starting is miles behind.
I
try and decipher what it means
from
the letters. Linekdin.
But
it seems a scramble.
As
if I am not linked in,
nobody
ever explained to me
what
Linekdin is or means.
It’s
the same for much of modernity.
I
only got my first Smartphone
this
year, 2025. There is though
something
pleasing in an artistic sense
about
not being able to continue
because
you don’t know
what
Linekdin is or means.
So
it
could be time to pack it in.
I’d
probably say if it were
an
exam that it is a new
internet
company, a new
means
of communication,
sharing
information, a form
of
social media, but I don’t know.
Without
my knowing even this,
it
may be best to not continue.