EDEN
My
latest thinking is that my father
was
positively
sponsored
by some philosophers
to
provide the real, human witness from The
Lords
And The New Creatures.
If
at seven I helped invent the net,
by
eight I had twice made weird Observations,
one
the proverbial “juggernaut,”
which
looked a little bit rhythmical
and Egyptian,
and
when it parked jiggled its bling,
causing
me to run from the wood.
Because
it had financial backing,
it
is not true it was all in my mind.
But
to
still be writing about it might
be
evil, and something kinetic becomes
something
static under
this Night
so
my vote goes to pregnant mums!
GRAND-DARTH’S
SHIP
The
other was
a
monster. I
tried on a jacket
under
the stairs and got a random
sense
something
was wrong and took it
off
and looked inside… “mum!”
I
cried up the pine, wooden stairs.
“There’s
something disgusting growing in this jacket!”
Ignored
I was and it was despair’s.
Grand-darth’s
Ship. Your horror-packet
is
served. It was a plastic rectangle
with
a pattern of black stuff – maybe
eggs or seeds - splurged
on
top, and I was but an angel,
looking
down, feeling disturbed.
I
left the cloakroom,
taught by the wood,
to
see if it was still there when
I
went back in, and it was, which was good,
and
then I threw the jacket in the bin!
TEAR
UP THE FRONT
The
maths of the new colour, as a cellular mark,
didn’t
turn out to
be the
new colour in the end,
waited
in my boyhood book in the attic,
for
years after affecting
my best friend.
I
could not know and needed to know
why
the tear up the front of mine bike?
It
was because of maths, that I happened
to do
back
as a kid, which
the PHD biologists
like.
It’s
wasted on women for colour not size,
and
only very slight, the mark left,
where
the spliff sealed, in my father’s eyes,
and
though
it leaves me feeling a bit bereft,
I
do not mind it being there, it doesn’t hurt.
I
redefined the meaning of the words “I’m fine,”
meaning
the stripe, but this is just dirt,
and
I should celebrate with a glass of wine.
THE
FACE OF STARS
The
face of stars made no nose…
it
could’ve been scripted, I think,
back
in the Bible. Amazeballs it was.
Now
it has come to the matter of ink!
We
stared at the sky, it was drenched
with
electric diamonds, the universe
enlumed,
wet, dripping grape bunches
of
stars; and a shooting star came across
and
we pointed up in simultaneity
and
found ourselves pointing at the face
which
all three of us gathered
in the shame could
see
smiling
back from outer space.
Still
we had to walk away.
To
return to the campsite, the tent.
It
was good that night, and the next day
everything
seemed to be Heavensent.
THE
MILLENNIUM
In
the year 2000, in a speech in the barn’s
den,
I
spoke against The Towers coming down,
foresaw
September 11th
to the day;
and
there was much else in my prophecy.
I
predicted the hunt for the God Particle
from
looking at a dust-mote ballet swirl
in
a late ray of light angling in
and
some say I founded a new religion
based
on the elephant, which would be
the
alignment, in my philosophy,
of
Plough and oldest fell to coincide
with
a rhythm change in the White House, outside.
Everything,
yes everything had
to go
through
me,
like
my
father’s art smuggling nickname Blue
became
a new sense through which I saw
the
future and more and many more.
Inventions,
aphorisms, prophecies, ambitions,
were
spouted for hours with erudition,
and
that year, being quite the spark,
I
got the highest A-level mark
in
the country for my last pen strokes
of
school, not
on a Book of Irish Jokes.
PLAYING
IN THE FLOOD
After
school, recording on binaural earphones
with
mates took us into unknown zones.
We
broke the ancient silence, made dark
music
as in dark matter. Make
of
it what you want, but I climbed up
and
as if towards the six inch gap
and
said I’d plug my senses in the mains.
It
removed a little
portion
of my good brains
when
I was later kicked out the band
and
it all went under Gondwanaland.
But
still we got our record out of it
and
I don’t think it was really that shit.
I
think my Floyd was actually Freud.
I
was but a paranoid mechanoid.
It
turned out the earphones were my idea
to
invent, in the barn, when I was a seer.
So
that was why when I was kicked out
of
the band like Syd Barrett it hurt.
THE
EFFERVESCENT MOBILE
My
first mobile phone, it would reverberate
through
every technological inlet
in
the room the rhythm of ‘William Tell’
before
it rang from the oldest fell.
Di
di dit di di dit di di dit dit dit -
it
would bleep off and everyone hear it -
and
then bring bring, in my pocket.
If
there was a leak we could not lock it!
I
never got to contemplate the riff
for
I was always on the phone. If
there
was somewhere I went wrong
it
might’ve been phones. They say the song
was
where everyone else started to download
the
lowdown, get
my heavy load.
I
missed out on that and am always late.
I
think the song was a gift from the State!
THE
HOLOGRAPHIC HORSECOCK
I
lay back
in
my bed, out of my head no doubt
and
an holographic horsecock was wheeled in.
It
could be some kind of renegade vote.
I
welled up with tears. Vote Blair get Brown
was
what the newspapers were saying.
Sorry,
but I don’t wish to be the PM!
A
plethora of voices the next morning
seemed
to be like an open-air post-poem.
This
was my first psychotic episode.
Should
I assume the plush posterior of a baboon?
To
be fair back in the barn where conversation flowed
there
was mention of the invention even then.
A
virtual death machine was another.
A
word-chord synthesiser at the edge of selection.
What
else did I ideate when talking to my brother?
A
drug called Strictly Free that does what it says on
the
tin, a red-bleeding type-writer inside
a
ping-pong ball, an invisible square
of
air stroked on telly called Mosaic by
Darth
Vader, and the binaural earphones were in there,
and
a neutraliser drink that sobers you up in
a
quick instant, and the Monolith from 2001
protruding
from the fell at my birth time,
and
even a love-bomb was another one.
Still
it’s better to relate than invent
and
I do relate when I start telling you
the
holographic horsecock was something that
rent
a
hole in the wall and
came startlingly true.
THE
DISAPPEARING BANDAGE
I
went to Furness General for a literal head-wound
and
the nurse put a square, white bandage on.
I
went to touch it to see if it was paddy, then went
to
touch it a second time and it was gone.
The
bandage had vanished into thin air.
The
nurse had to apply another. So I’ve seen
how
an object, a form, can disappear
on
the periphery of madness, when emotion
is
high and temperament inflamed.
Such
tales my sane friends were unsure of.
They
scatter when you’re diagnosed, named
insane,
but it doesn’t matter, in the name of love.
There
was a bloke inside whom it would seem
thought
it was him that did the vanishing trick.
I
ran away, still trying to live the dream,
but
the cops found me and brought me back.
I
thought there’d be a different jurisdiction
if
I made it to Scotland, so that’s where I’d gone
but
as I say the cops found me in that other nation,
looking
for a tall hippie
bloke called John.
THE
ALIGNMENT
I
heard the alignment of the Plough
and
oldest fell is the “white eyebrow.”
My
band came up, came up to see,
in
fact they were the cavalry.
We
sat in the van and spoke of God.
Some
said no, some gave the nod,
and
somebody
said that mystery
would
remain a constant, that third party.
It
coincided with a rhythm change
in
the White House, rich and strange.
But
there’s nowt so dead as an important thing
so
let us speak instead
of
the song I sang
in
the camper van. It was by my mate
Will
and it was called ‘Found Out.’
What
song we sang did not matter
as
long as we did, and didn’t just natter.
MY
FIRST
And
in the end I applied myself,
read
every book on the shelf,
was
a disciplined student, got a First,
ended
up well-read, well-versed.
But
it was difficult in the middle.
I
came upon a time of trouble.
I
was hospitalised in the acute ward,
which
I found so very hard.
And
when I came out, and went back
to
University things weren’t so black.
I
did all the work, didn’t mess around
smoking
weed on her map of sound,
worked
with defaced bank notes, rap,
CNF,
and it wasn’t all
crap.
In
fact I was a beautiful mind,
who
had long since grown blind:
never
selling myself as the witness,
whom
it seems lost
to the fitness,
never
to know I helped invent
the
net at seven, I spent
my
time in libraries reading things,
quiet
as the sparrow that tucks away
its
wings.
My
First
was a triumph of organisation,
and
I coined the word “co-imagination.”
THE
SECRET GARDEN PARTY
I
remember skywriting
sent across the Night
at
the Secret Garden Party by folk from the future,
folk
that is who come from the Future State.
I’d
taken a last E but it did not feature,
it
bore no effect on reality at all,
in
terms of inducing sensual pleasure at least,
then
I looked at the night sky, purple,
digital
squares coursing across from the East.
There
were also actually physical lanterns.
To
write THE HORROR! THE HORROR!
across
the night in purple was one of my ambitions
watching
Apocalypse
Now
when younger.
And
the next morning I woke to find my tent
utterly
covered with birdshit, in a field
crammed
with tents, as if the birds were sent,
for
not one other tent was remotely defiled.
There
were lectures on people living forever.
A
good gypsy band were playing live.
Lines
came: the crown grows upwards from the
green.
I am only standing with a bird above.
LETTERBOX
Or
the single, little-fingernail clipping
arrived
between my bottom front teeth
like
a female e-mail. I’d
be clapping
if
I knew who sent it in truth.
Is
this where the truth flies or the truth fairy?
In
the place preceding recognition?
I
picked the fingernail out, leery
and
threw it on the ground not in the bin.
If
I had but kept that sample then what?
We’d
prove something new about sending.
Already
a guy that helped invent the net,
I
found my items almost never-ending.
And
who was the benefactor? I think
Danielle
with whom I wanted to meet
in
dreams, but we fell out of synch.
When
I wanted to go south and be New Beat.
THE
SENSORY OVERLAY
When
I went to London after my degree
and
listened to the Floyd on Youtube
my
mind was still an open sea
as
I reverted to smoking doob
and
heard my name, my name tattooed
on
Piper
At The Gates of Dawn,
which
some might say is rather rude,
in
this new world into which we’re thrown,
but
Dr. Tom said it was undeniable
that
the sensory overlay was there,
and
I don’t know if I am liable,
but
hope that no-one will care.
It
must’ve been done by the band
back
when I lived in Cambridge
and
trod upon its chalk grass land -
does
every good boy still deserve fudge?
What
is music from a black hole?
Is
there such a thing as secret chord H?
Is
music not
the
soft footsteps of the soul?
These
questions from days we read The
Beach
and
played in the band still remain -
Gap
Year days when we were free -
when
it seemed the switch was thrown.
It’s
amazing what you can do with a degree.
THE
EXPLODING PINT GLASS
I
stood in the club and a pint
glass exploded
from
thin air as had also occurred
to
someone else at the face of stars, who’d
back
me up on this, give you his word…
shards
shattered and
fell
to the club floor.
It
was an underground establishment.
It
was like the opening of a magic
door.
It
did not cause me any embarrassment.
I’d
been talking to a bloke in the club,
in
the darkened room, while people danced
and
music blared (I think it was dub)
and
the
fashion victims naturally pranced.
As
I say the
pieces just
fell
to the ground.
It
must’ve meant some kind of pressure.
I
wonder if the pressure was made of sound.
The
broken shards were physical for sure.
BACKPASS
ATTEMPTED
BACKPASS
ATTEMPTED instead
of
NO MONEY on the Oyster card reader
on
the East
End bus…
it’s
hardly the word
of
a dog. But what is it?
It’s more a
psycho-technological
post-poem.
I
lived in the fringe of a wasteful society.
I
couldn’t get the bus that day, zoom
around
the city easily and pleasantly
but
had to walk by foot where I was going.
At
least I had shoes albeit ones
with
holes in the soles that were falling
off
as well, unstuck under the sun’s
punitive
gaze. I think they were odd -
that
I wore odd shoes as a statement.
At
least I didn’t wear knickers on my head!
It
was a time we had a hung Parliament.
THE
PURPLE-BLEEDING SCREEN
Cometh
the numinous, purple-bleeding screen:
it
made every film into a noir.
I’d
work at it, constantly, writing, writing,
writing,
and I remember its colour
was
co-aligned with mystery, sex,
suadade,
longing and shame to incorporate
every
vowel sound. It did not vex.
But
it did sometimes vacillate
between
purple and its normal screen colour.
Its
light bloomed, daubed the walls,
did
not make the business duller
but
luminous as I set out my stall.
The
bedroom was an anagram of boredom.
I
lived between the letters of the word OK.
I
wrote for years, poem after poem
but
ended up throwing most away.
I
think it was Halfware, the numinous
screen
where I watched Eraserhead
and
the telegraph pole blew up, ominous,
in
the field. The computer died
at
the same
moment
my father passed.
So
there was something post-human to it.
It
was dying, dying right up to the last.
One
would hope we can renew it.
THE
TOWER
Simultaneous
to the purple screen, the Tower:
it
could be an instrument of philosophy.
One
book smelled of redolent flowers
or
Flora’s perfume in consensus reality.
Another
seemed to lose a long, limpid
line
of shining conveyance it once had.
I
don’t know if that is just the acid
I
once took, or my being quite mad
but
I would swear by it. Then came two
that
I was given as a mirror for the soul.
One
was Auden, one Joyce, who
both
made the Tower more whole.
There
came a new Joyce as if
they
multiplied by division on the shelf.
I
must’ve smoked one too many a spliff
but
I did not acquire the second Joyce myself…
so
all told I made it five books
but
I could augment it
according
to
geography,
or war allies, politics,
to
make it about civil engineering too.
I
think the witness’s own copy of
The
Lords And The New You Know Who
went in,
but
came back out in the name of love,
because
it didn’t
seem such
a
magical win.
THE
MELTED TAPE
Simultaneous
to the Tower was the cassette.
I
conducted an experiment on
a tape with a pause
where
cut and resealed in the flimsy real. It
was
a cassette tape of Pearl Jam ‘VS’
so
the ideal became to do away
with
the pause in the opening song ‘Go’
and
make a poetry machine, in a way,
in
perpetual motion, perpetual flow
and
it worked after years, years of chanting
“another,
another, another fucking joint,”
at
boarding school where buildings are daunting
and
the fusion working did not disappoint
but
late in the night it was under my pillow
and
I heard the night wind enwheel
through
dark garden trees, below
the
window, and an alchemical base metal feel
pervaded
the soul as I thought about
the
formula for mud
from primary school,
just
water + soil, and then some doubt
got
to me, and being but a fool
I
followed the advice of a voice
and
snuck downstairs in the dark night
to
cook the tape in the AGA, a
mad choice,
and
while it was cooking, in there, write.
Nothing
came to mind except to say
nothing
can be said for certain of verse
except
that the poet chooses where he
ends
his lines, selecting a tiny pause
instead
of letting the type writer run on.
This
was a quote from a father poet.
I
took out the tape. The evidence was gone.
I
still think it a valid work of
art
and very Barrett.
THE
SHEET
There’s
only really one more thing on my list.
So
I should stop. So that I do.
The
true artist would just get pissed.
He’d
know what he wants to do
too,
in
terms of a great transaction with his soul,
perform
the task, and the rest of the MA
just
get drunk. It might not be cool
to
mention the last thing, but it might be OK.
It
is the sheet where pictures grew -
and
after that is there not but dust?
I
trust you heard about this one too.
There
may yet be more on my list -
to
falsify the Nirvana barcode is done -
to
attain visual radio broadcasting dreams -
but
this sheet should be the last one.
It
belongs to my younger brother James.
I
discovered it when my father passed -
and
the pictures seem to depict
the
lyric to a song I wrote in time
past -
and
now I just want to get wrecked.
WINGS
The
inscape of wings I found on abjuring
medication,
cold turkey, when my dad died,
were
Albatross Butterfly Crow, enduring
the
alchemy of perception, inside
the
kitchen, yes, Albatross Butterfly Crow,
and
not measureless but carved of gold,
beautiful,
the wingspan. I don’t know
where
it came from but the cold
turkey,
which was bad for the brain,
in
the end, so I had to take my pills,
but
for a second, when dad was gone,
I
knew the wingspan of angels in the fells.
I
do not wish to sell the wings to you,
this
is not a manufactured wing-shop,
and
soon I knew the pain of losing Blue,
and
knew that pain is what we should stop
but
for a whole, white while I could fly
with
my feet firmly planted on the ground,
knowing
that all of us must one day die,
but
believing in more, in broken ground.
VISUAL
RADIO
I
went from reading the Lesson from John
at
the Carol Service in Eton College Chapel
to
eating soup with the homeless in the soup kitchen,
and
from top to bottom in fact I fell.
The
poet extirpates every trace of recognition
from
the myriad mind, unlooses the mind
of
form, method acts every adjective in
‘Howl’
to attain visual radio broadcasting dreams.
Now
to but the boring smell of water all
the
visual radio has returned, and I have
Long
Foot Disease, at the foot of the fell
writing
except maybe without any love.
The
father poets thought I’d only need
to
go into Millom and get some pussy,
but
things have been shit, we’re all agreed
and
anyway maybe I would prove myself fussy.
EVERY
GOOD
BOY
All
my rage in the cage for the minimum wage,
but
I’m the one that gave the State the dot page…
actually
I don’t work, but it’s true my book
was
kept for Long Storage up
in the attic...
that
is, I
helped invent the net at seven -
when
the idea of the net needed storing in writing
in
the attic here to give it a chance to grow
all
the way round the world, although
I didn’t know,
it
was I that wrote it, way back as a kid.
It
took me to middle age before I knew
what
I
did.
My
dad was not allowed to release the proof
until
the day he died, all under one roof.
BAT
Apparently,
I
was very beautiful when I was born,
but
both my parents agreed I was a bat.
I
was actually born with an erection
as
if to say hey there, you,
have
that!
I
screamed like a siren in emergency,
like
many a baby had done before,
born
on the 2nd
April, the day
fighting
broke out in the Falkland’s War.
The
time of my birth was ten to eight,
a
time which followed my father around
for
ages before I was born, though
it
has
no meaning on her map of sound.
Now
I eat Finnish chocolate in the dark;
but
no, now I turn on the light;
the
darkness holds the brightest spark;
and
writing is my bat-like flight.
EIGHTEEN
QUESTIONS
Why
must I sleep through the day?
Because
you stayed up through the night.
Why
have I got
nothing
to say?
Because
your mind isn’t right.
What
of Barnes has scored a chicken?
It’s
something to say but not true.
Is
it
time to knock the battery off the pollen?
That’s
something for a child to do.
Can’t
I think of something worth saying?
You’ve
a list of things that have been said before.
Should
I not know before I start playing?
Maybe
but there is no fixed law.
If
I stop what exactly will happen?
You’ll
get restless and start again.
Is
it just then a nervous affliction?
Maybe
all I need is a length of metal chain.
But
what exactly does that mean?
It
means whatever you make of it.
Do
you think Flora was the undying One?
Maybe
but you might have idealised it.
Does
I. T. stand for Captain Marvel?
No,
but I can see where you’re going with that.
Should
I let my myriad mind unravel?
It
might be fine in your guarded habitat.
Is
Lucy in the soul with demons an
actual
substance?
That
is something I do not know.
And
what of the clock unto State
science?
It’s
not something to outright say.
And
what of the dotty clouds floating by?
The
way they change is like
incipient species in Darwin.
And
what about my brother’s <BEE>?
You
shouldn’t say but still get it in.
And
what when there’s no more to be said?
There’s
always more to not say.
And
what about when you’re too exhausted?
Then
you must try and sleep through the day.
EFFICACIOUS
To
get vision down from its rarefied shelf
and
share it with others, spread it around,
has
been my business, and to heal myself
for
feeling as broken as the broken ground.
In
the future we may travel by predictive text,
have
psycho-sensitive laptops too,
and
insufflate steamed Apple juice next,
and
a hundred other things that might come true.
A
self-driving car is an old-school companion,
an
automated conveyor belt of poetry,
and
the Doors computer game, and a Nirvana button,
but
the world of sci-fi is secondary
to
the human condition, and we should
live
in the here and now and real and feeling,
sitting
in the kitchen, long past the wood,
dealing
with things under a white ceiling.
