soon to be published by Chipmunka
TRANSITION
TO PHILOSOPHY
VOLUME
TWO
BY
JOHANNES BERGFORS
<
BEE>
My
brother goes out for kebabs. How can I talk of him without mentioning
his philosophy all over? He says <BEE> might soon ensue from @
in the international language alphabet. It is thus in his credo. As
I
stated
in
Transition
to Philosophy
he designed an experiment with more than
one
bit
of paper, containing diagrams, which contain the idea mentioned. He
is now the boss of the art dealing company, partly because of my
illness, partly because of his genius. As I said in
Transition
To Philosophy
<BEE> is the only original idea in it. Be free, <BEE>,
when you sail across the sea! I think of Wittgenstein who seems at
times to be pertaining towards a more international lexicon. My
brother produced evidence of it. I think in <BEE> we all agree
that something good has been uttered. I think we are united in
blessing <BEE>. As I stated in
Transition
To Philosophy
<BEE>
could be a mode to drift off on.
So
we see that in the end it is my own brother who is the one to deliver
us from all evil. He said the way his computer broke “wasn’t the
Feds.” That “the Feds had nothing to do with it. It was cheap
equipment.” He is trying to fix it, get new parts shipped in. He is
delivering my kebab back from Millom. I said in
Transition
I would do whatever James wants to do with his <BEE> even if it
be maintain a philosophical silence but things have gone on. I wonder
if doing anything other than <BEE> appears evil in a relative
way.
I
don’t know what to say now – at the impasse – but he’s done
it to turn us on. He gets back with the kebab. He’s had a bad day.
But I’m sure he’ll be able to fix his computer. As he says “we
live in hope.”
Although
that could be a good place to leave it for now I have little else to
do but try and “get philosophical” about my brother’s burp. He
burped when he got home. One sense of this utterance is that my own
philosophy, compared with <BEE> is but a shameless belly burp.
But there are other meanings I feel too tired to strive for. The
inverse meaning is immediately upon me: that his philosophy is a burp
or rather tha
t
we are to interpret the burp
in
the context
of
his philosophy not mine. If you think satire’s leaking in that is
not intentional. In the context of James’s philosophy, you find the
burp in realtime no different from another burp, but in reflection,
in afterthought, in aftertaste, a far more meaningful burp. When I
say “meaningful” that is measured against meaning as we once knew
it; and yet with <BEE> around, values need tearing down and
erecting anew. Indeed that is exactly what <BEE> is about and
James himself cites Nietzsche as an influence.
He’s
a philosophical genius that leaves me feeling “abstracted from
knowledge.”
FRAGMENTS
FROM THE DIARY OF A PHILOSOPHER
3.
It’s
a new day n
o
w,
and already the evening. I spent the day mostly washing up. James’s
computer part arrived but he couldn’t get his novel back. I myself
had to move on from a diary, a diary, if you can believe it, because
Mr. Yellow had a McHappy day again, eh? I’m quite glad too, because
in <BEE> we have something precious, and it should come at the
start not the end.
I
can’t tell you why I am not free to write a diary in my own home,
but not wanting any trouble, can but abide by the stringent system
even if it seems stringent. One thing I can try and do is ship in
bits from the diary, bits that are less than contentious.
4.
But
living in the sticks with mental illness is awful…
s
hould
I set up a Republic with pollen as a currency?
I
think my dad tried it one summer! But now there is no more pollen,
not anymore…
indeed,
the pollen has gone under Gondwanaland, the ecstasy pill gone under
the green hill.
5.
So
I am watching a Youtube video about Socratic method.
I
learn of the Ancient Greek word
nous
(pronounced
“noose”).
It
means the Great Mind that orders things.
I
start to wonder if it is the origin
of
the
demotic word
for
“nous”
(pronounced “nowse”) as in “if he had any nous
about
him
he
wouldn’t have done that.”
English
is already jumbled, polyglot, inbred, cross-pollinated, mongrelised,
higgledy-piggledy. They say the streets of London are the same; where
in France where you have le and la everything is more ordered, which
in turn reflects the geography of Paris.
I
believe Paris was lucky enough to escape getting bombed in the war.
Speaking
of war I read an article on the war Russia is waging against Ukraine.
The German guy Merz has announced
that
restrictions
on the range of Ukrainian missiles have been scrapped.
6.
Now
it’s the end of the day – 21. 22.
I
mentioned
in
an
earlier
draft
of
Transition
To Philosophy
a feeling of butterflies in my stomach when waking on a Saturday
morning in London.
Up
here it’s more about the fleeting, evocative light at the end of a
summer day, almost calling to you from over the fell.
I
t
gives you
that strange tingly sensation.
Here
would be a great place to smoke pollen.
The
sunset comes in synaesthetic ways – it is a perfumed sunset unto
the young poet.
Now
all light recedes to a vanishing point.
We
look through the fingers of the dark trees in the foreground.
7
.
It
seems a bit prissy to be contemplating an MA when there is war in the
world.
Those
that returned from the Second World War just never spoke about it.
Now
we’ve got war in both Ukraine and the Gaza Strip.
Sometimes
I feel that with my CV, I should be guided in designing a
new
World Order, a plan for a
shock-proof
world.
At
7
I
helped invent the net, at 8 was the witness from Jim Morrison’s
book,
The
Lords And The New Creatures
,
twice. At 11 I was marked on the hand by an experiment into the maths
of the new colour as a cellular mark. At 15 I attained the face of
stars which was scripted in the Bible. At 18 I forewarned of
September 11
th
and wrote the highest-marked A-level exam essay in the nation at
100%.
After
leaving school, I recorded an album on binaural earphones, hosted the
Plough alignment for a rhythm change in the White House, got a First,
worked at a numinous, purple-bleeding screen, built the Tower as an
object of philosophy, had an experiment into a tape with a pause
where resealed in the flimsy reel, and when my dad died I discovered
the sheet where pictures grew.
It
strikes me that the trajectory of my life is analogous to John
Barnes’s sensational goal against Brazil, beating player after
player.
It
strikes me that the discovery of the sheet is analogous to the ball
ending up in the back of the net after a long, mazy run that
incorporated all those moves I made.
This
is why I think I should be guided in designing a shock-proof world.
Before
you say I was greedy, I never earned 1p throughout.
But
I would agree that only one of those things would normally be enough.
It
even becomes a strain to get through, a rigmarole, what with there
being so many things to impart and so I just skim the surface as
above.
8
.
Wittgenstein
said
a
lot of pain was caused by misunderstanding because
we
misunderstood the logic of our language and
he
hoped
to clarify things.
I
went back to bed and slept a long time and woke again at around 7 PM,
thinking about communication, problems understanding the logic of our
language.
At
12 I had a complete emotional collapse in the I.
T
.
Room at prep school, and when the teacher was asking and asking
“what’s wrong? What’s wrong?” all I could say was “I don’t
know! I don’t know!”
I
think I lacked the tools for talking about what had happened –
which at
that
stage
was only a certain way into my story.
It’s
fitting that it was the I. T. room because a
s
I have said a
t
7 I helped invent the net and the only problem with that was that the
book had to be stored in the attic for as long as my father lived…
for someone needed to store the idea of the net in writing in the
attic to give it a chance to bloom. That was not the problem.
The
problem was partly that at 8 I was twice, twice made the witness from
Jim Morrison’s book
The
Lords And The New Creatures
.
Then
by 11 I was marked on the hand by an experiment into the maths of the
new colour as a cellular mark
that
was contained in the net book in the attic unbeknownst to me
.
This
was when I broke down in the I. T. Room, had the emotional collapse.
As
you can imagine I lacked the tools for discussion.
The
terms on which discussion could be held were over my head and out of
my reach.
I
now think
The
Lords And The New Creatures
,
Jim Morrison’s book, was realised as part of my dad’s business –
and meanwhile he told us his business was something else.
I
had to reach the age of 43 before the confusion was cleared up.
In
many ways now I have the ability to talk about it, I am told I
mustn’t.
9
.
Two
cups equal in size occupy the table. For me to know they are equal in
size I must have a preconceived notion of equality that comes before
the physical, material world of forms. It is a priori and preceding
sense-perception.
Similarly
Wittgenstein says in the sentence
s
“Here is a red patch” and “here there isn’t a red patch”
the word red occurs in both so cannot indicate the presence of
something red.
10.
Tonight
there is no “Silken Veil” effect. The “Silken Veil” effect,
once again is when the dying light calls to you, beckons to you, with
piercing clarity, from over the shoulder of the darkened fell, at the
end of day.
I
used to call the top of Sea Ness “the alien spaceship landing
site,” when the 4 of us went up to play.
It
is not just the poet that renames reality like a myth-maker though,
for philosophers often set about Christening their word-worlds too.
I
heard that the foothill Sea Ness used to be Seer Ness after a seer
and his trance.
The
locals now know me as a seer because of things I have seen in terms
of animals, constellations and the future as well.
Tonight
I can report that it’s not the right weather for the Silken Veil
effect.
Darkness
descends; and yet what is in that expression but a cliché from the
cinema?
I
sit and drink tea – is that where it begins?
Another
idea I had – albeit when stoned – was to set up a third House of
Parliament called “The House of New Creatures” – after Jim
Morrison’s book – and make it here – where not only did we have
the new creatures dream realised so to speak – but where the stars
re-align.
My
mum would go ape because “this is a private residence,” as the
Dude says in the film
The
Big Lebowski.
Well,
films. Everything in a film is deliberate which is why it was wrong
of them to start making changes to Morrison’s thesis on film
aesthetics,
The
Lords
.
Film
can be about narrative, but also about immersion in the liquid dream.
My
favourite films include
Pi,
Requiem For A Dream,
T
he
Big Lebowski, The Doors, Lawrence of Arabia, A Beautiful Mind, Fight
Club, Eraserhead, The Warriors, La Heine,
and
much of Tarantino too.
They
seem a motley and disparate crew, incongruous with each other.
I
forgot to mention
Withnail
and I
,
also
The
Empire Strikes Back
.
As
for my favourite books, it’s a difficult question but I would have
to say at the moment:
Paradise
Lost, The Four Quartets, Ulysses, The Lords And The New Creatures, A
Season In Hell, On The Road, A Confederacy of Dunces, Crow, The
Hippopotamus, Tractatus Logico-Philosophicus, Philosophical
Investigations, The Beach, Selected Poems
by Michael Hofmann, anything by the New York School of poets, and
that’s all that comes to mind right now.
My
favourite albums include
OK
Computer, Nevermind,
The first Doors album,
Piper
At the Gates of Dawn, Music Has
The
Right To Children,
Kid
A,
Drukqs
by Aphex Twin,
Ten
by Pearl Jam,
16
Stone
by Bush,
Surfer
Rosa
by The Pixies, and more and many more.
I
hear Pulp – the Britpop band from the 1990’s – are getting back
together and that’s a good thing to see. My first LSD trip was
spent watching Pulp headline Glastonbury and they were electric,
absolutely amazeballs.
Now
I am thinking of a happier time, when I was young, attractive, free,
not yet a failure, not yet mentally ill – and when we had the
London house as well.
I
forgot to mention in the films
Waking
Life
and
A
Scanner Darkly
.
They
both seem to unite narrative and immersion into one.
1
1
.
I
do some more reading, remember the time my friend “Agent G” said
to wtire aoubt planiyg the panio uisng the scablmre teuqinhce –
where you rearrange all the letters of a word apart from the first
and last and the eye can still tell what is being said.
I
liad my fregnis dwon on the agnteemud fftih, (for eamplxe).
With
a palindrome I wouldn’t do it.
I’ve
also got quite a collection of stress-relieving acid-casualty
doodles, that in my “system” are “letters.” Some people think
the doodles my best work! Others contend it was when I made the
Nirvana barcode to be but the beat of ‘Scentless Apprentice’ by
Nirvana tapped out in approximate barcode shape using the tool of the
qwerty keyboard:
||
| |||| | || | |||| 909 & 693 are wings
Literature
is the ultimate function of my life. Literature is its sole purpose.
To take away my literature would be wrong, even if as some have
decreed it with a pathological and nosological eye, my continued
writing is out of illness.
12.
In
bed, at night, I consider the idea that they can manipulate the
stars, but who? Who gave us the face of stars? I mean was it aliens
or was it the early Christians who encrypted it in the Bible?
I
also consider the gap. In
an
earlier draft of
Transition
To Philosophy
I mentioned that there is a large “gap” between being a species
descended from cannibals, and the elegance and order in the universe
that is shown by the Plough alignment as concurred with a rhythm
change in the White House. Thinking about the gap is staggering and
might entail redefining metaphysics. I heard metaphysics previously
described as “the place where science and religion meet.”
About
the face I believe it was scripted by early Christians, but that
isn’t to say there is no possibility of alien life-forms.
About
the gap I muse deep and long. The gap between a once-barbaric species
and the elegance of the re-alignment is massive.
I’m
also doing my best to try and forgive and forget about the way I was
treated w/r/t being cursed or worse hypnotised.
I
hope I would be treated with the same forgiveness.
As
for the gap, the universe is a very mysterious place and it could be
that uncertainty will always prevail when it comes to unravelling
those mysteries.
For
when they talk about “progress” or “getting closer to the
point” or “syncretism” or “logical positivism” that Bigger
Picture to which things tend could be the alignment itself.
The
dimensions are inch perfect.
It
is not a vision unlike the face of stars for it combines
already-existing things into something like the sum of all difference
connected.
It
is nearer Sigma from maths than a vision.
1
3.
When
we were but kids, young kids, living in London, a new cartoon came on
telly, with two bears of different colouration talking in English
accents on some moon-like out-post o
r
space station maybe, at night. Their conversation was deep and
humourous too and my mother told me it was a new series.
The
next week I came back to the telly to look for it again but it was
gone. It was a one off. It was even a brain-trick. What it taught us
I don’t know but maybe that life is more important than telly. I
think of those two bears now that my brother and I are without other
company out here at reality’s starry faultline, on the edge of
Night.
1
4
.
And
to those that say I have surrendered my sense-perception to a kind of
prostitution in becoming such a witness to so many things what do I
retort?
Do
I not say it’s been character-building?
Do
I not maintain that such perceptions are special unlike the
relationship you have with an actual prostitute?
Was
I not the key witness for the whole counter-cultural Revolution?
1
5
.
“
Does
a thought move or does it just happen?” I asked my friend, when we
were undergraduates and he said “it’s a good question.” Poetry
was broken in that time succeeding September 11
th
.
Some of us had to go to University in 2002 as proven prophets – or
rather I did. But I was ignorant of my own prophecy, through
cannabis, until a few years later. Now I read Wittgenstein,
detecting
mild undertones, maybe even “hidden meanings” beneath the
Euclidean word-surface.
(
This
only reminds me of a school I was at where they called me the Human
Dictionary and got me to talk about the hidden meaning of a spoon.
)
“
Does
a thought move or does a thought just happen?” Well, a question is
an Access All Areas card in the Great Unknown. The spirit of
Modernism is the spirit of inquiry. Uncertainty is alive. Sartre says
(what does Sartre say?) something about how a question implies the
fact of negation (or maybe it was the other way round.) I want to
make philosophy as good as the movies. That is my new tentatively
stated ambition at the laptop. So far I’d say
Tractatus
is better than Proust.
16.
The
history of philosophy – its early years – are the same whether or
not you read
about
it
in Bertrand Russell’s
History
of Western Philosophy
from
1961 or you watch a Youtube video,
showing
a series of lectures recorded in the 1990’s in an American
U
niversity.
The same names and motifs crop up. Thales is mentioned at the start,
who predicted an eclipse, meaning science and philosophy started at
the same time.
Having
predicted several things successfully, m
y
CV
thus
lends
me to philosophy, where James is
more
the
type of intellectual who has the creative edge. I also predicted the
hunt for the God Particle the same year as I did September 11
th;
which
reminds me of Democritus of the Ancient Greeks who said atoms in the
soul are as dust motes in a ray of light when there is no wind. For
it was looking at a ballet of dust in a late ray of light angling in
that I made the God
P
article
prophecy!
I
since read in a book of Physics that the idea of the God Particle is
daft. I never said it wasn’t, only that they would begin to look
for it as if God were not extrinsic to matter.
Matter
is only semi-state.
Everything
in Nature is too.
Everything
is shifting, changing, temporal, in flux, even the oldest fell; but
philosophers still believe in a kind of truth that is fixed, eternal,
static and timeless!
This
does not mean “relative” truth but the opposite!
I
consider now whether the idea that “there is no such thing as mind
cancer” is but a relative truth or timeless and universal.
*****
17.
At
05.
48, I think to note down the time for a change, and to stop doing it
in the future too. I was going to say as well EVERYTHING IN THIS TEXT
GOES ON IN THE HAPPY WORLD OF HARIBO. But who would understand in 20,
000 years when my text has superseded the Bible!? If the Haribo
comment comes from my lovely sister Hannah, there is a Dr. Bob
comment too: he says to include the line ALL OF A SUDDEN CAIN PULLED
OUT A GUN AND KILLED ABEL. For then you have a story. But mentioning
these things only reminds me of what I was thinking about there being
no such thing as mind-cancer – which I was about to declare as at
bottom sterile, and then further, declare falsifiable – but through
falsifiability there is no 100% truth, only the best theory at the
time. It is through poetry and its sensibility of truth-to-itself
that a proposition can be 100% if well-made enough. So I wonder which
of the two the proposition counts as.
18.
We come to a work presupposing binary oppositions, some of which might incorporate:
narrative/ confessional;
honesty/ craft;
inside/ outside a convention;
art/ science;
high-end/
low-end;
and
a good work, whatever genre or mode of writing it is, can undo these
binary oppositions, open new fields of language.
1
9
.
T
here
is a large, old-fashioned painting in the posh, coffee-cake dining
room with a large, ornate frame; and in the painting you can see
God’s nostril encrypted in a stylish way into the gre
y
cloud-scape; and it is only upon noticing this
detail
transmitted down the years correctly
that
when you next come back to the painting it has become 4D and is
suddenly alive with colour even though it still bears the grey
semblance of its ostensible
surfaces
.
20
.
I
am thinking of the bit in literature when Henry Miller and his mat
e
cut up Spinoza and put it in the teapot. Later, moving rooms, I think
again of the way a new supercomputer can put every word, book,
sentence, letter, paragraph in every order. Even
Tractatus
Logico-Philosophicus
is prefigured, or would be if it were being made anew; and attempts
to make new things in this day and age are all prefigured, foreseen.
The
rain
has stopped freckling the patio.
The
wind is rustling
in
the
trees.
Cloud
covers the fell still.
A
bird is calling out the front.
I
don’t want to finish a follow up soon but take my time and cement a
position, develop a stance.
What
does dad mean when he says “Order is Happiness” and what when he
says “life is one?”
I
look out the window at the green tree swaying, ask myself “do you
see God in that tree?” and see none, then try and superimpose God
onto it, like a template, but it won’t work. It is a prettier
sight, nevertheless, than real live death on the morning news.
The
tree inveigles the super-involuted structure of the eye.
Sometimes
I think of sex as an evolutionary corridor down which you can stare
to the elemental realms, the religion of anima…
sometimes
I stare through linear light at the tree.
It
is waving not drowning.
Sometimes
through purple germs accrued in aleatory patterns on the window’s
big, oblong, staring eye I look and see the tree undress, and how in
Infinity there is no difference between, say, “tree” and
“tarantula,” nor are they on a different scale.
The
tree’s new green-ness is refreshing for the eye; and the bird song
is going mad like John Coltrane.
Now
I will wait for future time.
Now
it is future time.
Now
I am a philosopher there is little else to do but read and think. I
stare in a long, golden trance at the tree outside the window and
notice by means of description that its leafy boughs seem in the wind
to be bouncing a basketball, or stroking a cat.
I
close my eyes and my mind fills with light then I open them again and
realise it’s the literal
light
of
day coming through the window.
I
sit and contemplate more, how Jesus would say to forgive the guy that
cursed or worse hypnotised you.
My
mind drifts off to free-range running and bracken I. D. cards, out of
sight out of mind to the powers that be. When I am back in the room
the name of the game is Logic. I can think of two senses of Logic,
two theories if you like:
1.
that the number 1 is inferior to the number 2.
2.
that the number 2 is inferior to the number 1.
The
problem with writing a book about Logic is that it has to keep
getting better and better aesthetically.
So
the first theory states 1 is inferior to 2, and everything is
progressing logically; but then you start to ask of increased room
for error, dissipation, entropy, weakness,
dilution,
and
that the number 1 is that number to which all systems pertain.
Because ultimately “life IS one” and “we are of ONE MIND.” I
hope we get through these dirty waters soon!
The
first proposition is illogical in indicating that 1 is inferior to 2
in a qualitative way if 1 is hierarchically above it in the pecking
order.
Of
course in a quantitative way it is true.
The
second is illogical too, at least in a quantitative way.
I
hope we get through these dirty waters soon!
And
did you know the decimal numbers of Pi are infinite?
And
did you know Sigma is the sum of all data?
And
now I stare at the tree again as if in a present tense sharpened and
rinsed by flagrant flame!
And
did you know dog = pi times Mc squared?
And
O is the key of the babbling unicorn?
Logic
again. If it were a clock, 1 would be inferior to 2, logically
speaking, because logic implies that things are getting better. If it
were a process of narrowing down or elimination towards a goal, 1
would be better than 2. I think here of love, of the idea that were
are meant to settle on another soul and die alone. So there is room
for both truths dependent on their context, meaning and use. So we
must open what I call “A Quantum Field of Intelligence.” Such a
field is opened when, for example, something exists one minute and
the next minute can’t be found, or is made to look like a hoax but
still exist in meaning. And here I sit waiting for the depot feeling
exhausted and nervous at once.
ON BEING SERVED THE BLOT TO WRITE ABOUT
It could be a mixture of Blur and Oasis, the big, black blot I put on the page:
.
My first work of philosophy, Transition To Philosophy, isn’t even out there yet; and already I am thinking of a second, all about the blot.
When I studied Creative Writing at Warwick University we had an open-air poetry assignment, so as to not divorce poetry from its etymological origins poesis meaning “something which is brought into being.”
Some hung strips of poetry from the trees, someone put a banner saying CRE before the sign for carpark 8, to make the word CRE8. Someone did something with a goldfish bowl. I myself at the time, with a friend, went on a roof to arrange an unused pile of bricks into the words: “PLANNING PERMISSION: BUILD PYRAMIDS OF NEW FOUND LAND.”
And someone brought in a single full stop on a page entitled Writer’s Block. I am not trying to rip him off herein, more write a book of philosophy.
Brian Patten, a poet I once admired greatly, said “death is the only grammatically correct full stop.” Look at the sign. Analyse it. What does it say? What does it mean? Imagine if I had followed it up, or you had, by saying “yes indeed!”
Already I see a celebration of oddness; and then I think about Man’s predicament on earth – how weird everything is, society bounding in circles round the sun – this prisoner planet, as my dad called it, where the answer may well be self-punishment.
Blur and Oasis meanwhile were both pretty good. Blur had the rhythm of attack you get from London, present in many of their bands like the Sex Pistols, the Rolling Stones, The Kinks, The Clash, Madness. You get it from the markets on the streets. Oasis meanwhile were characterised more by bittersweet, comedown energy. If they are married in the blot so be it, but that could be reading meaning in where there is none, with hermeneutic autonomy.
If Deconstruction is a dream, letting the eye become distracted by things not meant to be in the text, the monster learning the language in the hut in Frankenstein is Caliban from The Tempest.
Already you can see most of my education was in English and Creative Writing, not Philosophy.
Already, the blot is an imperfection; already a solar eclipse to look at; already it is difficult to pin down what I feel about the blot in words. To isolate, to say with pinpoint precision. Already in turn it means just that – the pinning down of something – but what?
The blot is the blot is the blot is the blot.
I believe I have seen it before, maybe in Wittgenstein.
Shall we revisit the microcosm, the atemporal isle, posit the blot all over? At some point I should, and what if it were blue and what if it were red? Can you “read” it? Or is there a difference between a simple shape and a line of meaning? It could be about someone that needs to stop writing and can’t. I’ve been through 1000’s of files. I’ve had 1000’s of bright ideas. One of them was Action Thriller: to write an action thriller and cut it up and copy and paste it in a random fashion at the screen like Jackson Pollock making an action painting, and still calling it “Action Thriller.” Chance collocations thus churn up evidence through the operation of a game. But now I am settling on philosophy. I felt apart from a few typos my first work in this field went quite well. No, I don’t feel it is the former work that is the blot on the landscape.
My life went wrong with LSD and then I fluffed my Oxford interview. Could that be it? The meaning of the blot? You start to see it can be unpacked in several ways, that there is liberty in the mind. Even when the mind is stained by LSD you can replace with happy memories, positive self-message, log on your brain in the morning with fruit before you insufflate the fume of the Vape pen.
********
What sound does the blot have? Isn’t it strange how all it takes is a blot and everything can start to pour forth? I got it in a co-imaginative way: an old friend on magic alphabet radio: he said to write a second book of philosophy, when I can, about the blot. Thank you friend! So it is that I too sing the song of my self and my soul! I stand atop my Mnt Oblivion and fart out of the wrong orifice!
Let’s say all the action, all the plot, goes on inside the blot. The blot is the plot or even the anti-plot. So what exactly happened? Did two youths board a train not knowing where it was headed in the middle of the Night in London? For a dare? For a probing of the edges of freedom? If we say they did, we now know where they ended up: the blot. So all the foci and loci of their voyage got compressed, concentrated into a singular motif.
The unity of everything under the sun; the way we are all of one mind: is this what I mean? I looked at my old, obsolete FB account the other day and found I had written a poem going:
if e = mc squ@red
c over G = ½
@ltern@tively put:
if e – mc squ@red = [0/ only rel@tive 0]
c over G = ½
@ltern@tively put:
if e – mc squ@red = [0/ only rel@tive 0]
c over G = ½
& life is 1
********
That was when my letter ‘a’ function was broken. And how shall we relate the blot to the letter ‘a’ knowing ‘a’ comes first in the alphabet and there is only one blot? I now put one teabag in one cup and stir in the artificial sweetener with one spoon. I said already in Transition To Philosophy that we start with a playground full of friends, slowly discard them, settle on another soul and die alone.
********
My friend who commissioned me to do this, he knows what he wants and goes for it: is very singular in his tastes and passions. Yet if you only like, say, The Clash, and never broaden your taste, how can you even be said to like music at all? Speaking of music: I had a cassette tape of Pearl Jam ‘VS’ that had a pause where the flimsy reel was cut and resealed. The ideal was to do away with the pause, even to create a poetry machine in perpetual motion.
It worked; the pause was done away with. I thought I’d mention this because I was talking at the time about E pi E as a word pronounced “ette” and that roundness reminds of the blot. Should I posit the blot again or not posit the blot? Without thinking about what’s gone into it, I already knew I was going to posit it twice. You get some people who posit a blank page for example: I did that in the school poetry mag. They said it was “second to none.” Now the blot that can be unpacked in sooooooo many ways:
.
It’s not as big as last time. What could be in it? No thought was put into it. It could be a spatio-temporal context. Here is my Walden, all apart from the deep, green bassoon.
About Blur and Oasis merged: one had a song called Coffee And TV, the other Cigarettes and Alcohol. It was drinking coffee and smoking cigarettes one day in the shed where I first conceived of the blot as a mixture of Blur and Oasis. That was long ago. I don’t smoke cigarettes anymore. Anyhow, Wittgenstein says language conveys a picture in the mind: is the blot a picture?
I went down to a festival celebrating the solar eclipse with P, and we took too much LSD on the night before the eclipse. It was Lucy in the soul with demons whom as I have said elsewhere might happen to be an actual substance. On the day of the actual eclipse, the weather was grey and got greyer. Nobody needed the X-ray specs because the sun was obscured by cloud. Waking that morning, the day of the eclipse, after the dark night of the soul before it, I felt strangely empty, as if I had lost contact with myself. I was as Syd Barrett sang on The Madcap Laughs “alone and unreal.” But here I am. Here is my Walden, minus the deep, green bassoon.
There is an effect here that is like “The Silken Veil.” I call it “The Silken Veil Effect.” It’s when distant, fading light, of piercing lucidity, calls to you from o’er the shoulder of the fell at sundown, when the fell in the foreground is black and you can just see the fading light. It is around that time now but grey clouds have obscured the sky.
Soon I might be on the lookout for the moon.
In fact going out there is a patch of purple cloud-mountains – an enchanted kingdom – to the left of the fell - and the moon burns bright but is not spherical. And so we reach the end of another day. Yesterday’s writing is still on my mind. Tomorrow I might fit it in. Today is where we live, tonight, tonight.
As a teenage philosopher I drew two, large, overlapping circles, one for the Known, one for the Unknown, and said the small, oval-shaped bit in the middle where they overlapped and clapped was “the area of self.” The idea was that the circles grow together. As the Unknown becomes the Known the area of self in the middle subsumes both the circles into one. There is a total eclipse.
*****
Last
night I was awake all night. I loaned the idea for writing a new book
of philosophy about “the blot” from the air – an old friend in
the network of voices. I walked around the kitchen postponing it,
thinking about the war, how terrible it is. I actually wrote a poem,
the first for a long time, in the night-time:
This
broken clock impression
is
getting quite good -
up
all night, walking
in
a circle round the kitchen.
It’s
the second night in a row.
There
is war in the world.
Grizzly
war, Hellish war,
painful
war, colourful & loud.
And
what good can a writer do?
But
affect incremental changes?
I
walk in darkness around
this
kitchen – apart from voices.
In
my mind a meerkat
attacks
a deadly snake.
In
an aggressive burst of energy.
O
send us the light, Dear Lord.
********
I
didn’t think it was a bad poem, and it probably led me to fiddling
with poem files again. By daybreak I was so tired I couldn’t sleep
and got a sleeping pill from James. Today I got up late, and we had a
Take-away pizza, and I then set about working on my new philosophy
book, all about the blot.
I
forgot to mention that at some point yesterday, before the sleeping
pill, I actually read
Transition
To Philosophy
and thought it wasn’t that bad. Often writers don’t get round to
reading their own work but I did.
One
problem was that it didn’t really try and stop the war! That was
what I mostly noticed! So I wrote a little poem yesterday – and
today woke up and got busy with the blot. The blot is now the plot!
It
has already been contended by the air’s mind that my writing about
the blot is more thoughtful than my other writing. Every full stop
could be the blot in disguise.
Is
the blot not about how philosophy is a self-contained language
corresponding to nothing real in life?
********
Now
it is later. It is past midnight again. Maybe the idea of the blot –
of writing about the blot – was not meant to be a generative device
but to get me to stop? Or maybe to get me to try and stop the war?
The
world is an uneasy place at the moment, as you can tell even up here
in a world of Romantic escape.
I
feel uneasy and turn to Wittgenstein. Maybe to know your own
philosophy you must first know who your favourite philosopher is?
Similarly to unpack something that happens in your own country, even
if it is to do with an American media-compression experiment, you may
have to read some indigenous philosophy.
And
when you
r
mate’s dad says to you in the pub “when you get old your body
starts to hurt,” is that not philosophy by means of it pertaining
to being axiomatic, truthful, or is philosophy something more than
that, something analytic, something transcendent, something to do
with suspension of judgement, or ecstasia, and a process of
clarification, a teasing out of arguments, a resistance to preaching,
to sermonisation, but a dissection of language, culture, meaning…
what does philosophy mean to you and why? And then it is the same for
the blot. Not “what does the blot mean?” but “what does the
blot mean for you and why?”
T
he
blot is not universal
in
meaning
like
God just because it contains an absence of meaning-signifiers. It is
surely subjective in meaning even though it contains an absence of
meaning-signifiers. And as I stated in
an
earlier draft of
Transition
To Philosophy
,
“we must have the Right to Disagree,” like Lennon getting high in
his tree. If the blot is an aperture, for example, is it closed to
you and open to someone else? If it is a picture of an astral body
unto one person, is it the singularity of a black hole unto another?
And what would Mr. Bean, who delivered a lecture on art at the end of
the Bean Movie, make of the blot as a work of art? Is it my “God is
dead” moment – in the sense that meaning has grown diverted? Or
is it more Duchamp?
And
when I say it contains an absence of meaning-signifiers, is that even
true? Do I mean it? Or is there in that absence itself a
signification? You might even say that it translates internationally!
There are some delicate bits in
Transition
To Philosophy
that don’t. So we see something approaching the sum of all
difference connected; then we see something else, something devoid.
And what about that black cataract over its eye? And what about the
fact that it has no sound like a mute button on a remote control? I
heard that language is just differences in sound combined with
differences in idea; is the blot exempt? How does the blot attain
meaning? How does it journey from Signification to Significance? And
is it just a piece in a beautiful opera of being? And does it mean
something about imminent death?
Have
I been sent the blot because I have been hired to die?
*****
The
scene is my bedroom, the anagram of boredom. It is not a crime scene,
but we can investigate. There is a nylon string guitar leaning up
against the chest of drawers; there are clothes on the floor; there
is a mirror; there are two portraits of John Lennon done my artist
friend; there is the Tower – that instrument of philosophy –
where I started with a book that began to emanate smell – and
continued to collect weird books that seemed subject to natural
magic. No, it is not a crime scene, just a domestic scene, but if I
am being sent the blot as a death threat, it could be the scene of a
crime nevertheless.
My
bed is unmade. My phone on the bedside table. My tea also. A
hair-band (for I have long hair.)
S
ome
defunct Vape pens. Some empty Vape juice packets. A candle left over
from the recent power-cut. The bedside light is on but not the main
light. The watch my friend got me for Christmas is here. Two old
laptops are flat on the chest of drawers. It is Night. No music pours
through the house. I turn my mind to Heaven. Heaven is a pile of
imaginary statistics that no-one will ever get to see. There is
fly-paper hanging down from a notch on the window. There is a waste
paper basket containing old bottles, sweet wrappers et al.
I
decide the best thing I can do is to take the Tower back to my old
bedroom where my own bookshelves are. The books in this present
bedroom are Dr. Bob’s, not mine. So I take the Tower back to the
other shelves and integrate the Tower into those other shelves so
that no-one would notice it.
MORE ON THE BLOT
I
am thinking about the blot again, or as some call it “the dot.”
T
he
blot, meaning death. Why have I been commissioned to do it? Let me
not launch into paranoid conspiracy theories. Let me undress the
presentation of the dot as a philosopher would a proposition. But
wait, that is not possible. It is not a proposition. It isn’t
actual language, in not employing the mechanics of meaning, through
differentiation. It differs from All Other Language in a singular
way, by warrant of it not connoting, other than through the
superstitious mode of it connoting imminent death. But maybe it’s
not so superstitious – maybe I
am
about to die?
I
think mortality is a form that you can write against; that death can
wake you up and get you writing for your life. But something about
this blot idea, it is less
an
hypothetical death than ever before. It is a more accelerated, real
sense of death. I think in short that God is a game. That a game is
based on permutation. That even a game of cards can be a rehearsal
for death. I think
The
Lords And The New Creatures
is also a game – a wide, yellow circle with death the pinpoint
centre and the circumference closing in. I think it also a
media-compression experiment dreamed up on LSD under a hot,
Californian sun.
The
friend who gave me the blot: he was a poet as I was too. He had one
when we were young going something like:
“
A
house. At night. Waiting in darkness
for
you. Who do you think of when
you
touch yourself in the shower?”
I
puzzled over it for a long time because he did delight in a wilful
opacity; and it took me years to crack the code. In fact it was the
night before my father died that I got what he was talking about. So
I wrote it down on my computer. Then my dad died and I think the next
thing in the list was:
“
D
eath’s
breath is a tear of flame,
with
waxy dreadlocks drooped in shame.”
They
existed either side of the actual pinpoint moment of death.
Now
t
he
friend
has
asked me to do the blot… knowing what he meant in his poem, I think
again of the blot, and the way the meaning of the poem
only
came
to me in a time coinciding with my dad’s death. If you’re too
slow you’ve missed it. This friend, he didn’t ideate the
“intended meaning” himself but encrypted it, and applied it to
music too, to beautiful effect. He made songs in other words that
never repeat themselves, never look back, always move on, make you
wonder “how did we get here?” miles down the line. Not that it’s
not but who you think of touching yourself in the shower is the one
with all the wordly power over you.
THE FACE OF STARS
How do I know the face of stars was scripted in the Bible? Firstly, we were three gathered in the name. We were on a camping holiday in Eskdale, and I had taken us to a tarn at sunset. The sun went down and we walked back through the concussive dark guided by a cigarette lighter’s spark, came out of the dripping trees into the open, crossed the River Esk on the stepping stones and stood beneath the universe at the clearing by St. Catherine’s Church. The universe was enlumed, drenched with electric diamonds, wet, dripping grape-bunches of stars; and Tom and I stood there together while Ben fished his fags out of the river; and we saw a shooting star or “fire fish tail” course across the Night from right to left; and we pointed, simultaneously, up at it in rapture; and all of a sudden we recognised the face of stars, there where the shooting star fizzled out; so we were already pointing up at it; and we sighed and were excited; and Ben came from the river bank and asked us what we were pointing at; and I guided his eyebeam across the Night so that he could also see it – the face of stars.
We had to walk away and did. Now the question is: how do I know it was scripted in the Bible? Well, I don’t know but believe, if you may permit a difference, and this belief has been engendered by a series of random text messages I have been sent from two separate numbers, containing Biblical quotes. Maybe, you will say they are taken out of context; but reading them, with my experience, I understood that the face of stars was scripted in the Bible. The list of quotes, divided into two books according to which number the texts were sent from, is as follows…
BOOK
1
Tue
1 Ja
n
2019. 00. 00
It
is of the LORD’s mercies that we are
n
ot
co
n
sumed,
because his compassio
n
s
fail
n
ot.
Lam 3 v 22.
Mo
n
26
S
ept
2022. 11. 38
He
maketh the storm a calm, so that the waves thereof are still. Psalm
107 v 29
Mo
n
10
th
Oct 2022. 11. 45
For
of him, a
n
d
through him, are all thi
n
gs:
to whom be glory for ever. Ame
n
.
Roma
n
s
11 v 36
Mo
n
24
th
Oct 2022. 12. 02.
…
that
we through patie
n
ce
a
n
d
comfort of the scriptures might have hope. Roma
n
s
15 v 4.
Thursday
22 Dec 2022. 11. 20.
I
n
whom ye also trusted, after that ye heard the word of truth. Eph 1 v
13.
Mon
2
n
d
Ja
n
,
2023. 12. 47
...so
loved… Joh
n
3 v 16
Mo
n
16
th
Ja
n
.
2023. 12. 16
For
the LORD gives wisdom; From His mouth come k
n
owledge
a
n
d
u
n
dersta
n
di
n
g.
Proverbs 2 v 6.
Mo
n
30
th
Ja
n
2023. 12. 16.
Come
u
n
to
me, all ye that labour a
n
d
are heavy lade
n
,
a
n
d
I will give you rest. Matthew 11 v 28
Tuesday,
14 Feb 2023. 13. 32.
Shall
n
ot
the Judge of all the earth do right
?
Ge
n
esis
18 v 25.
Mo
n
day
27
th
Feb 2023. 13. 05.
But
he giveth more grace. Wherefore he saith, God resisteth the proud,
but giveth grace u
n
to
the humble. James
4
v 6
Mo
n
10
th
April 2023. 11. 38
Who
is wise, a
n
d
he shall u
n
dersta
n
d
these thi
n
gs,
prude
n
t,
& he shall k
n
ow
them for the ways of the Lord are right, & the just shall walk
i
n
them. Hosea 14 v 9.
Mo
n
24
th
April 2023. 13. 09.
After
he had patie
n
tly
e
n
dured,
he obtai
n
ed
t
he
promise. Heb 6 v 15.
Mo
n
8
th
May 2023. 19. 45
I
am Alpha a
n
d
Omega, the begi
nn
i
n
g
a
n
d
the e
n
d,
the first a
n
d
the last. Rev 22 v 13.
Mo
n
22d May 2023. 12. 24
by
his ow
n
blood he e
n
tered
i
n
o
n
ce
i
n
to
the holy place, havi
n
g
obtai
n
ed
eter
n
al
redemptio
n
for us. Heb 9 v 12.
Mo
n
5
th
Ju
n
e
2023. 12. 35
Cast
n
ot
away therefore your co
n
fide
n
ce,
which hath great recompe
n
ce
of reward. Hebrews 10 v 35.
Mo
n
19 Ju
n
e
2023. 11. 05
Behold,
what ma
nn
er
of love the Father has bestowed upo
n
us, that we should be called the so
n
s
of God. 1 Joh
n
3 v 1
Tuesday
4
th
July 2023. 12. 53
Abraham
believed God, a
n
d
it was cou
n
ted
u
n
to
him for righteousness. Romans 4 v 3.
Mon
17 July 2023. 11. 46
For
thou art with me Psalm 23 v 4
Mo
n
day
7 Aug 2023.
09.
42
the
LORD is thy keeper: the LORD is thy shade upo
n
thy right ha
n
d.
Psalm 121 v 5.
Mo
n
9
th
Oct 2023. 23. 18
To
everythi
n
g
there is a seaso
n
,
a
n
d
a time to every purpose u
n
der
the heave
n
.
Ecc 3 v 1
Mo
n
6
th
N
ov
2023: 13. 24
To
whom the
n
will ye like
n
God
?
Or what like
n
ess
will ye compare u
n
to
him
?
Is 49 v 18.
Su
n
day
26
th
N
ov
2023. 06. 22
our
sufficie
n
cy
is of God. 2 Cor 3 v 5.
Tues
19
th
Dec 2023. 10. 37.
Glory
to God i
n
t
he
Highest. Luke 2 v 14
Mo
n
day
1
st
Ja
n
2024. 13. 25.
But
blessed are your eyes, for they see: a
n
d
your ears, for they hear. Matthew 13 v 16.
Mo
n
day
15 Ja
n
2024.
11. 12.
I
the LORD.. will hold thi
n
e
ha
n
d,
a
n
d
will keep thee. Isaiah 42 v 6.
Mo
n
day
29 Ja
n
2024.
12. 19.
I
will go before thee a
n
d
make the crooked places straight. Isaiah 45 v 2.
Mo
n
day
11 March 2024. 11. 24
Worthy
is the lamb. Revelatio
n
5
v 12
Mo
n
day
25
th
March 2024. 11. 32.
Or
do you
n
ot
k
n
ow
that your body is the temple of the Holy Spirit who is i
n
you,
whom you have from God, a
n
d
you are
n
ot
your ow
n
?
1
Cor 6 v 19
Mo
n
day
8
th
April. 11. 54
Seek
the Lord, a
n
d
his stre
n
gth:
seek his face evermore. Psalm 105 v 4.
Mo
n
day
8
th
July. 23. 54.
God
is our refuge a
n
d
stre
n
gth,
a very prese
n
t
help
in
trouble. Psalm 46 v 1
Whoever
offers praise glorifies me. Psalm 50 v 23
Mo
n
day
15
th
July. 10. 39
For
thou hast mag
n
ified
thy word above all thy
n
ame.
Psalm 138 v 2.
Mo
n
day
29 July. 11. 39.
A
n
d
the Lord hath laid o
n
Him
the i
n
iquity
of us all. Isaiah 53 v 6.
Mo
n
day
12
th
August. 11. 15.
...upholdi
n
g
all thi
n
gs
by the word of his power... Hebrews 1 v 3
Mo
n
day
26
th
August. 14. 17.
Come,
see a ma
n,
which
told me all thi
n
gs
that ever I did, is
n
ot
this the Christ
?
Joh
n
4 v 29
Mo
n
day
9 Sept. 12. 16
Behold,
the fear of the LORD, that is wisdom; a
n
d
to depart from evil is u
n
dersta
n
ding.
Job 28 v 28.
Mo
n
day
23
rd
Sept. 14. 03.
Pray
without ceasi
n
g.
1 Thess 5v 17.
Mo
n
day
21 Oct. 10. 30.
Let
such as love thy salvatio
n
say
co
n
ti
n
ually,
the LORD be mag
n
ified.
Psalm 40 v 16.
Mo
n
day
4
th
N
ov.
10. 50
I
am come that they might have life, and… have it more abu
n
da
n
tly.
Joh
n
10
v 10.
Mo
n
18
th
N
ovember
10. 00.
Offer
u
n
to
God tha
n
ksgivi
n
g;
a
n
d
pay thy vows u
n
to
the most High. Psalm 50 v 14.
Mo
n
2
n
d
Dec. 10. 19.
For
God se
n
t
n
ot
his so
n
i
n
to
the world to co
n
dem
n
the
world; but that the world through him might be saved. Joh
n
3 v 17
Mo
n
6
th
J
a
n
.
10 35.
A
n
d
God shall wipe away all tears from their eyes; a
n
d
there shall be
n
o
more death, either sorrow, or cryi
n
g,
n
either
shall there be a
n
y
more pai
n
:
for the former thi
n
gs
have passed away. Rev 21 v 4
M
o
n
13 Ja
n
10. 17
Casti
n
g
all your care upo
n
him; for he careth for you. 1 Peter 5 v 7.
Su
n
day
2
n
d
Feb 21. 55
Blessed
is she who believed, for there will be a fulfillme
n
t
of those thi
n
gs
which were told her from the Lord. Luke 1 v 45
Mo
n
day
10
th
February. 11. 26
Shall
he that co
n
tedeth
with the Almighty i
n
struct
Him. Job 40 v 2
Mo
n
day
24 Feb. 10. 44.
A
n
d
he arose, a
n
d
rebuked the wi
n
d,
a
n
d
said u
n
to
the sea, Peace, be still. A
n
d
the wi
n
d
ceased, a
n
d
there was a great calm. Mark 4 v 39.
Mo
n
day
10 March. 19. 38.
Let
us therefore come boldly u
n
to
the thro
n
e
of grace, that we may obtai
n
mercy, a
n
d
fi
n
d
grace to help
i
n
time of
n
eed.
Heb 4 v 16
Mo
n
.
10. 57.
Which
hope we have as a
n
a
n
chor
of the soul, both sure a
n
d
steadfast. Hebrews 6 v 19.
Monday
7 April. 11. 35
Looking
into Jesus the author and finisher of our faith. Hebrews 12 v 2
12.
15
...the
son of God, who loved me, and gave himself for me. Galatians 2 v 20
Tuesday
20 May. 18. 21
Behold
he cometh with clouds; and every eye shall see him. Rev 1 v 7
Monday
2 June. 10. 14.
Shall
he that condendeth with the Almighty instruct him? He that reproveth
God, let him answer it. Job v 2
BOOK
TWO
Mo
n
day
19
th
Sept 2022. 10. 52
The
Lord, he it is that doth go before thee, he will be with thee, he
will
n
ot
fail thee,
n
either
forsake thee, fear
n
ot,
n
either
be dismayed. Deut 31 v 8
Mo
n
day
3 Oct 2022. 12. 42.
Seek
the Lord, a
n
d
his stre
n
gth,
seek his face ever
m
ore.
Psalm 105 v 4
Mo
n
day
17 Oct 2022. 12. 28.
It
is God that girdeth me with stre
n
gth,
a
n
d
maketh my way perfect. Psalm 18 v 32.
Mo
n
day
26 Dec 2022. 12. 44.
He
that spared
n
ot
his ow
n
So
n
,
but delivered him up for us all, how shall he
n
ot
with him also freely give us all thi
n
gs.
Roma
n
s
8 v 32
Mo
n
23 Ja
n
uary
2023. 11. 54
But
be
n
ot
thou far from me, O Lord: O my stre
n
gth,
haste thee to help me. Psalm 22 v 19.
Mo
n
6
th
Feb 2023. 12. 34.
The
glory of the Lord shall e
n
dure
for ever: the Lord shall rejoice
i
n
his works. Psalm 104 v 31.
Mo
n
20
th
Feb 2023. 11. 50
Eve
n
there shall thy had lead me, a
n
d
thy right ha
n
d
shall hold me. Psalm 139 v 10.
Mo
n
day
6
th
March 2023. 11. 22.
I
will say of the LORD, He is my refuge a
n
d
my fortress: My God;
i
n
him will I trust. Psalm 91 v 2.
Tuesday
4
th
April 2023. 21. 38.
The
LORD is
n
igh
u
n
to
them that are of a broke
n
heart, A
n
d
saveth such as be of a co
n
trite
spirit. Psalm 34 v 18.
Mo
n
day
17 April 2023. 10. 31.
Sta
n
d
still a
n
d
co
n
sider
the wo
n
drous
works of God. Job 37 v 14.
Mo
n
day
1
st
May 2023. 13. 03.
The
n
spake Jesus… I am the light of the world: he that followeth me
shall
n
ot
walk
i
n
dar
k
n
ess,
but shall have the light of life. Joh
n
8: 12
Mo
n
day
15
th
May 2023. 11. 46.
Be
still, a
n
d
k
n
ow
that I am God. Psalm 46 v 10.
Mo
n
day
29
th
May 2023. 11. 53
Great
is our Lord, a
n
d
of great power; His u
n
dersta
n
di
n
g
is i
n
fi
n
ite.
Psalm 147 v 5.
Mo
n
day
12 Ju
n
e
2023. 11. 52.
He
telleth the
n
umber
of the stars; He calleth them all by their
n
ames.
Psalm 147 v 4.
Mo
n
day
26
th
June, 2023. 11. 18.
In
the world ye shall have tribulatio
n
;
but be of good cheer; I have overcome the world. Joh
n
16 v 33.
Mo
n
day
10 July 2023. 12. 04
I
will remember the works of the LORD: surely I will remember thy
wo
n
ders
of old. Psalm 77 v 11.
M
o
n
day
24
th
July 2023. 10. 11.
A
n
d
they remembered that God was their rock, A
n
d
the high God their redeemer. Psalm 78 v 35.
Mo
n
day
7
th
August 2023. 10. 21
My
soul lo
n
geth,
yea, eve
n
fainteth for the courts of the LORD: My heart a
n
d
my flesh crieth out for the livi
n
g
God. Psalm 84 v 2.
Mo
n
day
16
th
October
2023. 11. 41.
…
for
your Father k
n
oweth
what thi
n
gs
ye have
n
eed
of, before ye ask him. Matthew 6 v 8.
W
ednesday
1
st
N
ovember
2023. 08. 39.
For
thou, art good, a
n
d
ready to forgive; A
n
d
ple
n
teous
i
n
mercy u
n
to
all them that call upo
n
thee. Psalm 86 v 5.
Mo
n
day
13
th
N
ov
2023. 11. 43.
My
soul melteth for heavi
n
ess:
Stre
n
gthe
n
thou me accordi
n
g
to thy word. Psalm 119 v 28
Mo
n
day
27
th
N
ov
2023. 11. 48.
Therefore
I will look u
n
to
t
h
e
LORD; I will wait for the God of my salvatio
n
;
my God will hear me. Micah 7 v 7.
Mo
n
day
25
th
December 2023. 12. 04.
Every
good gift a
n
d
every perfect gift is from above, a
n
d
cometh dow
n
from the Father of lights, with whom is
n
o
variable
n
ess.
James 1 v 17.
Wed
10
th
Ja
n
2024. 04. 59.
A
n
d
the Word was made flesh, a
n
d
dwelt amo
n
g
us… Joh
n
1 v 14.
Mo
n
day
22d Ja
n
uary
2024. 12. 27
But
be
n
ot
thou far from me, O LORD: O my stre
n
gth,
haste thee to help me. Psalm 22 v 19.
Mo
n
day
5
th
Feb 2024. 11. 38.
A
n
d
he arose, a
n
d
rebuked the wi
n
d,
a
n
d
said u
n
to
the sea, Peace, be still. A
n
d
the wi
n
d
ceased, a
n
d
there was a great calm. Mark 4 v 39
Mo
n
day
4
th
March 2024
For
he hath made him to be si
n
for us, who k
n
ew
n
o
si
n
,
that we might be made the righteous
n
ess
of God
i
n
him. 2 Cor 5 v 21.
Mo
n
day
18
th
March 2024. 10. 30.
O
LORD, thou art my God; I will exalt thee, I will praise thy
n
ame;
for thou hast do
n
e
wo
n
derful
thi
n
gs.
Isaiah 25 v 1.
Mo
n
day
1
st
April. 12. 33.
The
Lord is rise
n
i
n
deed.
Luke 24 v 34.
Mo
n
day
8
th
July. 23. 54.
U
n
to
thee, O my stre
n
gth,
will I si
n
g:
For God is my defe
n
ce,
a
n
d
the God of my mercy. Psalm 59 v 17.
The
Lords is
n
igh
u
n
to
them that are of a broke
n
heart; A
n
d
saveth such as be of a co
n
trite
spirit. Psalm 34 v 18.
Mo
n
day
22
n
d
July. 09. 39.
O
give tha
n
ks
u
n
to
the LORD; for he is good: For his mercy e
n
dureth
forever. Psalm 136 v 1.
Mo
n
day
5
th
August. 11.43.
A
n
d
whatsoever ye do
i
n
word or deed, do all
i
n
the
n
ame
of the Lord Jesus, givi
n
g
tha
n
ks
to God a
n
d
the Father by him. Col 3 v 17.
Mo
n
day
19th August. 10. 36.
Blessed
is the ma
n
that trusteth
i
n
the LORD a
n
d
whose hope the LORD is. Jeremiah 17 v 7
Mo
n
2
n
d
September. 10. 54.
The
voice of the LORD is powerful; The voice of the LORD is full of
majesty. Psalm 29 v 4.
Mo
n
day
16
th
September. 10. 36.
Whe
n
I said, My foot slippeth; Thy mercy, O LORD, held me up. Psalm 94 v
18.
Mo
n
day
30
th
September. 11. 15.
For
thou hast bee
n
a stre
n
gth
to the poor, a stre
n
gth
to the
n
eedy
i
n
his distress, a refuge from the storm. Isaiah 25 v 4.
Thursday
17
th
Oct. 15. 38
A
n
d
he said, My presence shall go with thee, and I will give thee rest.
Exodus 33 v 14.
Monday
28
th
October. 11. 55.
Rejoicing
i
n
hope; patie
n
t
in tribulation; conti
n
uing
i
n
stant
i
n
prayer. Romans 12 v 12.
Monday
11
th
N
ovember.
10. 54
For
the visio
n
is yet for a
n
appoi
n
ted
time … though it tarry, wait for it, because it will surely come,
it will
n
ot
tarry. Hab 2 v 3.
Mo
n
day
25
th
N
ovember.
11. 53.
Wherefore
putti
n
g
away lyi
n
g,
speak every ma
n
truth with his
n
eighbour;
for we are members o
n
e
of a
n
other.
Ephesians 4 v 25.
Monday
9
th
December. 10. 48.
The
LORD shall fight for you, a
n
d
ye shall hold your peace. Exodus 14 v 14.
Mo
n
day
23 December. 12. 12.
Whe
n
they saw the star, they rejoiced with exceedi
n
g
great joy. Matthew 2 v 10.
Mo
n
day
30
th
December. 13. 29.
He
taught me also, a
n
d
said u
n
to
me, Let thi
n
e
heart retai
n
my words: Keep my comma
n
dme
n
ts
a
n
d
live. Proverbs 4 v 4.
Mo
n
day
20
th
Ja
n
11. 43.
Behold,
I make all thi
n
gs
n
ew.
A
n
d
he said u
n
to
me, Write; for these words are true a
n
d
faithful. Revelatio
n
21 v 5.
Mo
n
day
3
rd
Feb. 11. 16.
Be
n
ot
wise
i
n
thi
n
e
ow
n
eyes. Fear the LORD, a
n
d
depart from evil. Proverbs 3 v 7.
Mo
n
17
th
Feb. 10. 33.
If
we live
i
n
the Spirit, let us also walk
i
n
the Spirit. Galatians 5 v 25.
Mo
n
3
rd
March. 11. 19.
Peace
I leave with you, my peace I give u
n
to
you:
n
ot
as the world giveth, give I u
n
to
you. Let
n
ot
your heart be troubled,
n
either
let it be afraid. Joh
n
14 v 27.
M
o
n
day
17
M
arch
11. 47.
He
brought me up also out of a horrible pit, out of the miry clay, A
n
d
set my feet upo
n
a rock, a
n
d
established my goi
n
gs.
Psalm 40 v 2.
Monday
31 March 20. 03
Hear,
O LORD, when I cry with my voice: Have mercy also upon me, and answer
me. Psalm 27 v 7.
Monday
11. 30
For
in the time of trouble he shall hide me in his pavilion: In the
secret of his tabernacle shall he hide me; he shall set me upon a
rock. PS 27 v 5 TM
10.
42.
in
all thy ways acknowledge him, And he shall direct thy paths. Proverbs
3 v 6.
“
MA
GIC
SAYINGS HIDDEN IN THE TREETOPS”
A
moocow is not made of dialectical antagonism.
Someone
else can lose your marbles for you.
V
owels
are our souls.
Meaning
in music is
solipsistic,
it
is faces in the fire or
Hamlet’s
3 creatures in a cloud-change.
Life
could be a dull throb of loneliness inside your breast as well as a
colourful spew going on outside the cave-walls of the skull.
If
Liberalism is the allowing of all perceptions and it leads to
Hamlet’s harmatia irresolution, pragmatism may be the reactivation
of an attitudinisation in that situation.
Planes
are the shoes of clowns.
It’s
impossible to make a cowboy film in space.
A
drum is a dream bigger than a dream of bounding in huge, magic
circles in space.
The
Big Mac, which contains the four basic, caveman cravings of salt,
fat, sugar and protein, could be the heir to the apple of knowledge.
L
ove
can go veggie for reasons of Disney.
Light-speed
is my passport.
If
acid is the microchip of a peach, the sun is the peachstone of a
black hole.
It
is not true that the effects of acid and of acid-rain on an imaginary
species = the same, nothing, if there can be no more proof of
something being real
than
saying it was Imagined.
The
constellations only
seem
to
turn
on axis unobserved.
A
trance of stalks walks on stilts like a stance on talks only to the
toilet then back to bed to rest its head under the soft, Pink Panther
blanket.
When
a volume starts to smell of redolent
flowers
or Flora’s
perfume
it could be the word of a dog.
Death’s
breath is a tear of flame with waxy dreadlocks drooped in shame.
When
we wake words are stone shoes worn by the bottoms of clouds, weighing
them down hopelessly.
It
is possible to harness waves that also passed through the Beats.
Leaves
that played on the surface of the water, these are the leaves they
have in Heaven, these are the leaves of love.
There
are fossils of art as well as fossils of life.
Connection
is Heaven and Heaven connection and there is connection between
Heaven and vision for vision may feel in a state of Heaven and Heaven
only exist in vision.
Semantics
is a road sign not a pl
ace.
Meaning
is inherent in something’s exact mode of expression.
Meaning
is not a delusion unlike Time.
Meaning
could be an emotional import given mere exo-skeleton with wor
ds.
Every
planet has its own colour and ‘Calliope’ means ‘beautiful
face.’
The
names of pharmaceutical medications should probably n
ot
appear in poem
s.
Nature
is the true architecture of State.
If
ever there were a light-speed law of neuroplasticity it
might
only be that “it is impossible to remember a new yellow line.”
Cliche
hurts more than truth.
Where
rain falls, falling reigns.
Pictures
can be done without hands.
Life
is not just about naturally occurring fossils of Jim Morrison’s
poetry for the witness but the live Doors for everyone else too.
Realism
ice-skates on the surface of the dust.
Language
can
be
smuggled
out of the unconscious.
Enough
is
the hope the heart literally needs in order for it to survive without
which it can stop,
meaning
Duff which is H suspended in deafness.
H20
might stand for hypothalamus tattoo.
Chewing
gum is bi.
Voices
only pathologise what by another name might be onjects, quavers,
syllabubbles, sonic machinations at the periphery of sound, an
instrument of wonder.
C
louds
seen through hospital glass only mean that all things must pass.
There
is no such thing as mind cancer.
Th
at
women like Primark is hardly a timeless idea transmitted across Time.
Ecstasy
is a teddy bear back in the garden of Eden.
Autumn
is Optimus Prime
already
in Keats.
Freedom
not poetry is the bike riding itself.
After
garage and house comes library.
The
poet extirpates every trace of recognition from the mind, unlooses
the mind of form, method acts every adjective in ‘Howl’ to attain
visual radio
.
I
f
your dad is an international art smuggler nicknamed Blue it can
become a new sense through which you can read of future event
s.
It
is not inconceivable that when we die we can re-access history at any
point, be a real, live Red Indian, or a bird of prey soaring over a
mnt.
Birds
are for flying not
for
special
perception.
The
effect of global warming on the unicorn succeeded Piper At The Gates
of Dawn.
The
summer rain falls with as many hands as there are names for new rock
bands.
The
alphabet could be Nelly the Elephant’s suicide note.
Sometimes
on E it makes you feel like your mouth is full of cold, stunning,
Heavenly, crystal water and when you speak it spills.
I
f
form is an easel, content is a palette.
The
main difference between the sticks and the city is that in the sticks
you acknowledge the stranger you pass when out there walking.
Creation
is a dark machine.
It’s
impossible to curse the sun.
Acid
is a spirit-level for the spirit.
Without
flaws there can be no opinions, as without imperfection there can be
no taste.
Galloping
water is a cool thing to say.
Things
live inside onions of themselve
s.
Freedom
flies where flags fall.
Heaven
is a pile of statistics no-one will ever see.
Water’s
boiling point is when it starts to involuntarily breakdance to the
music
.
Walnut
halves look like miniature, shrunken brains.
If
Facebook is evil one reason is that it makes you say things you don’t
mean and freezes them forever.
Your
right to write of who is in the shower ends where another’s naked
body begins.
We
are hiding from
The
Waste Land
in
The
Waste Land
.
I
prefer
The
New Family Tao
to the non-fungible token.
The
sound of typing can be used as percussion in non-metred Sound Art.
When
Baxter the dog walks on the laptop funny things come out like the
names of glitch electronica numbers.
T
he
powers that be could be clouds
that
wear
DM boots on their red brick road, and ripped genes adorned with peace
and anarchy signs, on their protest march.
A
‘tron’ could be a point of intersection between technology and
art or a post-poetic experiment with a psycho-technological edge.
Objects
can vanish on the periphery of madness when emotions are high.
Reality
is not a computer program designed by aliens in the 1980’s and nor
were caves alien cinemas in the long distant past.
Waiting
in darkness can be nourishing for the soul, reveal a Technicolour
shoal.
With
drugs you have to realise: wise up or die.
The
world of Stuff and Things is not amenable to the world of
Transcendental Metaphysics.
Time
does not pass but evaporate.
Life
is naturally the opposite of Lord of The Flies because the mystic
character is the one that actually does see things while everyone
else thinks he’s deluded.
Even
a game of cards can be a rehearsal for deat
h.
T
he
exact same words can seem absolutely insane when written down and
confer absolute genius when not written down.
Dream-meets
in the silver forest, ESP and telepathy are more possible with the
net around.
When
it comes to the sheet where pictures grew, they could be “people,”
as we are people too, people who are levelled by the sheet, whose
Equality is enshrined.
If
you have to read Homer in order to be a philosopher everyone should
have that opportunity if they choose
and
that is my philosophy
.
Credits
at the end of innocence
still
fall
like numberless lists of fallen autumn leaves.
To
be the first to coin the word “co-imagination” seems almost
sill
y
.
Crocodiles
have had Sat Nav for 1000’s of years before our Age.
A
bird is a bird is a bird is a bird.
Just
because it has been called naive to perceive of the left as a
beautiful, compassionate emotion to explore doesn’t mean it isn’t
sometimes good to go down that path.
Just
because it was my brother not me that fired bullets to the top of the
telegraph pole doesn’t mean all statements that pertain to
axiomatic truth are his intellectual property.
A
thesis as thin as the Rizla it is in can lead all the way to the
loony bi
n.
Water
has no more memory than it has smell.
It
is better to hide from the wind than it is to perform open heart
surger
y.
When
I say apples “occupy” a bowl on the table, I don’t mean they
are a bunch of Nazis.
It
would be unwise to use the same shapes as a previous writer like, for
example, Jim Morrison, if your creative writing teacher says it would
be unwise to.
If
“
Philosophy
is
a
sterile
subject”
(as
my friend Dr. Calculator Ptom contends)
poetry
is
probably
by
default more
alive.
If
Flora was in nets, I’d be Barnes in the game.
Nirvana
did the sheet where pictures, pictures depicting my own song lyric
grew, so that’s why people like it when I say it still belongs to
my
brother
(who
laid it down)
.
The
healing and fusing of the cassette with a pause in the song where cut
and resealed in the flimsy reel in a delicate operation could be down
to faith more than doubt.
Two
photos on the blog, one for the e
ar
,
one for the e
ye
,
might still seem
un
fair.
When
you get invaded by madness and hear so many voices there can seem
nothing going on in your own head but straw.
If
you did help invent the net you shouldn’t have to pay for
publication.
Words
appear
to
come out
weird
sometimes.
Glastonbury
should be free and
life
like
that all the time.
S
ome
voices take a few moments to decode after their initial shocking
impact.
I
f
I said I went to the Louvres travelling by drug-hoover, it might just
seem like piss.
The
crawl of the Doorsian poet through modes of perception trying to find
something that underlies
their
variability
leads
to water
.
Ma
ybe
l
iving
here at the foot of the oldest rock I was never supposed to find out
about the future that ain’t what it used to be.
C
utlass
maths is what I call the ruthless revisionist cut of William Carlos
Williams.
We
live in an Age of sending without form.
Drains
can sing with Irish folk songs, about dreams that never die.
There
are dreams that never die.
L
ove
is a dream that never dies.
Even
the meme has split in two, and that was the new “uncuttable” once
upon a time.
T
here
is breath in a death.
It
is not necessarily a disease to not be able to cry at funerals.
The
traffic lights of tears can be all dark green at times.
T
he
impassable gulf between first and third persons has been decreed
metaphysics.
The
automated conveyor belt of poesis influences the voice to be a
confluence of forces through voices even when I try and drive a
straight line towards anywhere that may be light.
We
are all in one bed in Amsterdam.
T
he
light is a prism.
Through
the Hume people come and go, Smart-talking of Ted Hughes’s Crow.
Life
is fast, London brutal, travelling scary.
Her
wetness is so.
Angels
can be as frightening as demons.
The
witness was already an Irishman before Jim Morrison was born.
Voices
could be the colours of the vowels and make you increase your
threshold for Negative Capability.
Writing
a letter Dear Music could be instructive in mental health in the
future.
H
does not = 0 – 0 because I have a heart.
You
shouldn’t put Paradise Lost to music unless it is going to be
amazing so it is an aesthetic not moral question.
Isness is the centre of Everything.
Isness is the quiddity and suchness of existence.
The thing is not ideas about the thing but the thing itself.
RELATIONAL
DISCOMBOBULATION
I’ve
just finished Wittgenstein’s
Philosophical
Investigations
.
There are some interesting mirror neuron-y things in the second part;
in fact I love it when it seems the structure of the book is the
subtext of the examples he’s discussing with intelligent selection.
One thing I remembered was a game I used to play back in childhood: I
would lie in bed and somehow (I forget how)
with
my eyes closed or else under the cover
lose
orientation, lose the room, forget which end of the bed my head was
at, where the wall was, and how I would lie dead still and appreciate
the utter lostness, the freedom from direction madly and gladly too.
There was something contained in Wittgenstein’s approach to an
accelerated discourse
combining
music, geometry, psychology, maths, linguistics, and more,
in
the second part of his book that suddenly reminded me of the
exquisite pleasure of having escaped reality in such a fashion as a
kid. I say “escaped reality” but maybe that was to find it for
walking on the sun as Einstein tells us there are no ups, downs,
lefts or rights.
This
experience of having become free from knowing which way round I was
lying, where the room was, where the wall was, and just lying there
in incognito position I don’t quite attain anymore and I can’t
remember the details of it that greatly as to how it was arrived at –
sometimes by chance, sometimes on purpose.
It’s
an experience of amnesia or even
ecstasia
that I mean.
It
wasn’t a contravention of gravity but of spatial awareness; a way
of escaping the obvious that would seem normally
i
nescapable
and go unnoticed too. Such an experience I would say even re-instils
a belief in
paradise,
magic
and
fantasy
in
the young child,
but
that may be unqualified. To attain it again would seem too difficult.
It
was a relational discombobulation. A scrambling of the co-ordinates
of
reality
.
MATHS
HOMEWORK
I
am reading Saul A. Kripke’s fine book
Wittgenstein
– On Rules And Private Language
.
At least it is open on the table,
if
I am not actually reading in this present moment but typing
.
I am about half way through his discussion of how to prove
to
a sceptic
that
by the function ‘plus’ he means ‘plus’ not ‘quus.’ I was
going to say something about not being a mathematician
myself
;
but I did once put a + sign for an ‘f’ in the line
“
I
have a scar+ that is red and black.”
It
would seem I did to mathematics what my brother did to language when
he came out with <BEE>. I tried the maths for the new colour as
a cellular mark
at
seven years old
.
Reading Kripke’s fine essay on the addition function (+) I can’t
help thinking I did well on that front; that my own efforts were not
bad, quite interesting, even innovative. You’d have to re
ad
my
seven year old text (
The
Sunset Child
by John Tucker)
to
read a more full account.
I
did also once write an album called
The
Road To Heaven by Noj And The Mob
.
There
was also a text exploring the ideal form of defaced bank notes some
time after I forewarned of September 11
th
in 2000.
By
now I am thinking more of the falsification of the Nirvana barcode:
it is surely an Impossible Number. What do I mean by that? I mean
that it cannot exist even though it is clearly arranged on a page as
a conglomeration of ink droplets that signify, presumably, some sort
of “containment of everything.”
We
already have the sign ‘Sigma’ meaning the sum of all data. Quite
what we need a fake and fallacious Nirvana barcode for I do not know,
but we have one courtesy of a whimsical tendency in my own writing to
entertain impossible mathematical functions.
Even
in the cracks on the concrete floor I see writing, or rather maths,
or even Logical Symbolism, like the window full of equations in the
film
A
Beautiful Mind
.
It only takes me missing a night of sleep to be able to hallucinate
whole “wall to wall occasions” as I call them (for the occasion
IS the equation)
in
the aleatory patterns on the concrete floor
.
A
SYSTEMIC ERROR NEAR THE START
If
philosophy be but tea I should tell you of a systemic error near the
start.
My
father was a life long Man United fan; but when I was very young I
started to support Liverpool F. C. Their winger John Barnes was my
favourite player; I had a female friend whose surname was Anfield;
and Liverpool were rampant at the top of the League Table in the
paper. So it seemed a no-brainer to support Liverpool; and as soon as
my dad found out he came in and said:
“
John,
your boys are playing Arsenal today and I want you to watch Ian
Wright very closely.”
I
was being punished: the black striker Wrighty was being used as a
deadly weapon, an instrument of punishment. Moreover, as soon as I
started supporting Liverpool, they stopped winning the League, and
Man United took over!
There’s
a lesson in there for you somewhere.
I
have to search my soul now and ask really deep, probing and
penetrative philosophical questions such as: do you really, deep
down, actually support
your
dad’s team
Man
United? I think the answer to that is no, still, I still support
Liverpool.
But
I don’t follow the football anymore.
Philosophy
was once decreed by Russell to be a place where science and religion
meet. Science and religion both agree that behind us is Perfection be
it super-symmetry of forces before Time began (to precede its own
origins) or an Adamic, prelapsarian state… but that perfection is
gone. Be it the Fall or be it entropy
or
whatever
,
the perfection that precedes us has been blemished. That there is a
systemic error near the start has been noted on many fronts.
The
point is it is too late to go back. Back is the way we cannot go. So
into the future we travel, knowing Eternity is Now and Now and Now.
AN
AESTHETIC ANTI-SYSTEM
If
mother’s flower-press ending on cannabis = a dialysis, a love poem
only hoping to impress poor Flora = a motor. Well, this “florid
pretext” keeps coming up. It was said by my sister Hannah that the
best bit in
Transition
To Philosophy
was where I argued that the dialysis extends beyond the end of the
world and the emptying of space of the human form! Not wishing to
copy myself, for that would be crass, I should just note that by now
she is beyond me. I had a phase of writing her poetry in teenage
years but it’s… it’s time to look back on all that folly, like
Rimbaud renouncing his art. The middle aged vantage point of
philosophy afford
s
such room for reflection. If I were to ask my mother, meanwhile, what
to do for a Creative Writing MA, for I did have a place once upon a
time, she would say that she would make something out of Flora’s
“system.” A point could be made here about systems which is that
the very idea of a system is different in philosophy and poetry. In
poetry systems are not to be trusted for they rule with fear not
love; in philosophy meanwhile you hear of the triumph of so-and-so’s
system. I am unlikely to do a Creative Writing MA for many reasons,
including funding, including mental illness, but one of my friends
from a past MA course there at Lancaster also recommended me
arranging my poetry according to The Florid System. By now of course
I know, or rather believe, she is someone else’s mating queen from
the green pages of
The
Lords And The New Creatures
in the flesh –
so
I shouldn’t go there
.
And
yet
every
time I think this plot is over, my mother comes in the kitchen, where
I work, and gets me, say, to put some asparagus in a pint glass with
water at the bottom, like a flower arrangement. Thereafter the stage
is all mine and my brother’s but I am tired of it now. I never got
the girl on that front and so have even started to struggle to put
words down about this which was once my most Rimbaudian aspect.
I
don’t smoke cannabis anymore nor crave to sleep behind her face…
and
what a beautiful face it is too. But no, alas, she is not to be mine,
only in dreams. Th
e
voices whose suggestions I dare not resi
st
say “th
at’s
just what you get when you play the game according to kinship with
your little bro.”
Further,
they say if I had shown her the maths of the new colour as a cellular
mark she would’ve known the genius was me. The whole business is
like trying to get your Undying Bitch to come, when your head is
melted on MDMA, or not. Nowhere near, we start applying salt and
pepper to the sauce – or mum does. Then they’ll start saying my
bit
in
the mixture
was
when I wrote down the voices I hear, even though they are real people
elsewhere. I was the one to first articulate the pretext but by now
it has been usurped and soon they’ll be saying it was my mum that
said it.
The
sauce is actually delicious, as my mother says: combining beef and
gravy and sweetcorn. The potatoes are also beautiful, local, earthy,
humble. Afterwards, mum says there are cherries and strawberries to
finish off. So I have a handful of those.
I
start with the cherries, then have a strawberry, then have more
cherries. They are far from running out.
Who
would’ve thought cherries could be so numinous? Now I’m onto the
popcorn. It is sweet and salted mixed.
I
like that, possibly because the areas of the brain that deal with
pleasure and pain are right next door to each other!
I
prefer popcorn that is mixed sweet and salty to the very sweet,
almost saccharine kind. Anyhow, by now I am rambling. S
oon
we may turn up to the cinema to watch a film called
The
Lords And The New Creatures
.
Already I think they turned it into a dream rather than a film. It
moved very fast and left you feel energised in the morning. Energy is
good – at least positive, healing energy is. Blake said energy =
eternal delight, and he was wise and knew a thing or two about life.
Blake
would have to be a part of the Doors computer game if that dream were
ever realised; and maybe I would too.
Drinking
beer and smoking spliffs in the cinema has also gone under
Gondwanaland
by
the way
.
Then
you realise you missed out the Ketchup. Of
course
it is part of her pretext. It contains tomatoes and sugar too.
There’s sugar in Everything by the way, as my father saith: “reduce
sugar!” he warned.
He
was the one that showed me said flower-press ending on cannabis: a
gift from my mum to him, comprised of clippings from their Honeymoon
in Crete, it came with a commentary on Taxonomic properties of the
plants in terms of things like healing, food and mythological status.
It was around that time, when I first read mum’s “brochure,”
that I actually espied the woman in question trotting on a horse in
the village, smirking. She’s not from round these parts and the
idea that someone rich would come up for holiday struck me as
unlikely. So it was I felt drawn towards her: like opening my heart
to find out who inside it was held to be most sacred, I fell into
line.
She
wouldn’t even befriend me on Facebook though, so you soon get the
message: if someone doesn’t respond to you, they don’t want to
talk to you. Soon enough I was writing about the tape with the pause
where cut and resealed in the reel in ways I cannot remember,
designing a system to do with colours and what would happen if you
rewound or fast forwarded the tape. I was slow-spelling her name in
this system, and rewinding and fastforwarding it too, which was but
one of the beautiful things I have done that never saw the light of
day. Now it is later. People said the best song in Soundcloud Rain
was the one for Flora; it’s my brother’s one that one, even
though I wrote the lyrics. I believe, that is, not only did he get
<BEE> and the sheet where pictures
depicting
my lyric
grew
but he even got to know her kiss!
It
all makes me out to be handicapped! Soon I’ll have to betray the
fire-dance and rewrite the government paper I wrote at seven that
helped invent the net! Then I will have pissed off people that say,
hey, it’s either the Doors or the State, not both. So for now I
stick to the Doors.
Maybe
I’ll find out I wasn’t actually “the witness” and the
Naturalistic Observations I made were done with a gun, and that
the
State
are trying to help. Then you realise you missed out some of Nora’s
books…
and
what would they contain? Ink droplet constellations. Ink droplets
standing in squad-drill formation. To not even be able to go on, when
conditions are like this,
so
free,
is a strange thing. Does one come up against a border? One comes up
against an aesthetic rule: that progress should abide by an aesthetic
standard, meet an aesthetic requirement; so one pauses, reflects,
hears the bird song in the summer trees in the evening, drifts off,
and starts wondering of cruciform pollen, how it contains mascara
bruise, peacock feather, butterfly wing and velvet flare. I had hay
fever as a child but homeopathy cured it. I grew out of it.
I
grew out of asthma too. Maybe I am growing out of poetry also; maybe
what this whole “transition to philosophy” thing is about is
growing out of poetry, because there is no audience; but I don’t
want to speak too soon. Philosophy could be air, hair, water, tea,
clothes, pasta, loo-paper. Apart from a few bits and pieces it is
airborne. Imagine if you could even see Flora’s pretext in a
painting by Delacroix.
He
was a Romantic, is someone I much admire… Romantic hyper-charge
would be a good property, meanwhile, to invest into one’s poetry. I
wrote at seven that “hot July brings cooling showers/ straw berries
and gilly flowers.” But by now some people believe my seven year
old homework is the government’s! You might need running through
what I actually did but I have been told by Hannah that I can’t do
both – both the State and the Doors. How can I lead it to the
condition of tea? My brother says not to posit the same information
twice; not to renew my own boyhood maths and science.
THE
FRAMING OF HYPOTHESIS
The
witness from
The
Lords And The New You Know Who
or
not
would
seek an hypothesis if he wished to become a philosopher. That “Barnes
has scored a chicken” may be the most obvious and natural utterance
but is not the right hypothesis. For one it wasn’t Barnes, for
another, it wasn’t a chicken, for another it wasn’t even a goal.
Not to mention that fact that natural sciences and philosophy don’t
too easily mix. The witness wants his hypothesis to be as good as
Barnes’s goal against Brazil which is what Barnes actually scored;
and yet can think of nothing more than the comic line “Barnes has
scored a chicken” which for reasons as stated is spurious,
specious, fallacious, wrong. Still, there are other hypotheses that
are contained in his remit and his orbit: for example: it is not
impossible to incrementally change the colour of white skin through
mathematics: for this he would need to regurgitate his seven year old
experiment into the maths of the new colour and describe why it
failed to obtain the new colour. Another perhaps better option is
that the face of stars was scripted in the Bible. Believing it a
better hypothesis even if a bit straight, he contemplates how the
John Barnes scenario would still recur in his inner monologue as he
prepares for a philosophical interlude. He also assesses the extent
to which none of this goes on
in
a
world the mainstream can tolerate
or
picture
.
He hesitates before calling it “psychedelia” but recognises there
is a similarity between his reports on mystic visions and the idea
from Pinchbeck’s
Breaking
Open The Head
that psychedelia makes sense and only makes sense when you are inside
it but is too easily dismissed when you are not. Attempting another
hypothesis such as “existentialism is dead” would not be right
either, for it would lead to no further light, be in itself dead.
Of
all that he has seen and done, much of which goes unreported herein,
there still doesn’t seem an original idea, an original hypothesis,
an original theory – for that node about the Nirvana barcode is
surely derived from the cover of Nirvana’s
Nevermind
.
So no original idea presents itself apart from, that is, his
brother’s notion that <BEE> might soon ensue from @ in the
international language alphabet, so he must collapse into line with
that. Him and his brother are not at loggerheads after all. More to
the point you can recalibrate the co-ordinates of the possible
without an original idea
of
your own
.
You can still be a good writer even without an original idea. To some
extent originality being the first port of call means it becomes its
opposite, as WB Yeats pointed out. There is, moreover, originality in
the
ideal
of practising the maths for the new colour as a cellular mark even if
there yields little hypothesis in a philosophical sense.
Should
you Google the question “can you change the colour of white skin
through maths?” you will find a resounding, unilateral NO; so
therein you actually might find an original hypothesis, but not one
you wish to pursue, because for a start to reveal the mark that was
left might incur exposure of privacy. Maybe you console yourself by
now – or he does – the witness – by the fact that he showed
unconscious foresight in his writing of the sheet where pictures
grew? All these toys, they are not toys. All these symbols, they are
not symbols but themselves. From what has been written herein I would
say the best hypothesis to go with is that the face of stars was
scripted in the Bible; but Millennial excitement dies down, is
surpassed by an Age of Terror, which now afflicting the witness,
means he doesn’t even know if he is safe to mention it, said face,
in the privacy of his own home, at the foot of Black Combe, with whom
the stars re-align sometimes. So it is that the quest for an
“abstract” for the surname goes on – and this brings us back
round to John Barnes. As I stated in
Transition
To Philosophy
to
talk about the Morrison media-compression experiment producing
results means something “kinetic” becomes something “static”
– which is metaphorised as being the same thing as
watching
the
Action Replay of Barnes’s goal against Brazil. We cannot give the
uncertainty back to the moment in watching the Action Replay and know
the ball is going in – so something “kinetic” becomes something
“static.” But by now I am only repeating former writing. It does
at least seem a more sophisticated “abstract” in that line, field
or area than “Barnes has scored a chicken.”
SOMETIMES
I STARE IN NUMB FRACTURE
Sometimes
I
stare
in numb fracture at the screen entertaining much more interesting
thoughts than ever get written and what would James do? He would
crack the Matrix. The first thing you notice with visual radio is the
swirling of colour that takes years to identify as visual radio –
for you shall know it as colourful smoke before you know it as visual
radio. Whether you can survive long enough to come out the other
side, live to tell the tale, is a different matter.
I
start to expand my compassion: to recognise, in this “maths of the
new colour business” I am an annoying arsehole. So my compassion
expands, EQ, heart magnetism, co-imagination, sympathy. I also don’t
remember what it’s like to not be the witness from
The
Lords And The New Creatures
or
not,
of
which there may be more than myself, but maybe not that many more.
The whole of my youth was devoted to Jim Morrison in a way. But yes,
I am annoying: the + sign for the ‘f’ of scarf in the line
“
I
have a scar+ that is red and black,”
it
has even been called genius by a PHD Biology student, but rereading
it out of context in it
can
be
a horror story. Originally it was innocent: I was seven. It came
after spotting the flaw in the E of Einstein. But all things must
pass, and I am but not bad for a right-handed gentile in the end.
And
the + sign may be a cross.
ON
AN ORGAN
Now
mum comes into the kitchen to turn the AGA up a notch. I am tempted
to copy and paste in a renewal of my boyhood maths and science; but
maybe sitting in this kitchen with this AGA I can go somewhere new?
She makes it look like an accident – the way we are connected, in
sympathy – the way proceeding with the book is contained in her
action. You might get that when I used the + sign for the ‘f’, I
calibrated an algorithm that sublimates numbers and letters on a
cellular level; to see if the new colour could be rendered as a
cellular mark. You might get that I left it a mere case of counting.
But to repeat it herein, now that I am not seven but forty three, and
to only isolate bits of it, would create something like an advert
rather than science itself. To read the original you can read
The
Sunset Child
by John Tucker which is my real name (Johannes Bergfors is my
philosophy name.) There the experiment is offset by not even knowing
what cannabis is, getting the name of the pollen wrong, so it’s
innocent. Anyhow the temperature in the kitchen where I now sit is
quite high so I am topless; but the AGA was down a bit so we had to
turn it up. I think it’s raining outside.
It
is. And my identity is what I think of. I love to think of myself as
a philosopher but there is always the identity of the beautiful
minded mathematician from the past. One thing is for sure – I am
glad to not copy and paste in my renewal of the government paper. Not
that I am against the government. I am living in trust that on an
organic level it’s best done in innocence, best when I was seven.
The
mark was with me during my degree!
ANOTHER
ONE
ON
THE FLO’
It
wouldn’t quite be the same if I said “if an hour-glass ending on
a piece of bliss could = a dialysis, a love poem only hoping not to
bore her could = a motor.” The thing is we live in an age where a
supercomputer can
p
ut
every word, book, letter, sentence, paragraph in every order – like
the machine in
Gulliver’s
Travels
which was at the time only fictional. There are probably some
exceptions, and my maths and James’s <BEE> were probably once
upon a time exceptions – but
o
ther
than that everything is foreseen. It redefines God that they can do
that. But when you deal with a flower-press ending on cannabis – I
think that escapes the totalitarian machination.
Computers
don’t chop plants into positions of collocation. Something organic
is going on that is out of their reach.
Anyhow,
by now Flora is out of my reach. I never got to be with her. Of all I
did with my life, there were some great things, attaining the face of
stars andcetera, discovering the sheet, being the witness or not, in
no particular order, helping invent the net, hosting The Plough
alignment, testing the edge of self-evolution with an experiment into
the maths of the new colour as a cellular mark – but of all of it,
I wonder if being with her would’ve been the crowning achievement –
something I never got to know, something I never will
never
get
to know.
It
would’ve been Keatsian to bring out a love poem book for her but
was not to be. I’m not giving up, don’t get me wrong, for then
there would be nothing more to crow about. I’m just exemplifying my
philosophy in a kitchen whose fridge pipes up and starts droning as I
write. Then you realise you’ve missed out the Diet Coke.
ANOTHER
ONE ON THE DOOR
I
don’t know why I made certain Naturalistic Observations as a child.
It could’ve been my dad’s business. It could’ve been that Jim
Morrison wrote “a creature waits out the war” in
The
Lords And The New Creatures
and my dad sold his art dealing business when the Berlin Wall fell.
Said art dealing business might be a lie though, and his actual
business may have been
The
Lords And The New Creatures
itself. He may have been sponsored by some genius philosophers to use
me as witness. There are several possibilities and I don’t blame
anyone, nor know the truth. So in these conditions, in these times,
this Digital
A
ge
by now, I must relinquish my position as the scripted, definite
witness.
So
in a way I resign, leaving the whole game to renew itself. In a way
if I was the witness, I can’t keep clinging to it – can accept
that it’s past tense. I might be doing what I think you want me to
do, but that is also what I may be required to do. My curiosity as to
what really happened hasn’t gone away, but like Rimbaud or even
Prospero I renounce.
It’s
probably part and parcel of abjuring nursing the suffering of my
ideals. Of going from idealism to pragmatism.
POSTMODERN
SELFHOOD
I
always find it boring, churning out philosophical data on the area of
the self. Once I drew two, large, overlapping circles, one for the
Known, one for the Unknown and said the oval-shaped bit in the middle
where they overlapped and clapped was the “area of the self.” The
idea was that as we find things out, the area expands – the known
and the unknown come together – until there is a moment of eclipse.
Later
I said to my philosopher friends round the table: “ask yourself
“how are you?” or even “how am I?” You find
there’s
nothing
there. It’s empty.”
That
approach to the
area
of the
self
was either
derived
from
frying the brain on LSD and waking up alone and unreal or by
existentialism – peeling back layers of falsity only to find
nothing underneath.
Later
still I considered that I was a net so fine-mesh it was but grey,
smoke, static and fleck, neither retaining nor permitting anything.
When I hung around with a true philosopher he then said those exact
words to me, words I had thought, an image I had conjured,
as
if he had read my mind
.
It
works the other way too: I considered the image that I was spreading
the same packet of butter over an ever-increasing surface area of
toast: then I went and read the exact phrase in an Arab Strap record
sleeve that came before I had thought it.
More
genre-appropriate techno-jargon would be to say that the ontological
excavation, the archaeological sense of self, is the same as the
existential detective case, and the Plathian multiplicity of selves,
and amounts to a postmodern “tumulus” or burial mound. I like the
word “tumulus” when applied as a substantive corresponding to a
sense of self.
You
can also be in a state of unself. This word presumably derives from
being “unselfish.” But it has slightly different implications,
not necessarily those of having escaped want, but those of having an
imploded sense of selfhood perhaps. Anyhow, it is when we go beyond
the realm of the self and the ego that we find the realms of art and
science, as Einstein said.
In
this evolving narrative of my sense of self, I started to hear voices
and became mentally ill. New images for selfhood post mental illness
have not been forthcoming, but I try to remain kind to all those whom
I love. It’s good to be kind. You should be nice to people, as my
brother says.
My
mother is extremely nice.
ALIEN
SPACE PROGRAM
Well,
philosophy. You read it and want to play the Game. You want to get
involved, get stuck in, even make a lasting claim. But there’s a
lot of reading to do before you are qualified. I have been
considering, of late, the idea that reality is a computer program
designed by aliens in the 1980’s. It is a variant on a theme of
Russell’s, I gather, from reading
Think
by Simon Blackburn. How do I know that reality isn’t a computer
program designed by aliens in the 1980’s?
Back
then I was used as a tool to help invent the net. If you’ve been
reading my books you’ll know: when someone was needed to store the
idea of the net in the attic in writing in order to give it a chance
to grow, it was me – and I did not know – and the book stayed in
the attic all those years. That may be where I get the idea from; but
how can I actually prove or confute either way the idea that reality
is a computer program designed by aliens in the 1980’s?
Traditionally
I would say: (a)
The
Lords And The New Creatures
by Jim Morrison was published in 1969, at least I believe it was.
This may only be a belief but that may have to suffice. (b) I believe
my English-teaching granny
on
my dad’s side
was
on this earth before I was born. You understand though that in the
computer program there are “antecedents things” left to blind us.
Like some people believe fossils are planted by God to test us, test
our belief in the Creation story.
ANOTHER
ONE ON THE FLOTSAM ETHER
“
We’re
soon enough in the flotsam ether,” I once wrote, concluding a love
poem… to still be doing this would be not right though. I don’t
mean writing, I don’t mean searching, I don’t mean the quest for
meaning – I mean weeping salad. I mean that if a flower-press
ending on cannabis = a dialysis a love poem hoping to impress poor
Flora = a motor but seeing as I no longer smoke weed nor am in love
with her anymore I can’t see how this eschatological pretext is of
any interest to me. So I am putting it out there like furniture on
E-bay in case you want to pick it up, take it up as your cause; but
don’t be surprised if she being the mating queen from the green
pages in the flesh does not respond to you when you contact her on
FB,
smitten
and in empty warehouse zones of the psyche.
*ketamineguitar*
SELF-REFLECTION
I
still feel
Little
M
iss
Philosophy is the one for me even if I am not the best. I feel this
would be a Third at University
level
,
this document contained herein where in English Literature and
Creative Writing I
already
got
a First; but it doesn’t matter – because it makes me pleased –
and feels like the right thing to be doing. I am happy reading
philosophy, sitting up in bed rather than on my side. Most of my best
points already went into the first volume,
Transition
To Philosophy
,
but it being philosophy, the subject opens up and there is always
more. I already know what I am going to try and achieve with my next
book, which I shall not let on in case the subject radically changes,
or my mind does. There is a lot of room for changeability in my
process. I would say
though
it will be more of
this
processing of Time to trial and outcome and with a futuristic view
in
mind
too
which sees me occupied in terms of spare time continuum.
Herein,
I
particularly liked the way the Biblical quotes blended into the
“magic sayings hidden in the tree tops,” because it was like
breaking bread.
The
quest for meaning which I am involved in will surely go on into the
future still. The transition to philosophy is ongoing, all about the
journey, a journey of becoming, and I don’t know where it will end.
The resources available to me are my dad’s philosophy bookshelves
from London University in the 1960’s, the online world where I can
Google “contemporary philosophers” and buy books on Amazon, the
company of my deep and left handed brother and mother, the great
outdoors in the awe-inspiring Lake District, and my memory of
interactions with other philosophers in time past. I also have, here
at this island of humanity, voices, which can be real people, tuned
in to the same thing. I can watch Youtube videos, read books, and
take notes at the laptop.
I
am an amateur ordinary speech philosopher if I say I am for the
duration of the sentence.
Remembering
days when I didn’t know where I would get undressed or where my
bones would rest each night, nomadic days, I seem to remember the
birth of “philosophy chat rooms” in real rooms where real people
would talk of real issues and on real drugs too. Back then the
present author could be heard to say things like “existentialism
isn’t
really
regarded
as a philosophy anymore because it’s all about faith,” but you
never saw him reading
Being
And Nothingness
.
These days I hope the reverse is the case; that I devote my life to
reading, here at the fell’s foot, and think clearly before I speak,
and
speak
clearly
about what is on my mind.
One
problem is that I found it too hard to get my little thing about
helping invent the net in because at my laptop screen it is too windy
and there are too many flies.
Maybe
next time I’ll give you a rundown of some of the main moves I made
but for now I breathe a sigh of relief that we didn’t incur the
problem of mathematics whom it would seem could be lies, could be the
language of Nature.
ABOUT
THE AUTHOR
Joh
an
n
es
Bergfors
(which
is the philosophy name of John F B Tucker)
was
born in London in 1982 to a Finnish mother and an English father. He
got a
First
Class Honours
degree
in English, Creative Writing and Practise from Lancaster University
in 2009. He now lives
in
Cumbria,
at
the foot of Black Combe, with his mother and brother.
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