My little brother is a genius too – he designed the sheet where pictures grew. Admittedly the pictures seem to depict the lyric to one of my songs – but I concede it is not mine. I did not lay it down.
James designed the new da Vinci circle as follows:
@
<BEE> [long squiggle]
Infinity Symbol
The new da Vinci circle is a discrete system containing the international language alphabet in 4 Points of Difference. It not only suggests <BEE> might soon ensue from @ in the international language alphabet but by incorporating a long squiggle, hopefully and ideally escapes “every word in every order” as a new super-computer can by no doubt organise.
I think it a brilliant piece of work. James had also made a previous document, with some deliberately-imperfectly-quoted Badly Drawn Boy lyrics about the power of the sun rendered in an anti-clockwise spiral like a word-sunflower:
sunshine inside of you
old sun warm sun
spreads over you
soliel all over you.
He left the two documents to rot on the upturned box we used as a table in the den in the barn. I think there was also a picture of the upturned box itself, with candles on, turned face down, on the reverse side of one of the two documents as if the whole thing were the new da Vinci circle, as if, that is, any part is a model of the whole.
I went down to the den in the barn and read them and at first couldn’t see the <BEE> one. We don’t know why this is but I saw a tabular arrangement of signs in boxes on the <BEE> sheet. It was like the Periodic Table except with the characters of the international language alphabet laid bare, a sign per box. One was [backward f, forward f, equals running through.]
Backward f, forward f, equals running through could stand for “fish.” But who augmented the paper with that touch? It was the main man himself, my brother, upstairs, sneezing while plugged into the same synchronicity as me, the same new co-imagination, the same sympathy. Anyhow, you can trust me that the international language alphabet as I read it was beautiful, and yet it turned out just a layer of pentimento in the parsimonious palimpsest.
I was impressed, and left it alone. But going back down to the barn to reread James’s imaginary alphabet or whatever I thought it was found the <BEE> document as James initially drew it – and couldn’t find the tabular arrangement of signs in boxes anywhere.
Again I left it alone, and some time later when our dad had just passed I went down to the barn another time and found the Badly Drawn Boy sheet had by now grown pictures. They seem to represent the lyric to a song I wrote going
I’m the only one left,
left to shoot my own gun,
this is the dead land,
crack a smile and curse the sun.
The pictures never got as far as the chorus. The song was never intended as a literal curse either. The bit you would’ve thought was the curse bit, coming after “crack a smile and curse the sun,” was actually written before the verse. I wrote the chorus first that is, and then the verse, and was just trying to make it rhyme too. What may be true about the song is that it represents the sublimation of The Lords And The New Creatures into a singular, pronominal act of Romantic, first person lyricism or ‘I’.
There are also two blue ones… the ones depicting the song are petrol negative mud Cola brown but the blue ones are a fat, greedy, Tory pig on the left and a calm, placid face on the right. This made me wonder if I had written theory, for it to happen, for at the solar eclipse with Paul, after guzzling too much LSD the night before, and during the eclipse itself, I wrote in the road book “Every Atom Ate Our Eyes.” Not long after, writing about the face of stars in a poem called ‘An Inward Prayer,’ I wrote “Blessed is peace as blessed is ‘FUCK!’” Still, this would take away from James’s genius. He harnessed Einstein’s cosmological constant ‘c’ as an author. It was him. It wasn’t me.
So anyhow, I gave the document to James, who laid it down so must still own it. Truth be told we haven’t conversed over the matter much but I think if he was using ‘c’ as in Einstein’s value for light-speed as an author it is genius. Not only that but I would say as he would say that it was because he wrote “sunshine inside of you” that it worked. It was all about what’s inside.

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