Sunday, 8 March 2026

A SENSORY OVERLAY






Maybe the switch was thrown. Back in the day when we were recording the tron, that is recording on binaural earphones in The Flood, we also listened to Piper At The Gates of Dawn by the Pink Floyd; and maybe there was an inversion whereby the Floyd CD was suddenly recording instead of playing.


I do know that sometime after my degree I was living in London and listened to the classic Floyd album on Youtube and heard a sensory overlay of my name and voiceprint as if tattooed on Piper. Asking people about this, the possibility of affecting an album without going back to the studio to rerecord it, one person said it was schizophrenic talk; another that the sensory overlay was undeniable.


I do remember as I say listening to the album back when the tron was being recorded, and my mate suddenly saying “John Tucker” at a particular moment in the song, and me saying “this bit’s good,” which both seem to have stuck to the record as if it was indeed not just playing but recording.


I find this remarkable, as an overthrowing, as a usurpation, as a moment of ecstasia (meaning the suspension of all judgement), as something Bakhtinian applied to Bach, as another number which we could say is by our band, which begs the question as to whether or not Saucerful of Secrets still comes next!

























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