Sunday, 23 August 2026

'THAT BLACK NATURAL E' AND 'SKUNKFOOT'







THAT BLACK NATURAL E


Where once I wandered far and wide 

on a field-file, a file-field, 

a fenceless farm without 

security alarm where all hearts bleed

and all arts breed, now Hell

is very quiet, unadvertised.


McBreastmilk, 

McBreastmilk, 

don’t feed your kids.


Gentle face erasing cream,

smear it in and let it sink

down through the pores of your skin

to erase your deepest down dirt.


O stars the government

that truly speaks for us!


Get an extra kid for free

when you spend 99p.


Freefall 0800 down

your own black hole pupils.


Maybelline you maybe only make-believe

you may be the true mating queen of the hive,

may mad vampires stalk you,

stalking walls walk through

your vagrant dreams.


I see state of head

is more than Head of State.


Monster Munch can

always gobble up your food.


Cancerel can always 

sweeten the stewed-

carfume coffee we sip in 

this liminal afterlounge.


It’s getting cramped

as a tin of beans in here.


In emergency please 

break glass and exit.


Credits at the end of innocence

are falling like numberless lists

of fallen autumn leaves.


Snatched handfuls of light

come to nothing in the dark room.


There must be a use for 

this dust amounting.


There’s nothing like digging 

a meaningless hole as if to cure the 

spiralling lethargy of Hell...


and when I went into the 

woods to bury my soul, 

all the trees knelt down.


O perpetual orgasm of the sun! 


Privation is the mother of imagery.


Prayers, ghosts and 

e-mails chatter on 

the ego-loss breeze.


The chitchat in the solipsistic

kitchen of fiction is 'phatic'.


My new, motley fridge magnet

letters contain no question 

mark in the pack but the first

qualification of Modernism

is enquiry and furthermore

wilful ignorance is a sin.


Meanwhile outside the 

fallen Autumn leaves 

are where bears have 

dipped their feet in pots of paint 

and danced across the threshold 

of the paving stones.


Water clears its throat from the tap.


Gunpowder was only invented

for fireworks and a firework

is a champion sperm nosing up

blind to explode bright and wonderful

deep-sea creatures in the Ancient Night.


The world is a cool, bejewell'd

marble snug in Holy Orbit

suckling on a mother sun.


Supposedly there is soon

to be New Atlantis on the moon.


The cure for cancer 

sustains your heart.


Robbed by a bastard vending machine,

somewhere a tramp drinks paint-stripper 

to cleanse the doors of perception,

a drunkard attacks a wall

on an otherwise empty street,

a policeman forces himself

to come with a gun.


Hey salesman 

slow down 

with that

fast-food. 


I don't mind

waiting here

for a year. 


(2002)





**









SKUNKFOOT


Portability still seems the Apotheosis of Form: sometimes I can be walking along on a sunny day when I jump from the jungle to the Arctic to the Sahara. Mutation in consciousness itself, truth too simple to understand, these are gesture-without-motion-bones, like sadness gene and dreaming gland. It's not impossible to write an anti-poem. Love is not a mechanistic set of rules. Love was once aligned with madness, fever and intoxication. Love became grouped with language not God. Love became a tough word-combination. Love has no ego as everyone knows, and so it goes and so it grows. I for one think Lucy in the soul with demons may happen to be an actual substance. Travelling south, as I read Rimbaud, a rainbow smashed a railway train window. A baby cannot trip without memories... I remember “every atom ate our eyes.” Our eyes: they are ingrown in the ocean's bellyful of wine, down in the seabed-orchard. There is angelic music inborn in the inner ear; but those whom the Gods wish to drive mad are sent the end of ‘Bike’ in their heads and madness is not something to be Romanticised as a return to Purity. Impunity seems more what the poet wants. He likes to float on the artifice of organic emotions through synthetic sounds, and is into exploring alternative histories suppressed by the overarching meta-narrative. For plastic surgery of the soul there are libraries. Poetry is the bike riding itself. Monopoly money will get us well, Monopoly money will get us bread, she picks the blue tac off the wall and says “my T-shirt is red”. I put my wounds up on bright flags; I take the angel up the arse. To plug my senses in the mains might engage [!00 %] of my brains. It’s all about a permanent reactivation of the Glastonbury Festival spirit. John Tucker is taking acid again. Money shags in the dark. Thoughts of one’s greatness only diminish one’s greatness. Skunkfoot is putrid demons excreted through stone. Love an army of fire. Fire needs some incentive to rise up. Shall I touch my heart with a red Bic biro? When all the air in outer space is consumed… The bed in the wood, it was definitely a whore’s, with solar spike I can use the Force, with R2D2 I cleanse my doors, I’m just trying to win my Star Wars. I’m starting to think in five musical parts at once. The Anon Throwaway as a new form could become an alternative currency to rival with money for the role of the real. Formal education is not for everyone. The yellow DogMuckels M atop the pole in the industrial park is the postmodern churchspire in the spiritual vacuum. Postmodernism is theme dissolved into message. Giant killers are frozen peas in the microwave. I look into the mirror though I shouldn’t pool my sources. I’m not going to die at the age of twenty seven, watch the dreamtapes on repeat from a golden seat in Heaven. The heart beats to the rhythm of one. A fiver is surely cheese and onion flavour. Cataclysm is catalyst for the old cat that sat on the map of sound, just because the world is very round. If there were paper under my heart there would be writing on it and it would be art. I might ding it in compressed Space Age seconds.


(2002 - 2003)




**

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