Sunday, 23 August 2026

OEDIPUS WRECKS









NOTE ON OEDIPUS WRECKS


My friend Dr. Calculator Ptom named the band upon hearing my songs at school. He used to say gnomic things like “the universe is a projection of the mind.” “The G note is green on the guitar fretboard.” “Born Slippy is evidence dance can have a soul.” “Poetry is untranslatable because of the music.” “I was doing some thinking and realised Death is God.” “Early Oasis is good for bittersweet, comedown energy.” We boarded a train not knowing where it was headed in the middle of the Night in London. By now he is Dr. Calculator Thomas and the song is ‘Born Slippery.’


















THE OEDIPUS WRECKS GIG, CAMDEN TOWN, CIRCA 1998


I


OCEANS SMILE


Oceans smile with liquid eyes

and fill themselves with rain.

The tide goes out and leaves me

lost, the last thing a glass gene.

Follow me to the resurrection

while the blind get crucified.

My weapon’s only loaded in my eyes.


Death will come on silky wings

but I for one will not go.  

A soul is endless, oceans open

and keeeeeeeps a perfect O.

Follow me to the resurrection

while the blind get crucified.

My weapon’s only loaded in my eyes.


Go drink the ocean with your tea

cup, give your heart far out.

If it’s true what oceans do

then they'll give you a shout.

Follow me to the resurrection

while the blind get crucified.

My weapon’s only loaded in my eyes.


Too drunkenly I sail the water

on Rimbaud’s smoking boat.

With whiskygills primed in fire

I sail the waves to Boot.

Follow me to the resurrection

while the blind get crucified.

My weapon’s only loaded in my eyes.


(reconstructed via the new, synchronised word)














II


KILL


My eyes sting,

my teeth are bleeding raw,

too much thought

to make me sick.


Stinky clothes

and mouth become

my skin and all

these fruits I want to kill.


Give my hope,

surrender to the tide,

you can take

my remains;


but I must go,

to wash the poison

from my eyes,

before, before, before I kill.






























III


SNAKE SNAKE BUTTERFLY


Snake snake butterfly, lay me dead & close my eyes.

Angel serpentine, she waits on the Other Side.

Give me your alibi; give me chains to stop me fly;

give me night to soothe my blinded eyes:

so I can see the secrets of the skies.

We must rise, freedom falling from our eyes,

unlock doors, it's a perfect time to die,

and it's okay ‘cause baby we'll go insane

but don't reach out too far for the flame.

Snake snake butterfly, lead me to the Other Side.

Angel serpentine, she waits on the Other Side.






































IV


SECRETS IN THE MUD


This is the sound of getting totally fucked.

Of when you first get your notebook sucked.

Of changing gold into Glastonbury mud.

Of lying down in a field with your bud.


This is the music through whom we aspire.

This is the rule book that is thrown on the fire.

This is the jam where the trousers are down.

This is the wine-shop on the edge of town.


Chorus: Glastonbury, you should be free, and all you have in your big city,

you hit my G, you make me see how I want to see,

lights go down, lights come on,

and all my sadness seems to be gone,

although I still love to be what I dream I am.


[guitar solo]
































V


VITAL SIGNS


Smile like a smile just to smile,

cast to Heaven for a while...


let's rip holes in the boat,

throw the captain overboard,

throw the angels off the bridge,

death comes and stops me getting

bored of life's soul-machine.


What we need is energy,

show me all your vital signs,

what we steal is what we need,

what we need to feel alive,

for I'm alive with vital signs.


Back to Hell to plunder wings,

let the ritual now begin,


come and ride the waiting beast,

ride it gone into the fire,

ride it to the waiting feast,

my baby's waiting to get higher,

to get higher, to get higher...


what we need is energy,

show me all your vital signs,

what we steal is what we need,

what we need to feel alive,

for I'm alive with vital signs,

yeah feel alive with vital signs.


Come again there's lots to do,

don't you know that I love you?
















VI


HEAVEN KNOWS


Heaven knows and walks away -

but what it knows it will not say.


It’s impossible to make a cowboy film in space?

Heaven knows and turns its face!


Heaven’s filled with silver eyes.

Heaven’s hills all harmonise.


I hear its angels when they call...

Heaven knows and lets them fall!


[reconstructed]




































VII


MOTHER IS DEAD


Fuck this, fuck that, fuck me yeah,

I wish that I had been there,

been there to saaaaaave Jesus,

I'm sure he meant to please us.


Mother is dead,

mother is dead,

mother is dead.


We're young and filled with semen,

we're going to break some hymen,

we'll make the cops turn in their badges,

we're going over all the edges yeah.


Mother is dead,

mother is dead,

mother is dead.
































VIII


THE GHOSTS LAMENT (THE GUZZLER MEN)


I'm the only one left, left to shoot my

own gun. This is the dead land. Crack a smile

and curse the sun. Death awaits to fuck me.

Give me bliss and give me kisses. Death a-

waits to save me. The ghosts lament, the ghosts

lament. Come on baaaaaaaaaby, you know it's e-

asy, don't say maaaaaaaaaybe, let's go crazy. Death

awaits to fuck me. Give me bliss and give

me kisses. Death awaits the same me. The

ghosts lament, the ghosts lament, no more ghosts.


||||.


[Note: when years later I discovered the James P D Tucker sheet where pictures grew, and the pictures seemed to depict the lyric to one of my old songs, this is the song.]


































TELEPATHY HAS BEEN PROVEN


Once upon a time, an interlocutor, possibly meaning my old friend and bloodbrother the philosopher Dr. Calculator Ptom, picked up my hands while I was at the screen in a different part of the country and got me to type:



He found himself on a plane.

He found himself on a.

He found himself on.

He found himself.

He found.

P.



But what “P” means we do not know. Wittgenstein for example would say:


P = ~ ~ P.


I later heard it said that the wing-shaped calligramme is the only good bit in the whole of my oeuvre, and whilst I contest this, it might still be true, depending on your hermeneutic autonomy and subjective taste.


My point, which I left out so far, is that I would say that the wing-bit is still mine own, in the sense that if you hear voices they are your own thoughts, and if you write them down you needn’t become Anon, thankfully. I imagine Dr. Calculator Ptom feeling (if only a little bit) peeved off that the calligramme is mine, but being a Liberalist essentially, he would I am sure retain good humour about it.















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